Author: Iron Modeler

  • Fujimi, Fujimi, wherefore art thou, Fujimi? (With apologies to The Bard)

    Howdy, all…

    I’ve been reading a lot of back issues of modeling magazines lately—way, way back issues, from the early 1980’s.  I was reading FineScale Modeler, to be precise (and if you are a fan of the magazine and haven’t yet bought their 25 years, 1982-2007  and 10 years, 2008-2018 DVD’s, what are you waiting for?), especially the early issues between the initial Test Issue in 1982 until around 1987 just to look back and remember how it used to be.  Incidentally, a lot of tools and products that modelers today seem to think are “new” actually date back to pre-FSM days.  (I’ll cover the early days of FSM in a later post—I’ve been trying to write it for several weeks now, but always find something lacking.)

    When the magazine first came out, I was a 1/48 scale WWII airplane modeler.  If it did not fit that collection, I wasn’t interested.  A few years later, my tastes changed—well, they didn’t change, per se, I just grew my areas of interest.  In the Fall of 1986, I embarked on a 1/48th F-111 using the Monogram rework of the Aurora F-111A kit.  I had recently discovered the Detail and Scale series, too, and after reading the reviews, looking at the photos, and comparing them to the actual plastic, I saw nothing but a major fight with the kit.  I was at a crossroads.  While at one of the Daytona hobby shops (most likely Sky, Ltd.—HobbyCraft Junction had closed, and Ace RC had only a small selection), I spied the Monogram 1/72 F-105G.  Having been a fan of the Thud since I saw a picture in the family’s Collier’s Encyclopedia (again, this was when most families actually owned an encyclopedia set), and having built the Monogram 1/48th scale kit in 1983, I was intrigued.  I bought the kit, and quickly liked the idea of jets in 1/72 scale.  (I gave the ‘Vark to a college friend, who finished it respectably, showing that it *could* be done—and if you wanted a 1/48th scale F-111, this was the only way at the time.)

    I reasoned that a 1/48th F-105 is almost the same length as a 1/48th B-25, and I realized that doing jets in the smaller scale did two things: saved display space—well, it didn’t really “save” space, since there were now more kits to build, the smaller kits just allowed for more models to be shown in the same space—and opened up a vast variety of subjects to my collection.

    Sticking with the 1/72 scale theme, I would buy and build the Monogram EF-111A in the Spring of 1987, a Hasegawa F9F-2 Panther in the Fall of 1987, and a Monogram F-4D in the Spring of 1988, rounding out my years at “The Harvard of the Sky”.  Later, after I graduated and joined the real world, I would build Fujimi’s AH-1J, and ESCI’s F-104C and Mirage F.1.  As I started building for other people, I would build several copies of the Heller C-118, Hasegawa’s F-14, S-3, and F-16A+; Monogram’s F-4J and F-105G; and Revell’s F-89D.  My journey to the “Dark Side” was complete—almost.  I still build WWII fighters in 1/48th scale.

    At about the same time, I also started to shrink my WWII bombers to 1/72 scale, and for the same reasons.  I would find the Italeri B-25’s, Airfix A-26 and B-26, Revell’s A-20, B-24, and PBY, and Hasegawa’s B-17’s while I was in college…

    Of course, I had also begun dabbling in ships, cars, armor, and miniatures (“figures”) by then, too…

    (I once had a fairly convoluted collection breakdown.  As I’ve progessed in years, I have started to re-think a lot of things, and am slowly going through a “fleet rationalization”.  But that’s another story for another time…)

    Anyway, I need to steer us back on track…

    In the early to mid-1980’s, Fujimi and Hasegawa were leading the pack in 1/72 scale with a new generation of kits.  Sure, the Italian firms of ESCI and Italeri had a few new goodies, and the Koreans were ramping up some kits of their own, but the folks from Shizuoka were standing head and shoulders above everyone else, including U.S. domestic stalwarts Revell and Monogram.

    Fujimi, in particular, began releasing “families” of kits based on a common tool with inserts and optional parts to get as much mileage (read: as many variants of the type) from a mold as possible.  Among this new series of 1/72nd scale kit families, we had:

    • A-4 Skyhawk (from the A4D-1 on, including the TA-4’s and some of the export versions)
    • A-6 Intruder (including the KA-6D)
    • A-7 Corsair II (all single-seat variants from A-7A to A-7E)
    • F-4 Phantom II (eventually the F-4B through the F-4S, including the RF-4B and C and the Spey-powered British Phantoms)
    • F-86 Sabre (the F-86F family, including the F-40 and RF-86)
    • F7U “Cutlass”
    • Ju-87 Stuka (D, G, and R variants)
    • D3A “Val”
    • B6N “Jill”
    • D4Y “Judy”
    • B7A “Grace”
    • Ki-36 “Ida”
    • Ki-15 “Babs”
    • F1M “Pete”
    • A5M “Claude”
    • CH-46 Sea Knight
    • H-60 Blackhawk

    Later in the 1980’s and into the 1990’s, Fujimi continued with a 1/72 F-14A, F-16 series, MiG-21 series, and F/A-18 series that were on the same level as the contemporary releases of the same subjects from Hasegawa.   In addition, they offered a 1/72nd scale Ki-43 Oscar series, the J1N1 “Irving”, some late marque Spitfires (they only managed to do the XIVc and FR.19, according to Scalemates), and also got into 1/144 scale with a series of B-29 kits.  Later, they would add Japanese WWII fighters to the 1/144 collection, and after Nitto went bankrupt, they would add some of their military vehicles to the Fujimi catalog.

    If you built modern subjects, when you add to these their earlier SH-3 Sea King, E-2 Hawkeye, Kaman Seaspite, Bell UH-1N, Westland Lynx, CH/HH-53, and AH-1J Sea/Sand Cobras, there was a lot to choose from.  And, when you coupled Fujimi’s jets and helicopters to the Hasegawa kits of the day (F-14, F-15, F-16, S-2, S-3, etc.), you could amass quite a collection of modern airplanes.

    The WWII guys had a lot to choose from, too, especially stuff that had either not been made before as an injection molded kit, or the only kits available were older, less accurate and less detailed kits, some of which were in odd scales.

    Now, I had already purchased and perused (and stashed) the older Fujimi 1/48th scale Bf-110C/D, late Bf-109G/K,  the Aichi D3A “Val”, the 1/50th Fw-190D-9; and had actually built their 1/50th Spitfire Vb in 1983.  The fact that some of their kits were in “odd” scales (1/50 and 1/70) for their earlier kits didn’t really bother me at the time, and by the time I was getting into the smaller scale, the kits that interested me were in the more common scales.  Even the older kits were nicely done from a molding quality standpoint, only the accuracy and detailing needed better execution.  Still, most were the only games in town at the time—for example, the Dora was “it” in anything near 1/48th scale unless you converted the Monogram kit with Bill Koster’s excellent vac-form conversion.  We had to wait until 1987 for Trimaster to put a state-of-the-art injection molded 1/48th scale Fw-190D-9 kit on the shelves.

    Even in 1/48th scale, they had a few older kits of modern subjects, including an F-14A, an F-15, the Mitsubishi F-1 and T-2, and a 1/50th F-5B that also masqueraded as a “White Mosquito” T-38.

    But these new tool kits in 1/72 scale were something else.  Petite recessed detail, good fit, fairly decent details, and they were not astronomically priced.  I believe Testors had the U.S. market distributorship agreement back then, which kept the pricing fairly low.  Some of these would also appear in Testors boxes along the way.

    And then, they were gone.  It seemed as though Fujimi kits on hobby shop shelves had evaporated overnight.  When you could find them, the prices had soared.  What happened?

    Apparently–and I’m going by what I know about the plastic model industry from my days working at hobby shops here, since most Japanese model manufacturers keep a close lid on their internal goings-on–is that when Testors’ importer agreement with Fujimi ended, for whatever reason, no other importer picked them up OR Fujimi decided not to replace Testors as their importer into the U.S.  Or, perhaps things weren’t as rosy as we had hoped—after all, with all these superb kits coming out, it was a virtual license to print money, right?  We couldn’t keep their kits on the shelves for a while.  Did the Testors re-boxings divert money?  Were they not hot sellers elsewhere in the world?  And it wasn’t as if all Fujimi had going for them were these airplane kits—they made cars in 1/24 (Porsches, the Ford GT-40 series, racing Ferraris), waterline series ships in 1/700 scale, military vehicles in 1/72 and 1/76, and recently, they produced some 1/350 scale ship kits, too.

    Whatever happened, Fujimi is still around.  Their website shows 232 airplane kits in the aircraft line—most of which are marked as “sold out”.   Recently, they offered kits of the F-22A and the F-35B (VTOL version).  As you run through the line, you’ll see just how extensive the Fujimi catalog is.  The fact that there is no U.S. importer means that instead of going to the local shop, you need to go online.  Hobbylink Japan, Hobbylinc, PlazaJapan, and HobbySearch all carry the line.

    If you’ve never had the pleasure, get a modern (post-1982) Fujimi kit and build it.  I’m sure you’ll enjoy the ride.  As I promised last time, I’ll document the construction of one of Fujimi’s Sea Kings in the next post.  The Fujimi Sea King kit pre-dates the others by a few years (it appeared in 1980), but it was marketed as a “family”, including the SH-3D/G/H, JSDF HSS-2B, and RAF Sea King HAR.3).  It was a good indication of what was to come from Fujimi Mokei.

    *    *    *    *    *    *   *   *   *   *

    Here in the Greater Upper Midlands Co-Prosperity Sphere, things are going as well as can be expected.  Both model clubs (AMPS and IPMS) have gone to Zoom meetings, since both clubs normally meet in county libraries that have been closed since March.  Zoom meetings work fairly well for those who join them, but some of the folks just don’t have the technical know-how and equipment to participate.  Several people have offered alternative meeting locations, but they aren’t big enough to practice social distancing, so we’ll stick with Zoom for now.  It isn’t a perfect solution, but it works well enough.

    Of the model show “casualties” of COVID-19, our June show had been postponed until August, but last week the committee decided to cancel it.  There were many reasons, all of them valid, but the cherry on the sundae was the Governor’s Executive Order than limited the number of people allowed in any government facility to no more than 50.  Since that would barely accommodate the show staff and vendors, we were left with no other choice.

    Of course, IPMS/USA cancelled their 2020 National Convention in San Marcos, Texas as the number of confirmed cases of COVID-19 spiked in that state.  The San Marcos crew was awarded the 2023 convention after IPMS/USA renegotiated the deal with the venue there.  It was the right thing to do, especially when it has come to light that a convention hall close to the venue has been opened as an overflow hospital.

    The only show that is still “Go!” (for now, at least) is the rescheduled (from May) and moved (from Harrisburg, PA to Danbury, CT) AMPS International Convention, although given the traveler quarantines in place in the Northeast, I expect it to be cancelled in the upcoming weeks.

    *    *    *    *    *    *    *

    Speaking of AMPS, our Chapter’s long-term project for the South Carolina Confederate Relic Room and Military Museum was moved into place and completed in March.  The museum has an announcement, and the Facebook page we established has now been opened to the public.

    We kept things under wraps during construction, but since it is now on full display, here’s a thumbnail:

    The 8’X12’X5’ diorama represents Fire Support Base RIPCORD circa mid- to late June, 1970.  RIPCORD was a pivotal battle during Operation TEXAS STAR, yet another attempt to shut down the movement of men and material down the Ho Chi Minh Trail.  It was for all intents and purposes under siege from 1 July 1970 until it was “closed” and evacuated on 23 July.  It was the last battle led and fought primarily by U.S. troops.

    If you want to know more, check out the RIPCORD Association website.

    We built the diorama in 1/72 scale, with a good 95% of it being bespoke—only a relative few items (helicopters, howitzers) were built from kits.  It is located in the atrium between the South Carolina State Museum’s ticket desk and the Relic Room; to view it costs nothing.  It is supposed to remain in place for at least two years.  If you are an AMPS national member, Part One of a three-part article appeared in the latest issue of the AMPS magazine “Boresight”.

    *    *    *    *    *    *   *

    That’s all I have for now.  Thanks for reading.  Stay safe and stay well, and, as always, be good to one another.  I bid you Peace.

  • The Ideal Hobby Shop

    “At Warrick Custom Hobbies in Fort Lauderdale, kids who peek in the window of a sidewalk display often will be surprised — the staff inside will turn on the train shown there to amuse them.  ‘We have a lot of regulars who like to come in and have a cup of coffee and chew the rag,’ Warrick manager Bob Fivey says. ‘That’s a very important part of a hobby — it wouldn’t be a hobby if you couldn’t share it with someone.’” — Ft. Lauderdale News and Sun Sentinel, 24 January 1987

    Howdy, all, and Happy New Year!

    The quote above was from a former manager of the hobby shop I would visit most often when I lived in Ft. Lauderdale, the shop I would later work for.  I never worked for Bob Fivey–he had retired or moved on by the time I went to work for Peter Warrick (not the football player!)–but I did meet him several times over the years.

    I couldn’t have put it any better than Bob did.  As I’ve said time and again, the hobby shop of my youth was more than a place to satisfy my modeling needs—it was a place to meet other hobbyists, talk about what we were working on, and to show off our latest works.  I extend those sentiments to model clubs, too, for the same reasons—they are outlets for the same social aspects of what is otherwise a lone-wolf hobby.

    Unfortunately, those days are well behind us now, but I remember my first visits to the local shops in Ft. Lauderdale.  None of them were very large—then again, that was true for almost every hobby shop in the day.  What I do recall:

    Warrick Custom Hobbies had an enclosure out front of the store in the middle of the covered sidewalk—that was where the train the story talks about was located.  Inside, it was cramped—and crammed.  If memory serves, the shop was maybe 15’X30’.  As you walked in the door, to the right was the cash register and counter space, and to the left the models were stacked like cordwood—the area was partly next to a stairway up to the mezzanine that served as the office space for the store, but on the wall next to the stairs, there was always product on sale on pegs.  I distinctly recall seeing some 1/48 scale New Hope Designs metal figures among the pegs, but since they were expensive and lacked detail, I never bought any.  Later, I recall my friend Rick calling them “No Hope Designs”, so I’m glad I passed on them…

    As you ventured further into the store, the paint racks were next to the models.  Pactra, Testors, Polly-S, Floquil, Scalecoat, Humbrol, and the remnants of an IR paint rack—they were all there.  As you went further still towards the back of the store—past the book and magazine racks–you were firmly in the land of model railroading.  Trains and train accessories took up perhaps a good portion of the store.  As you reached the back of the store, there was the RC counter.  At times, the store actually filled part of the space in the next storefront to the right—the owner would sell car stereos, scooters, or other goods out of the front of the space next door, and the hobby shop would occupy the back half.  This was usually where the items such as doll houses were—in my years going to the store, I rarely ventured past the paint racks, but I do recall how packed that little store was!

    My other part-time haunt (although less and less after I discovered Warrick) was Universal Hobbies in Plantation.  Much like Warrick, it was small and packed full of goods.  Universal had a showcase up front where they displayed people’s models, and I still remember seeing the Hawk U-2 in 1/48 scale, resplendent in the PAVE ONYX “Sabre” camouflage scheme, residing there.  Universal seemed to have less of a plastics selection than Warrick, and didn’t have as many paint lines.  But they were still a good stop every now and then, just to see what they might have.

    One thing the two stores had in common (and I’ve waxed on about it before) is what I call “the hobby shop smell”.  Old school hobby shops had a peculiar smell, a mix of volatile organic chemicals—mostly paint thinner, glow fuel, dope, and Castor oil–and musty, moldy, mildewy wood and cardboard.  Once you smelled it, you never forgot it.

    Over the years, Warrick would move “out West” from Davie Boulevard in Ft. Lauderdale to Griffin Road in Davie, and later to University Drive in Plantation.  With each move, the stock would change a bit—it would grow to fit the new (larger) store space, and would change with customers’ (or owner’s) tastes.  Over the years, in addition to model railroading, plastic models, and radio control, the store sold doll houses, cameras, and collectible ceramic villages.  In their final location, they added paintball, too.  The one thing they couldn’t move was the “hobby shop smell”.  Each move would diminish the smell until it was no longer a feature of any visit to the shop.

    Universal, too, would see change.  They would eventually add the adjacent store front to their space before changing hands and moving to Lauderdale-By-The-Sea in the mid-1990’s.

    Both would open second stores in the 1980’s, Warrick in Coconut Creek and Universal in Coral Springs.  Neither was particularly long-lived—if memory serves, they opened in 1984 or thereabouts, and by 1987 or 1988 both were closed and everything reverted to the “Mother Ships”.

    There were other, smaller shops in Broward County, and when I was in the neighborhood, of course, I would visit them.  East Acre Hobbies (Plantation), Gateway Hobbies (Ft. Lauderdale), and, when it opened, RC Hobbies (Tamarac) would be on the rotation.  There were numerous smaller (if you can believe it) stores, too, whose names are long forgotten.

    Of course, once I graduated college and was back in the area on a full time basis, I would visit Orange Blossom Hobbies.  I shared my memories of “OB” a few years ago.

    In those days, you could also buy models at Discount Stores and 5-and-10 stores (Woolco, Zayre, Ben Franklin, K-Mart, The Treasury), toy stores (Lionel Playworld, Toys R Us, Toy King in Daytona Beach), arts and crafts stores (Pearl Art and Craft, Zak’s, Michaels), convenience stores (7-11, U-Tote-Em, Little General), and a curious hobby store called The Hobby Box—these stores opened in Florida in the mid-1980’s and pretty much all of them same the Sunrise and Coral Springs locations were closed by 1989.  But none of those places offered the refuge a hobby shop did—they were retail establishments and nothing more.

    While I was in Daytona Beach for college, I had a few favorites there, too.  HobbyCraft Junction was an odd little store with an eclectic mix of stuff.  No trains or radio control to speak of; mostly models and crafts.  Ace RC was the radio control headquarters for the area—if Lou didn’t have it, it wasn’t made or you didn’t need it.  Dunn Toy and Hobby was the second floor of Dunn Hardware during my years in Daytona, and they tried to have the latest and greatest in stock.  The last shop, Sky Ltd., opened in ’83 or ’84 and carried a nice assortment of kits.

    They’re all gone now.  Whether one sees them as victims of the Internet or of changing tastes, it is a shame.

    I face the same issues here in South Carolina.  When I moved here nearly twenty years ago, there were several shops and we used to frequent most of them.  Now, there are really only one or two shops I would consider patronizing out of the shops that are within driving distance.

    A few months ago, a few modeling friends and I started to talk about the state of the local shops.  The HobbyTown that I used to work for has gone pretty much entirely to radio control cars and trucks—they share space with an indoor race track, so it follows they would do heavy business in that particular hobby.  However, they have all but ignored the scale modelers, model railroaders, and radio control flyers.  As the discussion progressed, the question was asked—“What would you do if you owned a hobby shop?”

    My suggestions:

    Start with the employees:

    1. If you are the owner, your job is that business.  In other words, you need to be present at the store pretty much all the time.
      • When you aren’t at the store, you need to be doing something to promote the store, whether it means you go to Chamber of Commerce meetings, hobby club events, or trade shows.  You can’t sit at home and wait for the bucks to roll in through the door.
      • I suppose I learned from one of the best.  Pete started several businesses, and he was ALWAYS involved with them.  When he wasn’t at the hobby shop, he was at one of his other businesses, and, rest assured, he knew exactly what was going on at each of them.  He hired the right people, and he expected them to do their jobs.
    1. Have a knowledgeable staff. When I went to work for Pete in the mid-1990’s, I was told I needed to know more than just plastic models (and more to the point, I needed to know more than just Monogram airplane kits).  My years of building scale models of all types, and a working knowledge of model railroading helped me get “in the door”.  The other guys in the shop, likewise, could converse in several different areas.
      • When I first went to work at HobbyTown, the owner liked the fact that I knew how to solder, understood batteries and electronics, and was mechanically inclined.  He figured that I could figure out radio control items that would come in for repair.  While I never really enjoyed RC repairs (especially nitro-fueled stuff), I did it because I could.  I’d much rather have been building a model instead of tearing down a near-totaled RC truck.
      • This brings up another point about tribal knowledge—make sure you have more than one person in the store that has similar knowledge.  Hearing, “Well, our only model guy is only here on Saturday” does the customer no good if they come in on Tuesday.
      • Finally, having a staff that knows multiple hobbies saves you from having to send business to your competition.  That’s akin to throwing money out the window.
    1. Be friendly and greet everyone who walks into the store.
      • Acknowledge their presence and remind them that you are there to answer questions.
      • The staff should also be paying attention to the customers instead of chatting among themselves, other customers, or constantly scanning their smart phones. This is not to say the staff shouldn’t be involved, but they should have enough foresight to break off their conversation when another customer needs help.
      • A word on the “Hard-Sell”.  Personally, I don’t like it when a salesman follows me around like a puppy, trying to sell me everything that I touch.  Greet me at the door, ask me what I’m looking for, point me to those items, and let me browse.  If I have questions, I will find you.  I have bought more stuff at a hobby shop by simply wandering the aisles without a salesman in tow.  In fact, if I feel that I’m being given the hard-sell, more times than not I will walk out and buy nothing.
    1. Be clean and well groomed. Nothing turns customers off more than a smelly and disheveled salesman.
      • Pete went so far as to have a personal appearance standard—he wouldn’t allow men to wear beards, and, truth be told, I think he really didn’t like facial hair at all.
    1. Have a dress code.
      • Get shirts for your employees–there are several online shops that can work with you and produce custom shirts at great prices.  Make sure your employees keep them clean and wear them.
      • The standard uniform at Warrick was a store shirt (we had nice button-down oxfords embroidered with the store logo) and slacks (navy, black, or khaki) or clean blue jeans (with a preference for slacks).
      • At HobbyTown, we had polo shirts and were allowed to wear shorts on any day where the daily high temperature was forecast to be above 70 degrees.
    1. Your staff needs to be punctual. A good rule of thumb is to arrive 20 minutes prior to opening or start of shift.  In those 20 minutes before opening, the staff needs to go through the store and clean/straighten the merchandise.  This is an ongoing process, and needs to be done several times a day, every day.

      Merchandise in general:

    2. Stock as many paint, tool, and finishing product lines as you can, and make sure they remain full.
      • Nothing chases a potential customer away like half-filled paint, Evergreen, and K+S racks.  Likewise, keep the glues and chemicals—glues, dopes, oils, fuels, etc.—stocked.
    1. If you cater to model railroaders, have staple items in stock—sectional track, spikes, road bed, ballast, rail joiners, etc. are things all model railroaders will need at one time or another.
      • Stick to the common scales/gauges—HO, N, and O—unless you have a large clientele who are active with G, Z, or S scale/gauge.
    1. A landscaping selection is also helpful, and to more than just the railroader. Scale modelers use the same products when they landscape a display base.
    2. The RC car and truck guys will want spare parts, wheels, tires, tools, and bodies, at the very least. Having the latest hop-up parts is a plus.
    3. If you have a magazine and book rack, keep it organized.
      • Older issues get removed and returned for credit, not put on deep discount because someone “forgot” to fill out the form.
      • Make sure people understand to handle the books carefully—they aren’t cheap, and people generally don’t buy books with creased or torn pages and covers.
    1. Other items should be dictated by the local market.
      • If you sell five paint-by-number sets in two days, perhaps you ought to stock more. If, however, you’re sitting on the same pair of gaming dice after a year, sell them at cost and find another line.

    Now, for the scale modeling specific items:

    1. Keep up with the new kits, at the very least.
      • You don’t need to buy a case of every new kit that comes out, but at least bring one or two into the store.
    1. If you know you can move it, keep up with the aftermarket, too.
      • The same caveat listed in point #13 should dictate whether or not you do aftermarket as a regular stock item.
    1. If you need to open new accounts with new distributors to get merchandise, DO IT.
    2. Keep a good selection on hand of staple items
      • Sherman and Panther/Tiger tanks, P-51 Mustangs, Corvettes, etc.
      • Don’t forget to have some of the simpler kits for newbies (snap and easy assembly kits).
      • Unless it is a particularly odd item with limited appeal or a big bucks item that you’re not comfortable bringing into the store on speculation, refrain from telling your clientele that you are “happy to special order anything they want.” They can already do that from the comfort of their homes.
      • Oddball and high priced items should be paid special order items, but if you’ve paid attention, much of the store inventory should be easy to order when you follow point #21 below.
    1. A good shop can always sell one or two of most anything.  We never gave a second thought to ordering a pair of the latest Tamiya, Academy, or Revell kits into the shop.  We would also get one each of the more expensive Trumpeter, Meng, and Eduard items in the store, unless customer demand dictated we order more.

      Dealing with your clientele:

    2. Maintain ties with the local clubs, and cultivate relationships with your regular customers, whether they are club members or not. In order to figure out what to bring in, you need to hear from the people who are most likely to buy those products.
      • If they have a show, sponsor it.
    1. Have a soda machine and a coffee pot. Let the customers hang out and, as Bob Fivey put it, “chew the rag”. However, remember point #3 listed above.
    2. Offer classes and seminars.
      • In the scale model arena, airbrushing, working with photoetched brass or resin, basic scratch building, all are good subjects.
      • Better still, allow the clubs to have a day in the shop where THEY can offer the classes.  This becomes a win-win—the club or group can use the event as a recruiting session, and the increased traffic should result in increased sales IF you have paid attention to keeping the shelves full.
    1. Get to know your customers—find out what they buy and why they buy it.
      • Let them know that their input is appreciated. Ask them if there is anything they’d like to see in the store.
      • Tell them (better yet, show them) how much you appreciate their business.
    1. Offer a discount to your regulars. It need not be huge (usually 10%, but I’ve seen some stores offer 15%).
      • Within reason, this should negate the need to price match every item in the store.  Part of that comes with how you buy and price your merchandise, so you need to be vigilant.
      • Most people know that the online retailers also have wholesale operations, and we used to work the pricing so that someone could buy a kit in the store for about the same price as they could online.
      • The benefit of buying in the store is that the customer has the product in their hot little hands and doesn’t have to pay shipping or wait for the item.
      • If you don’t at least try to match online prices, guess what?  They’ll buy online.
    1. If you say you will do something, DO IT!
    2. People in the know have an additional suggestion.  They’ll say, “Want to make a small fortune in the hobby business?  Start with a large one…”

    In other words, it ain’t easy to become a hobby tycoon.  But a conscientious person can make a go of a hobby shop IF they work hard and treat it like any other business venture.

    Thanks for reading.  Be good to one another, and, as always, I bid you Peace.

  • Teen Debutantes

    Howdy, everyone!

    I've been spending time at the workbench lately.  Our AMPS Chapter is involved with a display for a museum, and that has eaten up quite a bit of our collective time over the past year.  We're still not finished, but every week gets us one step closer.  My part of the project was to handle the aerial assets (read: helicopters), where I painted four that were constructed by some of the other members of the club, and I built and painted another pair, one of which will remain in my collection.

    In addition, I wanted to finish some of the half-completed models I had in the queue, including one that featured in my Model Building 101 seminar.  As a result, I managed three completions (two helicopters plus a Revell 1/72 F-101B) in the space of a few weeks.  I'll publish Voodoo pictures later, and the photos of the display will have to wait until it is officially unveiled at the museum sometime in the early parts of 2020.

    While I was on a roll, I kept moving.  I had started a new-tool (2014) Airfix Spitfire Vb during our HobbyTown Saturday build days.  It got stalled, but I picked it up and am not too far from the finish line.  It is an interesting kit–I'm sure you can find in-depth reviews of it on the Interwebs–and for all the griping over some of the decisions Airfix made, it is a far shade better than their old 1977 kit, that's for sure.  Is it better than the 1993 Hasegawa or Tamiya kits?  I can't say–while I have copies of the Japanese kits in the stash, I have never built one.  I will go out on a limb and say that they all have their plusses and minuses, so there is a kit for everyone…

    The only issue I had with the Spitfire was finding markings.  I settled on an old Ministry of Small Aircraft Production set, 4814 "USAAF Spitfires" to decorate my model as "Lobo"/HL-M from the 308th Fighter Squadron, 31st Fighter Group based on Sicily in 1943.  The price tag on the sheet shows I bought it in early 2000, and I was curious to see how well they worked.  Well, the results were rather mixed–they looked good on the sheet, but didn't respond well to solvents.  I used Solvaset for most of them, and even diluted the solvent caused the blue in the insignia to run a little.  Eventually (and with a little help), they laid down into and around the details, but I had to babysit them in order to get them to behave.  I applied the clear gloss overcoat to them last night.  I noted some rough patches that I'll  polish out with a 3200 grit Micro Mesh pad, then do the toning/"weathering" before flat coat.  The only concerns I have from here on out are the landing gear leg attachments–a half-lap joint where the leg meets the knuckle that others have wailed loud and long about.  We'll see how it goes…

    Again, pictures at 11…but here are a few from the first decal.  You can see how the blue ink ran a wee bit and the disc is slightly discolored.  I'm not going to worry about it, since it will look okay by the time I get through with the toning and shading.  You can also see how they are on the thick-ish side and didn't quite suck down all the way into the panel lines.  A sharp #11 blade persuaded them otherwise…

    70002283_1111186009092731_6540460654585708544_n
    70002283_1111186009092731_6540460654585708544_n

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    While the Spitfire winds through the finishing phases, I have picked back up on the Wingman/Kinetic IAI Nesher in 1/48th scale, also started during the HobbyTown Saturday sessions.  These kits, while nice, are not for the faint of heart.  A lot if sanding, filing, trimming, test fitting, sanding, filing, trimming…

    When it is complete, I'm sure it will be an impressive model.  The journey from kit to model will be fun, and will definitely exercise those Model Building 101 skills!

    I also intend to get back to finishing the camouflage scheme and construction on the long-suffering Special Hobby Macchi C.200 that I've been chipping away at for ten (!) years now.  There's still that 1/700 scale USS Cowpens (CVL-25) in work.  The Aerolcub 1/48th Gloster Gamecock needs some love, too; and, since it is so close to the finish line, the 9-year StuG IV project might just get finished before the end of the year, too.  In the desire to clean out the backlog, I want to get all of these done before I tackle something else.

    Wish me luck.

    In the meantime, how about a piece I wrote on some older kits?

    ********************

    At the recent IPMS/USA National Convention in Chattanooga, I picked up a couple of kits from my childhood—Revell’s 1/72 scale F-15A (kit H-257) from 1974 and F-16A (kit H-222) from 1976.  Why, with all the up to date kits of these airplanes available, would I buy these dinosaurs?

    Nostalgia. 

    There was a summer in the mid-1970’s—probably 1977—when my brother and the other neighborhood kids virtually emptied the shelves at the local SuperX Drug Store of plastic models.  One of the trips yielded the aforementioned kits.  I can’t recall who built what—I seem to recall building the F-16, but I could be mistaken.  Anyway, these were pretty nice kits for their day, and honestly, they still stand up today if you consider what they are and what they aren’t.

    What they are:  Affordable, quality Revell kits from the mid-1970’s, they were based on early information from the USAF and manufacturers, and served as a few hours of fun time.  They were available in more stores than just hobby shops.

    What they aren’t:  Expensive, super-detailed Uber kits with every nut, bolt, and rivet correctly portrayed, available only in a hobby shop.  However, they are good in outline, so they’re also not garbage, as some have labeled them. 

    These kits are products of their time.  With a few hours’ work, maybe a little aftermarket, and you will have a couple of handsome models on the shelf. 

    Why would anyone build one of these?  My answer—color.  We see tons of current configuration F-15’s and F-16’s in their multiple shades of gray, but very seldom seen are the early pre-production and prototypes in their colorful roll-out and test schemes, which brings me to the point of this article…

    Let’s take a look at each—we’ll see what we need to do, we’ll take a look at what is available to do it, and we’ll take a look at photos.

    Starting with the F-15A, here’s what we need to know:

    1. The F-15, like the F-14, didn’t have any “true” prototypes that wore an XF- or YF- designation—from the first airframe to the last, they were all F-15’s.  The plan was that any changes could be made on the production line; therefore the first airframes would serve as the Flight Test articles; they are often designated as pre-production or Full Scale Development aircraft.
    2. The early F-15A’s could be identified by their squared-off wingtips, un-notched horizontal stabilators, short speed brake, and the installation of the Douglas IC-7 ESCAPAC ejection seat.

    Now, looking at the Revell kit, here’s what we have:

    1. Fairly nicely done exterior with recessed panel lines, for the most part.
    2. Simple interior, it lends opportunity to scratchbuilding some of the smaller details.  Actually, you could do a lot of good simply by installing an aftermarket Douglas IC-7 ESCAPAC ejection seat.
    3. It represents the early aircraft with square wingtips, short speed brake, and the notch in the stabilators.

    The first thing you must ascertain is whether or not the airplane you want to build had these features.  Early in testing, engineers noted a problem with wing buffeting, and their “fix” was simple—they (literally) cut the wingtips off at about a 30 degree angle from wing tip at the leading edge to the aileron break on the trailing edge, giving the production Eagles their characteristic raked wingtips. 

    The short speed brake remained through the first 12 production Eagles.  It was extendable through a 66 degree angle, and this caused some rearward visibility issues for the pilots as well as some buffeting.  The cure was to extend the length of the speed brake, allowing the same braking action with a smaller extension angle.  The early “long” (aka production) speed brakes had an external stiffener that was later removed. 

    Revell’s kit correctly depicts the short speed brake.  One important item of note:  There is no “well” into which the speed brake—either short or production—closes into.  There are streamlining plates that stand perhaps ¼” off the skin of the airplane, but the brake closes flat onto the skin of the upper fuselage.  The only well is for the actuator.  Most kits of the F-15 still depict a recessed well, however.  The fix?  Build the airplane with the brake closed…

    The final item is the notch, or dogtooth, on the horizontal stabilizer.  Flight testing revealed a slight flutter problem, and adding the notch solved the problem (this was the opposite of the later F-18, where McAir engineers removed the dogtooth from the stabs on that airplane for the same reason).  Revell gives you stabs with the dogtooth, but the first Eagle flights were flown with stabilizers without the snag.  The fix?  Square off the notch, insert a piece of properly sized Evergreen, and sand to shape.

    Add a test boom (brass or Evergreen rod) to the nose and the appropriate paint and markings, and there you go.  If it bothers you, source a set of early F-15A wheels, as they were different from the later F-15C versions. 

    The early airplanes wore either Air Superiority Blue (FS15450/FS35450) or gloss white with various trim colors.  The first Eagle, Serial 71-0280, wore Day-Glo red panels over the ASB, while some others wore International Orange or Gloss Blue.   As for decals, you’re in luck—Caracal Decals has produced a decal sheet dedicated to the early F-15’s.

    Incidentally, you can source Air Superiority Blue from Life Colour (UA 37), MRP (240), Hataka Red Line, Tru-Color (TCP-1229), Mr. Hobby (C074), K Color, and True North Precision Paint.  Many of these are gloss, which is fine—the scheme consisted of a mix of gloss (15450) and matte (35450) Air Superiority Blue.

    Some other miscellaneous items—the main landing gear of the F-15A, when viewed from directly forward or aft, cants outward, so make sure you position yours accordingly.  The early flight test aircraft lacked the gun, so take note if your kit has the opening in the left wing leading edge glove.  If you feel the need to replace the exhaust cans, make sure you use one with the “Turkey Feathers” installed.

    If you want to work with a more modern kit in any scale, you will have to backdate them on your own.  The easiest route to the early speed brake is to assemble the model with the brake closed, fill the seams with CA, and re-scribe the outline to depict the original speed brake.

    To square off the wings, do what the engineers did in reverse—add a triangular piece of styrene sheet to the wingtip.  The wingtip is the reference point.

    Add the ESCAPAC seat, eliminate the gun, fill the notches in the stabs (as described above), and get Caracal’s early F-15 decal sheet.  It is available in both 1/72nd and 1/48th scales.

    In 1/32nd scale, you’re on your own, but it is not difficult.  The hardest thing will be the markings since no decals exist. 

    Some good photos of the first Eagle in flight show the original wingtips and stabilators (Photos: USAF).  They also show the lack of a gun, and that the main wheel doors remained open after the gear was extended (Photos: USAF):

    F-15A_first_prototype_1
    F-15A_first_prototype_1

    Now, moving on to the F-16…

    Unlike the Tomcat and Eagle, the F-16 program began with the General Dynamics Model 401 in a fly-off against the Northrop P-600 Cobra.  Accordingly, both manufacturers produced two flight test prototypes, the YF-16 (Serial Numbers 72-1567 and 72-1568) and YF-17 (72-1569 and 79-1570).  None of these airframes was considered a full-spec version of the eventual aircraft, they were merely test articles, hence the YF- designations.

    The eventual winner was the YF-16.  Following the two YF’s, there were seven Full-Scale Development F-16A’s produced, five single-seaters (Serial Numbers 75-0745 through 75-0750) and two two-seaters (Serial Numbers 75-0751 and 75-0752).  For all intents and purposes for scale modeling, the FSD aircraft were virtually production airframes with the smaller horizontal stabilators.  They were fitted with the Stencel SIIIS ejection seats, too.

    The Revell kit is a pretty good representation of the FSD F-16A.  A replacement seat might be worthwhile, and you’ll want to replace the forked pitot tube of the YF-16 with a straight one made from tube or Evergreen rod, otherwise you get a decent model of the FSD airplanes.  If you want to do some additional detailing, the main gear retraction jacks are missing, but are easily added with some scraps of Evergreen. 

    The kit came with markings for the first FSD airplane in the “Bicentennial” red, white, and blue scheme also worn by the two YF-16’s, but for some reason they got the serial number wrong. 

    At one time, Vingtour Decals offered a decal sheet for the early Vipers, but it seems to be out of print and hard to find.  If the decals in the Revell kit are in good condition, simply replace the kit-provided serial number with white numbers to depict “50745”.  Note that the “flag panel” was not always present, and sometimes included an Israeli or an Iranian flag, depending on who G-D was trying to sell the airplane to at the time.

    The FSD F-16’s were a colorful bunch of airplanes.  Some wore overall single-color gray schemes, others wore experimental “Cloud” and two-tone grays, others were painted in the initial Compass Ghost Gray schemes.  One of the two-seat F-16B’s wore a “Lizard” scheme similar to the A-10’s Euro-1 scheme of two greens and dark gray.

    These airplanes had multiple roles, as well.  They tested the extended tail housing, heavy ordnance carriage, special flight regimes (AFTI F-16), Wild Weasel systems, and alternate engines (in addition to the DFE, one of the two-seat F-16B’s was fitted with a General Electric J79 as used in the F-4, in hopes that smaller air forces would acquire the type without having to do the dance with the DoD to gain access to the F100-powered airplanes before President Reagan relaxed the export rules).  Two would be converted to F-16XL SCAMP configuration and used by NASA after the USAF was through with them.

    75-0745 was the aircraft retrofitted with the General Electric F101 Derivative Fighter Engine (DFE), and when it received the new engine the tail logo read “F-16/101”.

    To do this with a more up-to-date kit, start with an early F-16A with the small stabs.  In 1/72, try to find a Hasegawa F-16A+ kit and source some small stabs, or start with the Italeri kit—it ain’t great, but it is a good starting place.  In 1/48th scale, Tamiya and Monogram both offered fairly decent kits of early F-16’s, you may want to try to find one.  There are some goofs you’ll want to fix—both have the early split nose gear doors, for instance—but a little work will yield a nice model.  Replace the ACES II seat with the Stencel type, delete the position lights on the inlets, rearrange the antennas, and apply the appropriate markings.  This should satisfy all but the most dedicated Viper fan.

    Here are a few shots of the #1 FSD ship.  The second photo is after it received the DFE and is sitting next to a production-standard F-16A.  Note the longer test boom on the nose of the engine testbed, too (Photos: USAF)…

    Fsd f16
    Fsd f16

    **************

    That's all I have for this installment.  Thanks for reading!  As always, be good to one another, and I bid you Peace.

  • Another IPMS/USA National Convention

    (Note:  I am publishing this more or less simultaneously on the Iron Modeler blog and in the IPMS/Mid-Carolina Newsflash.  The local guys may wonder why I add identifiers to folks they know well—there’s why!)

    Howdy, All!

    This year’s IPMS/USA National Convention is in the books, and all I can say is that the folks of the Chattanooga crew are to be congratulated on what was a superb event.  From the time I arrived at 1PM on Wednesday until I departed on Saturday around 5PM, I had a thoroughly enjoyable time.  The things to see, the people to meet…

    If you’ve never been, you simply must go to at least one.  Why?  Well, here’s a recap of my extended weekend…

    Wednesday, 7 August:

    I arrived a bit after 1PM.  I went inside the huge Chattanooga Convention Center, and walked down to the Pre-Registration room.  Yes, they had a small room to handle the task, which worked a treat, since there were no long lines and crowding in the corridor.  From the time I said “Hello” to Ann Strandberg until I walked back out into the corridor took about 30 seconds.  Seriously.  This was the quickest I was ever in and out of Pre-Registration out of the five IPMS/USA Conventions I have attended.

    By the way, Ann is a HUGE asset to these shows—she is a First Class organizer, and I learned from our experience in Columbia that she’s very good at what she does.  She and her husband Bill seem to be omnipresent at these shows.  Bill and I spent more than a few minutes sharing ideas and catching up during the show.  Bill and Ann, it was great seeing both of you!

    After that, I went back to the car to retrieve my Display Only models.  I think I’ve told you all before that my competition days are behind me, but when someone offers display only space, I’m on it.  I had a few models that will be covered in their own right in a later installment, and I found a table and set the models out.  I took the containers back to the car, and then ventured back to the model room.  The display tables seemed to be filling up rather quickly—a good sign, to be sure!  IPMS/USA hasn’t been very big on Display Only up until maybe 10 years ago, and interest didn’t seem to be there.  I believe this year may change some minds—if future conventions continue this trend, it will be a good thing, indeed!  Mike Moore and the whole Chattanooga crew are to be commended for making this one of their focus items.

    I checked out some of the Display Only tables.  Rich VanZant of Mississippi had four tables full of his 1/48 scale airplanes.  Mark Deliduka of SoCal had some 750 armor pieces on display.  Gil Hodges had several tables full of resin and vacuum-formed models.  Dave Maher, Bob Kerfonta, and the IPMS/Charlotte crew was setting up their Corsair display…

    I took a quick sweep through the contest tables, and, as usual, was impressed by the quality of work on the tables.  Several collections caught my eye.  The IPMS/Race City Modelers had a group of 1/48 scale P-51’s built from the available kits, each one perched on a base featuring the box are for the kit from which the model was constructed.  Very nice, and from my standpoint it simply proved to me that “older” doesn’t automatically equal “unbuildable” or “obsolete”.  There was also a group of Afrika Corps armor, a chronology of 20mm weapons, a U-Boat pen in what I can describe as a semi-boxed scene, and more.

    Since it was early days and the models were still rolling in, I stepped into the World’s Largest Mobile Hobby Shop, aka the vendor room.  As I walked the aisles, I was amazed by several new products…

    Wingnut Wings had several of their 1/32 Lancaster proofs on display.  Wow.  Too big for me, but they have a solution in the works for those looking for a large Lancaster but don’t have the space—they will offer the forward fuselage (from the wing leading edge forward) as a separate kit at some point next year.  If you like Lanc Nose Art, this may be your ticket.  A Fokker Dr.I was being shown along with shots of their upcoming Handley-Page O/400 and O/100—the latter was a bit of a surprise.  They were already doing a brisk business, selling kits…

    Tamiya were there with their display kits including the 1/24 Toyota TS-050 Hybrid (gotta get one of these!) and, of course, their new P-38F/G.  One of the benefits of Pre-Registration?  Tamiya provided 300 pre-release copies of the kit to the convention to do with as they wished with the proceeds going to the show.  The organizers decided to include a green ticket in the Goody Bag that worked as a sort of raffle—they would draw numbers throughout the event, and if your number was called, you had the opportunity to purchase one of the kits.

    Eduard was at the show with around 400 of their new P-51D-5 “Chattanooga Choo-Choo” kits in 1/48th scale.  I understand that the lines at the Eduard stand were out the door when the vendor room opened on Wednesday, people were so geeked up to get a copy or two of the kit!  I perused the parts trees, and this one looks to be a winner.  I already have a herd of Mustangs in the stash—Hasegawa, Tamiya, and one of the new Airfix kits—but I will probably buy the Eduard kit, too.  I just didn’t buy one at the show…

    Speaking of Airfix, I spoke to the Hornby’s representatives at the Squadron table.  I got to run my hands over the new 1/25 F6F-5 Hellcat kit—rather large for my tastes, but it is a spectacular kit.  We talked a bit on upcoming releases.  I believe if they can tie down their financial woes, Airfix will continue to be a strong player in the hobby.

    Thursday, 8 August:

    I was up with the chickens, since I was going to present “Model Building 101” at 9 AM.  I went downstairs (I stayed at a Holiday Inn Express a few miles away—best cinnamon rolls around!), grabbed some eats, and headed out.  The seminar went well—I had 17 or 18 people in attendance, and I believe everybody learned something.  It wasn’t as well-attended as the same seminar at our show in Columbia, but it was also early in the show—I wasn’t worried.  I got the right 17 or 18 people—people who wanted to be there.

    After the seminar, I stashed the laptop and laser pointer, and headed to the vendor room.  I made a few purchases—I had been waiting for the Special Hobby 1/72 scale SAAB Viggen for a while, and I was surprised to see that they not only had the JA-37 kit as a single, but also had a dual kit (Duo-Kit) with the AJ-37 and the SK-37 two-seater along with a reference book.  The single kit cost $30, the Duo cost $64—in effect, I either paid $2 more per kit and got a free book, or I got a great book for $4.  Win-win, either way.

    I was also under orders to see the guys at the fündekals table, which I did.  Jonathan Strickland was there with some product, as well as some renderings of the stuff they are working on, and all I can say is you need to check them out if you haven’t yet:  http://www.fundekals.com/

    As I wandered, I started to bump into people I know, or had met years ago and hadn’t seen since.  This continued throughout the weekend and I suppose I should thank all of them for saving me money by keeping me away from the vendor tables.  Seriously—by the time you’ve been to a few of these, it happens. 

    In the words of Phil Collins and Genesis, “I can show you some of the people in my life”:

    Paul Boyer and I first met at the 1999 convention in Orlando.  He was the Senior Editor for FineScale Modeler back then, and I attended a seminar he was leading.  We had corresponded a few times, and I’m a member of the 72nd U.S. MilAir Yahoo group, but we seldom physically cross paths.  Well, I was under orders—he and my wife are working on a joint project, and when she couldn’t attend I was told I needed to go by and chat with Paul.  Paul, I loved your USN Jets display, and I enjoyed speaking with you.  I hope it isn’t another 10 or so years before we have the chance again.

    Bert Kinzey is the face behind Detail and Scale, and I have sent him a few model photos for the D&S Facebook page over the past year or so.  One of the photos I posted piqued his interest, so he told me to stop by the D&S table and see him.  We had a short but enjoyable conversation as he started to photograph the models in the display room.  I left him to conduct his business, and I would bump into Bert and Rock Roszak a few more times during the show.  Bert and Rock, it was a pleasure meeting you both.  I wish I could have met Haagen Klaus (he and I crossed paths in Columbia in 2016, but we were both rather busy at the time) and Chris Sakal as well, but sometimes there are more important things than models.

    When I was the Seminars Coordinator for the 2016 Columbia Nationals, my wife asked me if I had approached Tommy Thomason to see if he wanted to present anything.  She’s his SH-3 Subject Matter Expert, so she asked and he agreed to present “Revolt of the Admirals”.  I found him this year in the vendor room with a table full of his Ginter Books titles.  Tommy does a great job with his research on U.S. Navy subjects, and I was glad to see him again.

    Gil Hodges is someone who I bump into every now and then, but we never seem to talk for very long.  We have some mutual friends, and in this case it allowed a discussion that ran for longer than a minute or two.  For those who have no idea who Gil is, he used to write for the defunct Scale Modeler back in the day, and has written for FineScale Modeler and the late, lamented Aerospace Modeler Magazine.  Gil often builds large scale resin and vacuum-formed kits, and it seems that he fears naught in his approach to them.  Gil, I’m glad I could see some of your work up close again.

    Jerry Wells and I met via a mutual friend in the run-up to the 1999 Convention in Orlando—in fact, we were roomies for that Convention.  He is a great modeler—he had reworked the Revell 1/72 80’ Elco PT Boat into (IIRC) PT-165 for the show.  It was a wee bit dusty and missing a rudder, and before I arrived in Orlando he had secured another kit, robbed the rudder, painted it, attached it, and was in the process of dusting it.  Now, one would seem to think that a dusty, broken model—regardless of the fact that it had been repaired and cleaned—wouldn’t stand a chance.  Even Jerry had misgivings, yet it did indeed win a First Place.  Jerry and I seldom communicate on a regular basis—nothing nefarious or anything, we just travel in different circles—and I enjoy catching up with him when I see him at the various Conventions.  Jerry, enjoy your retirement!  You need to come up to the Columbia show next June…

    Bill Bosworth and I became acquaintances in the run-up to the 2016 Columbia show.  Like Tommy, he was a seminar presenter.  But the best thing about Bill is that he doesn’t just talk models.  He had some of his scratchbuilt aircraft on display, but as we were talking about them, he would tell stories from his life as an Ad Man.  Bill, like so many people I’ve met in the hobby, is good people and I enjoy the short time I spent chatting with him at these shows.

    Gordon and Brandon Kwan were at the Sprue Brothers Models table.  I had an e-mail coupon to redeem—a spin of the wheel—and I won a Verlinden book on the Hawker Hurricane.  I chatted with Gordon about the Convention, how his business was doing, and basically caught up with what was going on between the Columbia show and now.  Gordon runs a great webstore, and if I have to buy online, his is the first site I check.  If you’ve never heard of them, what rock have you been living under?  Check them out at http://spruebrothers.com/.

    Steve and Amanda Nelson and I finally found more than two seconds to chat on Friday.  I first “met” Mandie on the old ARC Forums through the AIM Chat.  We finally met face to face at the 2005 Atlanta Convention—by that time, she and Steve had married, and my wife and I had been together for almost six years.  I always like to spend time with them, because they are simply good people.  Guys, I’m sorry our time was short.  I told the wife that you were asking after her.  She was sad she had to miss the convention, and I think every time I told her, “Oh, by the way, so-and-so says ‘Hey!’”, she got sadder that work got in the way of this one…

    Peter Frearson, Jeff East, Butch Bryant, and the whole IPMS/Flight 19 Gang and I bumped into each other several times.  Y’all are my old home boys from back in the SoFla, and I miss those meetings from back in the day.  Jeff, we’ll always be on the Presidents for Life rolls—and thanks for trying to slap me back into reality, but yeah, I’m a Chapter President again.  What can I say?  Talking with the guys, the club is in good hands, and I hope to get down there for your ModelFest one of these years.

    Phil Perry and I met maybe 25 years ago, and I immediately learned that he was a great modeler and a fine human being.  We would chat from time to time until I moved to SC and we lost touch for a while.  But I still see him at the Conventions, and we usually chat for a bit at every one.  I feel a wee bit bad because at the NCC meeting Phil and I found ourselves on the opposite sides of an issue.  Phil, I meant no disrespect, and I hope there aren’t any bent feelings.  After all, we all share the common goal of building models, no matter how a group of judges looks at them or how an organization plans the awards…

    Danny and Mindy Vazquez bumped into me at the Columbia show, and again in Chattanooga.  I know I’m getting old when I’m told their daughters are 28 and 31, with kids and the whole shebang.  It seems like it was not too long ago that they were wee little girls, talking about Beanie Babies.  Guys, I’m glad I got to spend some time with you.  It is always a pleasure to catch up and to look at Danny’s spectacular models. 

    Ed Okun and I crossed paths for about five minutes.  I spied some 1/32 IDF airplane models that looked awful Okun-esque, and indeed they were Ed’s.   Ed, it was fun chatting with you.  Enjoy your retirement and the grandkids, and keep building those impeccable models!

    Rick Geisler and I first met back in the early to mid-1980’s at the Twin Oaks location of the now defunct Warrick Custom Hobbies—he was my first Plastic Guru, offering inspiration with each model he would build and bring to the shop.  I saw Rick last at a show in Winston, NC some 10 years or so ago, so it was nice to be able to get together and talk about the “Old Days”, when Flight 19 was a much different group.  Rick, I’m sorry I got called away—but we’ll have to find a mutually agreeable show and meet again soon.  Oh, and I’m glad your phone finally charged!

    Mike Idacavage is usually the Contest Coordinator for the conventions whenever it is in this area.  Mike met my wife long before he met me, but he’s been a great friend to both of us.  We couldn’t talk long—he had “convention stuff” to do (and I know that all too well!), but he did complement my Special Hobby ER-2.  Thanks, Mike, I’m glad you liked it.  I hope we will see you in a few weeks at the Atlanta Airliners Collectibles Show!

    Patrick Cook, like Mike Idacavage, is another good friend in the Atlanta area.  Patrick was wandering the vendor room when we first bumped into each other, but we had a chance to chat for a while taking a load off in the comfy chairs in the hallway.  The same wish for Mike holds for you, Patrick—I hope you’ll be at the Museum in October…

    Jim Kiker, aka Yoda, is from up the road in Charlotte, he’s a great model builder, and has probably the best outlook on the hobby f all my model building friends (I mean, he’s nicknamed Yoda for a reason).  Jim, we missed seeing you this year in Columbia, but we’re doing it again in June next year.  Head on down and have some fun with us!

    My friends Trevor Edwards and Mike Roof arrived on Thursday afternoon—Mike was giving a seminar on Friday, so we wandered the model room, vendor room, and throughout the afternoon I continued to bump into people…

    I made a few more purchases—I got a few Liveries Unlimited decal sheets from fündekals that my wife was looking for, along with their 1/48 scale Spitfire Part 2 sheet– and later we got together with Tony Abbot and Rebecca Hettmansperger (they of HQ72 Resin Products) and had some supper upstairs at the Table South attached to the Marriott.  I don’t know about them, but my feet were sore, my friend Arthur Itis was showing himself, and I was tired…

    Friday, 9 August:

    Mike, Trevor, and I met downstairs for breakfast in the hotel (cinnamon rolls…mmmm), and then headed out to the Convention.  We spent the morning doing the convention thing.  We wandered the model room; we perused the vendor tables: and basically enjoyed the show.  I sat in on Dana Bell’s Cruiser and Battleship aviation units seminar, and then went to see Bob Steinbrunn’s talk on the Bluejacket PT boat.  Both of these guys have provided numerous hours of inspiration and guidance through their books and articles throughout the years, and I was grateful to see Dana again (he graciously presented a seminar for us in 2016), and to meet Bob.

    I snuck into Mike’s Photoetch seminar that was by now in progress (what can I say—I really wanted to meet Bob and hear him speak on his PT Boat model), and the room was full.  I’ve seen this presentation a few times, so I spent my time gauging the folks who were seeing it live and in person for the first time.    It was interesting—every time Mike changed slides, the smart phones all went up in the air and everyone snapped a photo, almost in unison.  Mike has a certain analytical method to things, and I think once he can lay out the procedures for any task, the light bulb goes on with many people. 

    Incidentally, Trevor is in his early 20’s, and is a great model builder in his own right—all that I said about Mike?  Yeah, Trevor is a student, and his quality has improved markedly under the tutelage of Mike and a few of the other local IPMS and AMPS members.  With Mike as one of your teachers, you are steps ahead.

    Friday afternoon was when, if you have been at the show since it opened, you tend to start wandering on autopilot.  I had to check some raffle tickets, both my own and from a friend who had to leave early—I won a Tamiya 1/24 Mercedes AMG on Wednesday afternoon, but nothing else all weekend.  I then remembered I had a Green Ticket in my pocket.  What the hell—let’s go check…hey, there’s the number!  I go across the corridor to the table, present the ticket, and after handing over Fifty Dollars American, I am the proud owner of a pre-release Tamiya 1/48 P-38F/G kit!  After giving it a quick once over—I had already seen the sprues on Hyperscale, at the Tamiya table, and at the Sprue Brothers Models table—I believe this one may have to get bumped to the head of the line…

    We all met again for supper, and packed it in for the night.

    Saturday, 10 August:

    We met at the hotel for breakfast—yep, more cinnamon rolls!  Mike’s and Trevor’s fun meters were pegged, so they left for home.  I wanted to hang around, since Rick would be getting there early in the day.  So, I made a sweep of the model room—judging took place the night before, and this was the earliest I could get a look at all the great work that was on the tables, both contest and display only.  Every time I come to a National Convention, I am awed by the models I see.  Lots and lots of great work was out for folks to marvel at this year.  I believe the count was over 2,500 contest models and a further 1,750 on the Display Only tables.

    Then I made a final sweep of the vendor room.  One more check of the raffle tickets—skunked again!  Then Squadron started calling their raffle—you guessed it.  Nada.  But it was fun, and I finally nailed down Squadron’s Chief Modeler, Jef Verswyvel, and exchanged pleasantries.  Jef doesn’t recall that we met years ago, when he and Willy Peeters initially set up Kendall Model Corporation (KMC) back in the early 1990’s…

    As I strolled by the Rare Plane Detective table, a few kits caught my eye—Revell’s 1974 and 1976 issues of their 1/72 F-15A and (as determined later) FSD F-16.  They take me back to one summer, probably 1977 or so, when my brother and I would ride our bicycles to the local SupeRx Drugs and buy model kits.  On one visit, we got these kits—I cannot remember who got what, but for some reason I think I got the F-16.  I recall the F-16 kit as being the epitome of cool, with all that ordnance, the engine dolly, and the tug included.  Of course, they cost a wee bit more than the buck and a half or so that we paid back then—but I bought them.  At some point, I will build them, too…

    The rest of the day was eaten up by the NCC meeting I was asked to attend.  I was initially going to depart at noon or 1PM, but I decided to stick around.  About a half hour before the meeting, I retrieved my containers from the car and loaded up my models.  I returned them to the car—a covered parking garage is a great thing, coupled with a rather mild day in Chattanooga, so I wasn’t worried they would get damaged.  I found a cool drink, and walked to the meeting rooms.  Since it was an IPMS Committee meeting, I cannot comment on it other than it was a three and a half hour long meeting …

    After the meeting, I made final rounds—everyone was packing up in the vendor room, and the Display Only folks were likewise packing their models.  Everyone was either leaving or getting ready for the dessert reception before the awards ceremony.

    I found Rick sitting in one of the comfy chairs—his phone charger wasn’t working on his trip, so he borrowed mine, and needed a wall outlet.  We chatted for a few more minutes, and, since each of us had a five hour drive to look forward to, we headed to the exits. 

    With that, another IPMS/USA Convention was over for me.

    Now, I’m a bit biased—I think the Columbia convention, regardless of the numbers, was the best show ever.  But I gotta tell you, Chattanooga put on an awesome show!  Was it better than ours?  I dunno—by numbers, yes, I think it was.  The intangibles—Columbia was our show, so that sense of ownership will always color my feelings—might favor the Chattanooga crew, too.  Does it matter?

    In the end, no, it doesn’t matter.  It was an awesome show.  I got to meet some super people, I got to catch up with other great people who I hadn’t seen in one, or three, or five, or ten years.  I got to look at a room full of spectacular models.  I got to talk with people from around the world who shared my hobby.  I shared ideas and information.  I had fun. 

    I had a chance to turn a lone wolf hobby into a social event.  That, right there, makes it worth the trip.

    **************

    We took a vote last month, and yes, Virginia, there will be a 3rd Annual South Carolina Scale Model Mega Show.  Watch the show's website for details.

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    With that, I'm done for this installment.  Thanks for reading.  As always, be good to one another, and I bid you Peace.

  • Game Changers

    Howdy, all!

    There have been several times along the way in my scale modeling adventures where I have learned or discovered something that changed the way I built models.  The short list:

    • Monogram Models diorama sheets.  These diorama sheets were written by a guy named Sheperd Paine.  I had never heard of him, but the dioramas he built were stunning.  He laid the path that eventually I would attempt to follow.  The models were unlike any I had ever seen.  It whetted my appetite to know more.
    • Challenge Publications’ “Scale Modeler” magazine.  Before I saw that March 1978 issue at the local Albertson’s, I had no idea that magazines like this existed!  The models I was looking at and reading about were superb.  The authors spoke of things I had never known about–liquid cement, filler putty, decal solvents, airbrushes–and I figured if I was going to get better, I needed them.  I also saw ads for exotic kits from exotic lands, aftermarket decals to decorate the model differently that the kit manufacturers specified, specialty paints that matched any one of a dozen heretofore unknown to me “standards”, and doo-dads to detail models.  Until this time, I had seen their mention in passing in the Paine diorama sheets in the Monogram Models kits.
    • Warrick Custom Hobbies, Orange Blossom Hobbies, and Universal Hobbies.  It was inside the walls of these establishments where I could actually see the things I had been reading about.  As a bonus, I could see completed models that matched or exceeded the work I saw in the magazines.    I’ve written about these shops before since I started this blog, so I won’t re-take old ground.  Suffice to say that had I not had good hobby shops in the area when I was growing up, my pursuit of the hobby may have been very different, indeed.
    • Kalmbach Publications’ “FineScale Modeler” magazine and their modeling books.  I discovered FSM at the same time I saw Paine’s “How To Build Dioramas” book and the “Hints and Tips For Plastic Modeling” book right next to it.  Between the covers of these pubs, I uncovered even more superb work.  I was still a relative neophyte, looking back, and still had a lot to learn.  My skills had improved, but I still had a lot to learn.
    • Joining the IPMS/Flight 19 Chapter.  Joining a club put me in touch with like minded folks who shared my passion for little plastic airplanes, tanks, ships, cars, and the like.  That was reinforced when I took a break after moving to South Carolina–after nine years, I dipped my toes back into the club scene when I joined the IPMS/Mid-Carolina Swamp Fox Modelers and the AMPS Central South Carolina Wildcats, and haven’t looked back.

    As I have presented “Model Building 101”, I tell the stories of lessons learned.  For instance, when I get to the section on using fillers, I relate how a younger me would smear Squadron Green Putty over every glue seam as soon as the cement dried–and not in a thin layer, either.  I would squeeze out a blob of putty on my right forefinger and smear putty over every seam to bury them–and spend the next day sanding it all down.  I relate how I began using CA as a filler more frequently in my dotage–my previous attempts didn’t quite end in disaster, but they didn’t exactly win any awards.  I learned, in time, that it wasn’t what I was using, the problem with the CA (like the Green Putty) was the how much.  I was simply relying on gobs of putty or a river of CA when, had I done my prep work better, I would have needed a small smear or a few drops.  Yeah, I’m hard-headed, what can I say…

    The same thing goes for all the techniques I use today.  As I tell the folks who attend the seminar, most of the techniques I use were learned over the years.  Some of them I use exactly as I was taught, others are variations on the theme that I developed to work for me.  Which brings me to the most important thing I try to teach–model building is as individual as those who pursue it.

    **************************************************

    If you want to see “Model Building 101” in person, come to the 2019 IPMS/USA National Convention in Chattanooga.  I’ll be presenting it there, tentatively on the schedule for Thursday morning at 9 AM.

    **************************************************

    That’s all I have for now.  Thanks for reading.  Be good to one another, and I bid you Peace.

  • Who am I to Judge? (Or: I know art when I see it)

    Howdy…

    Today, I’m going to tackle a subject that I’ve skated around for a few years.  This topic, more than any other in scale modeling, can be the most polarizing thing there is in the hobby —the topic is judging scale models.  I will try to remain objective and neutral on my observations…

    Full disclosure:  I am an IPMS/USA and an AMPS member.  My last full effort for competition in IPMS was the 2000 Space Coast show.  My last model on an IPMS competition table was at the 2005 Atlanta Nationals.  Why?  One, I subscribe to David Sarnoff’s (the guy behind RCA and NBC back in the day) theory that “competition brings out the best in products and the worst in people”.  I have been witness to more bent feelings, hot tempers, and bad blood at IPMS contests that I can shake a stick at, all because someone didn’t get a big shiny to take home to prove to the world that he or she was The God of Styrene that week.  Two, the actual construction of a model falls under the heading of “craft”, but the final finish certainly borders on being art.  How do you judge art as a winner or loser?

    For the record, I have a rather large box of plaques and medals that I’ve won at model shows through the years, from a 3rd place plaque from an Embry-Riddle model show in 1983 to a Best Aircraft and “Best Between the Wars” plaque, a special award, from the 2000 Space Coast show, so this isn’t being colored by sour grapes.  I build my models for me, and if they happen to garner some ugly plaque buildup, so much the better.  I don’t do this for adulation, because after the show is over I still have to go to work and pay the bills…

    Without getting into the weeds with the various systems out in the world used to judge a model show, I will instead take a look at the two most common systems used here in the United States.  They are the IPMS/USA system—commonly referred to as a “1-2-3” system, where every category (entries permitting) has a 1st, 2nd, and 3rd place winner.

    The other system is Open Judging, the best known being the system that AMPS uses.  AMPS doesn’t so much judge a model as they do score it, and multiple awards are possible within any given category.

    These are some observations that I’ve collected over the years–some of them are actually mine, but most are from talking with others.  The general claims and observations are in standard type, my comments are in italics.

    The IPMS system works like this—your model is placed on the table, in the relevant category.  Once registration closes and all the models are on the table, a team of judges evaluates each category.  They’ll look for basics: alignment, mold flaws, construction flaws, finish, detailing, etc.  If a model exhibits major flaws, they’ll be cut out of the running.  All the while, the models are compared to each other as well as to a mental “standard” that each judge is supposed to know and grasp.

    The models that make the cut are again evaluated in the same manner but to a more focused look.  Eventually, the team arrives at the top four or five models.  The final cut is taking those four or five models and determining a 1st, 2nd, and 3rd place winner.  Remember, throughout the process the models are not only being evaluated to the nebulous “standard”, they are also being compared to each other.

    So, the observations:

    IPMS judging picks “Winners”! (and, by extension, “losers”.)

    If you “win”, you get a big shiny trophy!  (But if you don’t, you get bupkus.  This especially applies to competition newbies–they haven’t yet grasped the nuances of how the deal works.)  

    “If you want to know why your model didn’t ‘win’”, they’ll tell you, “ask a judge.”. (This is a noble effort, but it usually doesn’t result in anything.  Asking a judge is usually futile, since they want to get out and go home, too–it also seldom works, especially if the judge or  judges you consult weren’t involved with your model, because part of the IPMS judging scheme requires the comparison of your model to the others on the table.  So, even if the judge that worked your category was there and remembered the way the judging unfolded, they really can’t say for sure why you “lost”, since they don’t have the other models there for comparison.)

    IPMS awards the modeler, not the model.  (Despite claims to the contrary from the IPMS Hard-Liners, the IPMS 1-2-3 system awards the model, not the modeler.  Think about it–if it rewarded the modeler, their model’s standing in the show wouldn’t depend on what else was on the table with it.)

    Under this system, a model could win Best in Show one week and get shut out the following week at the contest a few hours down the road.  (I’ve seen this first-hand, more than once.  Any repeat-ability is purely coincidental.)

    IPMS judges learn on the fly from people who aren’t always the best teachers.  (Most are very good at what they do, but I’ve come across a few guys who call themselves “IPMS Senior Nationals Judges” who still don’t grasp what it is that the Society is trying to accomplish–they see it is a zero-sum, win-lose “bloodsport”, damn the “casual hobby” aspects of it.  In short, they’re bullies, bent on choosing only the models THEY deem as an appropriate “winner”.  You don’t see this often at the Nationals level, but it is still hanging around in the Local/Regional areas.  These guys are the ones who are insistent on judging accuracy, so you’ll know how to spot them…)

    What the IPMS 1-2-3 system has going for it is speed–you can evaluate and judge a room full of models in a few hours.  A good team of judges can take a category of 20 models and determine the winners in less than 30 minutes.  (It also appeals to most Americans’ desire to be called a “winner”, where 2nd place is the “First loser”.)

    Now, let’s take a look at Open Judging (sometimes erroneously referred to a Gold-Silver-Bronze system) as employed by AMPS:

    AMPS uses an open system where your models are placed in front of a panel of three or four judges and the model evaluated to a written “standard”, and are judged in a “stand-alone” situation rather than being compared to the other models it competes with. (That standard merely quantifies the basics–alignment, construction, detailing, and finish–the very same basics that IPMS judges are taught to evaluate.  And note that neither organization judges accuracy.)

    AMPS has several skill levels–Junior, Basic, Intermediate, and Advanced.  It is a ladder system—as your skills improve, you can be promoted to the next highest skill level.  This usually takes place at the annual AMPS International Convention.  (AMPS is one of the few hobby groups that also has a Master level–The National Model Railroad Association is the other, they feature a path to Master Model Railroader.  Rather than just proclaim yourself a “Master Modeler” because you’ve built a gazillion models, won at the Nationals, and maybe written a few articles for a magazine, in order to become an AMPS Master you must win Judge’s Best of Show at the AMPS International Convention.  And, in order to do that, you have to be an Advanced member who earns a Gold at that show, and then go on to win Best of Show.  ONE person gets elevated to AMPS Master per year.)  

    The judges write comments on the score sheet, and you get that score sheet back at the end of the show. (Most AMPS modelers want the score sheet with the judges’ comments more that they want the medal–we have one guy in our AMPS Chapter who routinely earns a fistful of medals every year, and he gives them back to us every year.)  

    AMPS certifies their judges through a standardized training system.  (Up until a few years ago, it was administered by their Chief Judge, who would travel from show to show to train new judges, ensuring uniformity.  These days, there is a team of trainers.)

    The AMPS OJT consists of sitting for two shifts after you’ve received the classroom training.  Only then do you get your credentials.  (IPMS’ OJT criteria aren’t as stringent.  Not to say the way IPMS does it is “wrong” and AMPS is “right”, just throwing it out there to compare and contrast.  IPMS judges only receive “credentials” after 20 years as a judge at the National Convention.)

    In theory (and in practice 99% of the time), a model that earns a Gold medal in a given skill level at one show will earn the same medal at another AMPS show.  (In other words, there is documented repeat-ability in the system.)

    Now, here are the drawbacks.  Open Judging, done correctly, takes time.  A lot of time.  We (AMPS Central South Carolina) host a show every year.  Registration opens at 8:30, the show runs until 5.  Judging starts at 8:30 and runs until approximately 3PM–and this is for around 100 models.  (Most IPMS local and regional shows draw a few hundred, and a National Convention draws a few thousand models.  Most AMPS local shows–they call them regional–draws around 100, and their International show draws a couple hundred for scoring.)

    The associated drawback (for some) is how AMPS actually confers awards.  If you bring seven armor models, all in different categories, you have the potential to take home seven medals.  But if you bring seven Sherman tanks, all in U.S. Army markings, you will take home the highest medal awarded to your body of work because their all entered into the same category.  In other words, AMPS rewards the modeler and his or her efforts, not individual models.  So, AMPS is sometimes seen as limiting the number of models entered by doing this.  (Those who poo-poo that idea don’t realize that AMPS has always had Display Only space at their shows, something IPMS has struggled with through the years.) 

    The only place where someone at an AMPS contest can be a “winner” (in the “I’m Number One!” sense) is in the Best Of’s.  The Best Of’s are chosen by taking all of the Advanced level Gold medal winners in a given category and judging them in an identical fashion to the IPMS 1-2-3 system: count the flaws and compare between the eligible models.  Best of Show takes all the category Best Of’s and does the same thing.  Otherwise, you are submitting a 3D research paper and getting a grade.

    All that being said, is one system better than the other?  I don’t know.  It all depends on what is expected from a model show.

    If you want to be The God of Styrene for that week and have all the bragging rights associated with the title, if you want to be the Big Winner, you probably prefer the 1-2-3 system.  It is a system, as we have discussed, that picks winners and losers.  You won’t learn much from the exercise.

    If you want to measure your abilities as a modeler, learn from your mistakes, and climb the ladder as you gain experience, the Open Judging system is probably the one you will choose.  You get that feedback from the judges telling you what they saw on your model, both good and bad.  You take that feedback and apply what you’ve learned to your next model.

    Something else you ought to know–these days there are several IPMS Chapters who have used what they call a hybrid system, where the categories are evaluated as normal in a 1-2-3 system, then the top 5 or 6 models get the Open Judging score sheet treatment.  I don’t like this–the people at the top really don’t need the score sheet and comments, as they usually have a pretty good grasp on what they’re doing (yeah, sometimes we “experienced” modelers make boneheaded mistakes and don’t realize it, but usually we’re on top of things).  The folks that don’t make the cut are the ones who could really use the coaching.  Plus, by not treating all the models entered in the show the same way, you insert a double standard into the mix.

    I’ve seen some rather pointed comments made after a show here in the Southeast concluded, the group having adopted one of these hybrid systems.  The main comment from one person I know was (and I’m paraphrasing here), “I got two Silvers, but if I wanted critique on my models with feedback, I’d take it to the club meeting.  I want to know where I stand when I’m stacked up against other modelers.”

    This all leads me to my last suggestion:  Before you enter any contest, read the rules applicable to said contest.  Don’t like the rules?  Don’t play the game.  It is as easy as that.  If you see the show is running an Open system, and you don’t like it, don’t play.  I can assure you that the show organizers aren’t going to change their judging system for you.

    Finally, here’s some good reading material for you…

    IPMS has their rules and a Modelers Guide to IPMS Contests available on their website.  They are downloadable, and are worth perusing.

    Here’s a link to the AMPS system and philosophy.

    Both make good reading.

    That’s all I have this time.  More later.

    Thanks for reading.  Be good to one another, and as always, I bid you Peace.

  • Knowing one’s limitations; The more things change, the more things…change

    Howdy, everyone!

    Have you ever seen the Clint Eastwood flick “Magnum Force”?  You know, the second of the “Dirty Harry” movies, where a band of rookie cops goes out and kills the hoods that have proven difficult to bring to justice using “the system”?  Their leader (and Harry Callahan’s superior), Lt. Briggs, plays the role as the cop who is calm and collected, and when he reminds Harry that his weapon has never been out of its holster, Callahan tells him “You’re a good man, Briggs.  A good man always knows his limitations…”

    Why do I bring this up?  No, we’re not playing Movie Trivia.  I would hazard a guess that most of us who build models seem to forget the fact that we do, no matter how much we say we don’t, have a limitation.  Or two…

    The limitations that seem to always catch me are (in no particular order) time, skill, money, and desire.  Let’s examine, shall we?

    Let’s start with skill.  I’ve been at the game quite a while, and during that trip I’ve developed my skills into what I think is a pretty formidable tool box.  There are things I can do easily and quite well.  On the other side of the coin, there are things I cannot do as well as someone with my experience should, for no other reason that I either have not attempted them or have limited experience doing. 

    For instance, to me photoetched parts are “the Debbil”!  Why?  I don’t use them often.  I find a lot of things that photoetch is supposed to “make better” actually don’t.  When I really paid attention to such things, I was always curious why Airwaves and Eduard would etch a brass replacement—a flat brass replacement—for an item like a door actuator or control stick that had depth and dimension (these days, Eduard does these in their “Brassin” lines). 

    So, by and large, I’ve avoided photoetch—until now.  I’m starting to gain interest again in ship models, which, quite honestly, require a modicum of photoetch to be “handsome”.  Without the PE parts, they look almost naked.  What this means is that I will become better acquainted with railings and other bits and pieces as I build ships.

    The skills that are holding me back right now concern armor models.  My poor little StuG IV is more or less complete, but for two things: weathering and completing the base.  Now, neither skill is completely foreign to me—I’ve weathered armored vehicles before, using “Old School” methods like washes and drybrushing.  I’m still learning some of the techniques that have been developed over the time since I last built an armor piece, and I’m confident that I can get the job done—once I start.  The same goes for the base—I just need to knock some rust off and get to the job at hand.  I’m close, really close…but somehow, I haven’t been motivated for whatever reason.  More on that later…

    Time can be a real issue.  It was when I was working 14-hours a day, 6 days a week.  It isn’t as big a crunch these days, but for some reason I don’t seem to be getting any further on projects that I have up until this point.  Hmmm…

    When you don’t have time to model, it kills your momentum on any project or projects that you may be in the middle of.  That’s largely the case for all of the half-built models I have on the workbench.

    Money.  It can be the equalizer of everything.  Fortunately, I have such a large stash that I probably have any kit I’d want to build close to hand (the only new kits I would like to buy are the Takom 1/35 Merkava 2 and the Eduard 1/72 MiG-21MF).  See my earlier comments on aftermarket—most of the time, I don’t see the need.  My decal stash is kept in two copy paper boxes, so I think I might be set there, too.  No, at this point money isn’t really an issue.  Don’t get me wrong—I still need income, but as far as buying new models?  Nah, I’m set.  Really.  Most of my hobby shop trips these days are to look more than anything else.  If I do buy something, it is either a consumable (paint, etc.) or a reference book.  Money—or lack thereof—isn’t what is slowing my production these days…

    So, that leaves what?  Ah, yes—desire.  Another way to put it is motivation, or lack of laziness.  Bingo.  I admit, lately I have been a bit of a slug.  Why?  Well, I had some heavy lifting to do when I was elected President of the IPMS Chapter, stuff that (in my mind) needed to be done.  Add to that an upcoming model show that wasn’t really being moved along, so now I’m busy running the Chapter and doing all those little things that need to be done for a model show..  In the space of three months, I managed to craft a Constitution and By-Laws for the club, design and have medals made for the show, manage the club website to include show updates, fine-tune my meeting agendas, and write something for the newsletter. 

    Once the show was over, I was hammered by an upper respiratory ailment that took a while to kick.  I was not feeling much like riding the bike, so I’d plant my fourth point of contact firmly on the couch and vegetate to whatever was on the TV.  I’ve told you about my periodic funks, and this is perhaps the largest one I’ve encountered in quite some time.

    Now that I’m on the far side of everything, I’ve had some time to think—which is something a man should not do.  One of the items on the list is the ever-bulging stash.  I actually wrote a short piece on stash management for the club newsletter, but the gist of it is that I really need to do a SIDNA sale.  Since I was part of the Show Committee in June, I really couldn’t tie myself to a vendor table, so I’ve had to think of other ways to reduce the number of unbuilt kits upstairs.  While it doesn’t all have to go NOW—I don’t need the dough to pay for a kidney transplant or anything like that—the sooner I can move it, the better.

    For those who ask, “Why would selling off model kits help your production rate?”  For me, the answer is easy—I go upstairs to work on one project, it gets stalled (for whatever reason), and I have hundreds of other potential projects staring me in the face.  In a word, it is a distraction.  Second, I believe it would help me get back on point with some of the collections I’ve outlined over the years.  And, finally, it will give me more room to work.  My workbench becomes cave-like at times…

    Were there other things that lit a bit of a fire under me?  Since you asked, sure.  First, our June show—model shows are real good places to draw some inspiration.  When you have a chance to look at everything up close during judging sure helps feed the brain.  Next, a few weeks ago, we had a display at the State Museum, where we simply put models out for people to look at.  I managed to bring several, including the Corsairs, the ER-2, and the F-111F.  And, finally, I took a few Works In Progress to the IPMS meeting last week.  As I looked at all three, I noted that none of them was beyond hope (I took the StuG, the Macchi C.200, and the 1/72 F-101B), and that if I’d only get up and actually work on them, I’d probably have them completed before too long.

    Stay tuned.

    ————————-

    Last time we met, I regaled you with stories of Stuff We Used To Have.  We covered paint, filler, and the like.  This time, let’s look at model companies that are no longer with us…

    I recall the first model magazine article I read that didn’t feature a kit from the American Big Three of my day (Monogram, Revell, Aurora)—it was the article on the then-new 1/48 scale ESCI kit of the IDF/AF Kfir C2, showcased in the March 1978 issue of “Scale Modeler”, the same issue that featured Shep Paine’s Marauder diorama (and my first taste of a modeling magazine)…

    Now, I was familiar with the Mirage series of aircraft, having built the Revell 1/72 Mirage III kit a few years earlier.  I knew the Israelis flew them.  I had read a few short encyclopedia articles on the Mirage 5 and how the Israeli order was embargoed, and how Israel worked to develop an in-house replacement, but had never seen a picture of a Kfir.  Here, in color, was a superbly built model kit, right there in the pages of my newly discovered magazine!  But the article only raised questions…

    ESCI?  What the heck was ESCI?  How do you say that?  ESS-kee?  E-sky?  (For the record, it is an acronym for Ente Scambi Coloniali Internazionali, “International Organization for Colonial Trade”; most people pronounce it ESH-he).  All I knew is that the kit got high marks, and I saw ads for others, including their only 1/48 WWII aircraft kits of the Hs.123 and Hs.129. 

    ESCI initially would design tooling, ship them to other firms (usually Italeri) to have them molded, then box and market them.  In the course of their existence, the produced a series of 1/72 scale aircraft and armor that, for the most part, were excellent kits.  They had a huge 1/72 scale armor selection by the time they folded, most of it exquisite.  Their 1/72 WWI aircraft series, likewise, couldn’t be beat.  In short, if the box said “ESCI” and “1/72 scale”, you could be pretty sure what you got was a winner…

    Their 1/48 scale line wasn’t as extensive, and certainly not as finely done, but for the most part they were viable (several exceptions exist: their 1/48 scale F-100D and A-10A were the big stinkers of the bunch—interesting, too, since their 1/72 F-100D is still one of the finest examples of that aircraft in that scale). 

    ESCI also produced a line of automobile kits—European road racers, mostly—in 1/25 scale, and some motorcycles in 1/9 scale.  Perhaps their most interesting kits were their 1/12 F-16 and F-104 cockpits.

    ESCI kits had several things going for them, but first and foremost was that they were affordable.  Their 1/72 scale kits were usually a few bucks each, and when Squadron would have a sale you could find them for as little as One American Dollar each!   

    Their fortunes waned in the mid- to late-1980’s, and by the mid 1990s the company had been sold to the ERTL Group.  They were gone by the turn of the Century.  AMT, also under the ERTL umbrella, took the F-100D and produced an F-100F kit, and produced an F-104G based on the ESCI F-104C.

    Some of their kits are still available in other companies’ boxes–for a while in the early 2000s, you could find them in Revell GmbH boxes, and some are seeing new life in Italeri boxes.  That’s a bit of a win for the better kits—as I said, I prefer their 1/72 F-100D to all other comers.  Their F-104 series was also quite nice—now superseded by Hasegawa’s efforts, they’re a great “budget” choice when/if you can find them.  Their 1/72 scale kits of the Sea Harrier, F-4C/J, F-4E, and F-15 still hold their own, too…

    Otaki was a Japanese brand who was into a lot of things—airliners, aircraft, cars, even model railroad.  My interest in Otaki came from their line of 1/48 scale WWII airplanes.  The group included the P-40E Warhawk, P-47D Razorback, P-51D Mustang, F4U-1A Corsair, F6F-3 Hellcat, Ki-43, Ki-44, Ki-61, Ki-84, Ki-100, A6M, J2M, J1N1, K5W, Bf-109G, Fw-190A, and Spitfire Mk. VIII.  These kits were quite well done, and for the most part quite accurate to boot.  They, too, were affordable.  Sure, they cost a little bit more than the usual Monogram kits, but they were less than contemporary Hasegawa and Tamiya kits in the same scale.  They also had an interesting line of 1/144 scale kits, notably a Lockheed L-1011 TriStar and C-5A Galaxy, and an Aerospatiale/BAC Concorde, each of them superb.  To wit, Airfix’s Concorde wasn’t as nice, Airfix’s and Revell’s attempts at a TriStar were lacking, and nobody attempted a C-5 until the Roden kit earlier this year…

    By the time I discovered Otaki, they were on the verge of bankruptcy.  I noticed that by the late 1980’s the boxes said “ARII” and no longer featured multiple color schemes and the color plate was missing.  The plastic was still the same, though, so I was not really concerned at the time.  Arii continued the line for several years, even sending kits to AMT, Airfix, and Matchbox to be packaged and sold in those boxes, too.  In some circles, they still exist, now in Micro Ace boxes that still bear the Arii logos, so they’re not really gone, but to me, without the color plates and multiple decal options, they may as well be.

    The interesting part of the Otaki saga is to this day shrouded in mystery and whispered rumor: before they went bankrupt, some disgruntled employees loaded some of the tooling on a boat and dumped it in Tokyo Bay!  The kits usually associated with this heinous act are the two 1/144 scale kits, the TriStar and Galaxy.  And, since we have yet to see these kits in anyone’s boxes for quite some time (Revell AG, Testors, and Doyusha all re-boxed the Galaxy while Otaki was still solvent), it stands to reason that there is some truth to the story.  I wasn’t there, I can’t say one way or the other, but…

    The last company I’ll talk about tonight is Monogram.  Yep, *that* Monogram, before their marriage with Revell, before ProModeler, before the bankruptcy…

    I discovered Monogram kits by chance.  The first “look at the model I built all by myself!” kit I built was the Monogram Snap-Tite L’il Red Baron, the caricature version of the Tom Daniel classic.  A year or so later, as I started down the path to being a “serious” modeler, I discovered their U. S. Navy aircraft—the SBD, TBF, SB2C, Hellcat, Wildcat, Corsair, and TBD.  Of course, I just had to build them all and add them to the collection.  As I would acquire and build each, I took notice of their other kits of WWII airplanes.  As I was to learn, some were great, some were good, and some were, well, in interests of being fair, products of their time.  And I built all of them, ignoring the things people cringe about today…

    As I started to build jets, I was impressed by the quality of Monogram’s 1/48 kits.  The cockpits were excellent, and the kits themselves would build up with no major issues—nothing I couldn’t handle, for sure.  I built their F-100D, F-105G, F-84F, and a couple others while I was in college—the F-84F crashed and burned for whatever reason I can’t recall, but I built the same kit again and featured it earlier on this blog.  Each of them was a treat to build…

    Not long after I graduated from the Harvard of the Sky, I switched scales to 1/72 and discovered Monogram’s F-105G, F-4D, and EF-111A.  I was just as impressed.  The cockpits were veritable jewels, the completed models were lovely to behold in the display case, and, in case you forgot, they were affordable and, they were made right here in the good, old USA.

    What made Monogram kits special?  They had the right balance of detail and ease of assembly.  They went together quickly.  They didn’t need a lot of extra stuff, even after extra stuff became a requirement for some modelers.  In short, they were just good, straightforward, well detailed model kits.  Sure, they had the dreaded “raised panel line” disease, and some of them exhibited less-than-stellar fit (anyone who has even built their A-10A in 1/48 scale knows what I’m talking about), but for the price, they packed a lot of fun into those boxes. 

    After the mergers between Monogram and Revell in the mid-1990s, a lot of the kits began to appear in Revell boxes—the united company had decided to use the Revell name for business and financial reasons—and the plastic changed from that nice, hard, shiny non-brittle styrene that was a stock in trade from Morton Grove to the soft-ish, prone to warp, high vinyl/regrind content plastic that came from overseas.  I still like a lot of their kits, but when I do build them I try to use an original Monogram boxing to get that nice plastic…

    The new holding company who bought Revell GmbH and Revell USA now owns all the history and heritage that traces its lineage back to the old Morton Grove, Illinois location.  That is good.  It tells me that perhaps we will see these kits yet again.  Hint, guys in Germany:  Have your kits molded where the quality of styrene is better, you will make modelers world-wide happy.

    There are other model companies who have come and gone, and I've talked a bit about some of them on this blog:  Lindberg, AMT, MPC, HAWK, Accurate Miniatures, Hobbycraft Canada, and others.  Fortunately, Round2 Models rescued AMT, MPC, HAWK, and Lindberg several years ago, while the Accurate Minuatures tooling seems to be in the hands of the folks at Academy (or at least the mold shops in Korea, whether it be Idea or ACE) and make regular appearances in Academy, Italeri, and (before the bankrupty) Revell GmbH boxes, as do some of the Hobbycraft Canada kits.

    STOP THE PRESSES!

    I originally had this post ready to post on Wednesday, 29 August, but as I usually do, I let it marinate overnight so I could proofread it the next morning.  Well, as Ferris Buehler said, “Sometimes life moves really fast…”

    The news was broken by the website cultvman.com yesterday:  Atlantis Models, a company started in 2009, has announced that they have acquired some of the old Revell (and this would include Monogram, Aurora, and Renwal) tooling in storage at a warehouse in Oak Grove, IL.  What exactly they got is still a bit of a mystery—the new Revell (Blitz Partners) owns most of the tooling that was being used at the time of the Hobbico bankruptcy. 

    From their Press Release

     Peter Vetri, President of Atlantis, states, “It’s a lifelong dream to own this historic tooling and archive material related to these molds; to be able to preserve the tooling is a real honor. We look forward to reissuing many classics that have not been available in quite some time. All of the model kits will be made here in the USA and all the tooling and the Archive have been moved from Elk Grove to our facilities in Deer Park, NY.

    Atlantis Models has, in the past, re-issued or retooled several classic kits from the Revell and Aurora lines, so these kits should fit right into their lineup.  I wish them well, and look forward to seeing which classics they have acquired.

    You can read about Atlantis here.  

    BUT WAIT, THERE’S MORE!

    Salvinos J R Models, a new American model company specializing in NASCAR Stock Car model kits, announced today on their Facebook page that they, in a deal reached with Atlantis Models, are the new owners of the Monogram NASCAR kits from the 1980’s and 1990’s:

    VERY BIG NEWS!

    You may have read some very big news from Atlantis Model Co. that they have purchased a considerable portion of the molds for Revell, Monogram, and some of the other Hobbico owned companies from Revell Germany that were stored in Revell’s Elk Grove, IL warehouse. Well we were fortunate enough to work out arrangements with Pete and Rick of Atlantis Model Co. and Salvinos J R Models are now the proud owners and guardians of the entire catalog of Revell and Monogram’s American made stock car molds from 1980 through the 1990s! In the very near future we will be adding these kits into our catalog with new drivers, new decals and some updated bodies to go on these platforms.

    ——————–

    So, there you are sports fans.  I read about the Hobbico bankruptcy (I was still employed at the hobby shop when it all started to go pear-shaped for Hobbico), and I read about the Blitz Partners purchase, and I read all the doom and gloom about how “They’re gone!  All those kits are gone!”  Well, anyone who has been around the hobby for a while knows that old kits never die.  They just get produced by different companies.  As noted, ESCI kits are now found in a variety of boxes from Revell GmbH to Italeri, Otaki’s stuff can be found in Micro Ace/ARII and Doyusha boxes, and Monogram kits are going to be in Revell, Atlantis, and Salvinos J R Models boxes.  Life is still good.

    That’s all I have for now.  Be good to one another, and, until we meet again, I Bid you Peace.

  • In the days of yore…

    (Or:  Hey, Grandpa, tell us a story…)

    As the Cajun Chef Justin Wilson would say, "How y'all are?  I'm so glad for you to see me some more!" 

    Since we last crossed paths, a lot has happened.  Our Mesa Project is over, ended prematurely by our customer.  So, no more treks cross-continent–which is a good thing and a bad thing, because as long as it wasn't in the summer months, I enjoyed the time I spent in Arizona.  This also means that I've been between projects since January, which means I have time on my hands–and time that isn't always spent in the best of manners. 

    I guess that's why I volunteered to "un-retire" and ask the guys in the local IPMS Chapter to trust me to run the club for a few years.  "I wanted a mission, and for my sins, they gave me one…"

    So, having time on my hands and something that I need to spend time on has got me writing articles for our club newsletter.  I've done a few so far, and I have two or three more lurking out there amongst my research materials on projects near and dear to me.  The first I wrote was a short piece on the various Army missile sites situated in and around South Florida during the aftermath of the Cuban Missile crisis and how those spots look today.  Since we're in South Carolina, and I have never seen anyone in the club do so, I also did a two-part history of the 169 Fighter Wing, the flying unit of the South Carolina Air National Guard.  Waiting in the wings?  I'd like to do a short piece on the 321st and 340th Bombardment Groups, two units that were assembled and trained here at what is now the Columbia Metropolitan Airport.  I've also been refining my "Model Building 101" seminar that I first presented at the 2016 IPMS/USA National Convention.  And, while all this has been fun, it has caused me to do some digging in back issues of old magazines–where I'm greeted almost every time with some sort of "Blast from the Past"…

    The first thing I recalled were the Alpha Cyanoacrylate Cements (ACC, also known as CA, "Super Glue", "Krazy Glue", and a host of other trade and nicknames) that we had available to us in the day.  Dad would usually have one of the syrette-type tubes of Krazy Glue hanging around, and every now and then he'd bring home an expired bottle of Eastman 910, the great-granddaddy of all ACCs from work–he worked at a bio-medical company for a while and they paid strict attention to dates.  The glue was still perfectly fine, except the date on the container said it couldn't be used. 

    A few years later, I found Satellite City's "Hot Stuff"–the original bottles were flat-topped and used the little piece of Teflon tubing as an applicator nozzle.  And, boy, did it work!  I first discovered it when my brother was building a Dumas tunnel-hull radio control boat.  I happened to be building my one and only "real" model (according to Dad), a Guillows large scale Spitfire.  I used Titebond for most of the construction–I wasn't concerned with weight, since I was building it as a shelf sitter–but when I needed to lock something into place NOW, I'd hit it with Hot Stuff, and pow, it was secured.  I tried it on some of the plastic models I built later on, and found that it worked fairly well on them, but that I was still a bit lacking in my technique–so what I usually wound up with was a misaligned bit of model that took a while to sort out.  But it was good stuff, and it is actually still available.  In the years since, I've used the Pacer "Zap" line of ACC, Carl Goldberg's "Jet", the "Krazy Glue" formulations, and the Bob Smith Industries products, but if it was still as readily available as it was in the early 1980's, I'd probably still be using Hot Stuff…these days, Bob Smith is what is usually available, so it is what I use…

    Another product from days gone by are fillers.  Back in my formative years, there was only one readily available hobby filler worth using, and that was good, old, Squadron Green Putty.  And boy, did I use it by the metric ton.  I'd glue the parts together, and once the glue was dry I'd smear a nice bead of putty on every seam.  I guess I liked sanding for weeks back then, I dunno.  As my technique improved, and as I realized that I didn't need to use the whole tube on just one model, I started to use less.  At some point, I used Duratite putty, and later tried the Dr. Microtools' red putty–nice stuff, but if you are painting something white, it was a huge pain in the hinder.  About the same time, Squadron introduced their White Putty.  I've used it ever since, at least as far as solvent-based putties go.  I've added a few to my arsenal–namely, CA, Deluxe Products' Perfect Plastic Putty, and Apoxie Sculp.  That last one reminded me that I originally used Duro's E-Pox-E Ribbon–you probably remember it if you used it, it has a blue and a yellow component, and when it cured it was this garish green color.  Once I discovered Milliput, thought, I switched.  And, when Apoxie Sculp debuted and I could get it easier than Milliput, I switched.

    But of all the products I look back on, the one that I always come to is paint.  In my kid days building models in the neighborhood, you were either a Testors fan or a Pactra kid–a lot depended on where you shopped for paint.  It seems to me that the drug store closest to the house (as well as the local K-Mart and Treasury discount store) carried the Testors Pla Enamels, and the drug store across the street carried Pactra 'Namel.  Back then, we only knew we needed paint, we weren't particular, but I was always under the impression that the Testors bottles held more paint that the jewel-faceted 'Namel jars did.  I used the Testors Flats, mostly, and continued to use them when I transitioned from using the hairy stick to using the airbrush for my final finishes.  That is, until about 1981…

    Remember my stories of the Otaki Corsair, and how it became my Great White Whale, and how I so thoroughly botched my first attempt that I had to wait until the shop got another kit?  Between those two, I built the Otaki Hellcat, and since I had already bought the paint for the Corsairs, I'd simply use them on the Hellcat, too.  These were different–these were the square bottles of Pactra's Authentic International Colors.  And boy, how I loved that paint.  I had discovered that using Aero Gloss Dope thinner really cut the Testors flat enamel paint and made it lay down well and flash quickly, and it held no surprises when I did the same with the Pactra stuff.  Of course, my luck being what it is, a few months after I discovered the stuff, it was being discontinued.  No matter, as I was in for a change anyway…

    When I started college, I was trying to be considerate to my roommates, so I tried the original Polly-S.  For those of you younger than 30, this was the original hobby "acrylic"–actually, it was latex paint.  It hand brushed very nicely, but to airbrush it was a bit of a crap shoot.  See, you could thin it with water or alcohol, neither of which was 100% reliable with any given bottle of paint.  Some bottles would do well with either, other bottles would only work well with water, and some bottles would curdle into a tight little ball if you tried alcohol.  I got real good at troubleshooting paint in those days, and I used it until it, too, was starting to pass from the scenes.  When I couldn't get colors like RLM02 and Non-Spec Sea Blue, it was telling me that I needed to find a new paint.  It actually found me…

    About the same time Polly-S was sinking, the gang at Floquil had begun to produce the "re-formulated" military colors, in the form of their "new" (for 1992-ish) line.  Now, I was quite content to use Polly-S (as well as the Tamya and Gunze/GSI acrylics), but given the range of colors, I just had to try the new Floquil line.  I did.  I liked it.  I used it.  Well, until the advent of PollyScale…

    There were other acrylics that I tried back in the day, too.  I liked the original Tamiya acrylics.  They were an absolute joy to use.  They then started to fiddle with the chemistry of their paints, and for several years I simply could not get it to work, come Hell or high water.  I also liked the Gunze Aqueous line to an extent, but I found that it didn't give as good a coverage as the others did.  Along the way, I also tried the Testor Model Master Acrylics (the line that preceded the Acryl colors we have now), and found them to be the most useless model paint I ever encountered.  The experience I had with them colored my opinion of the later Acryl line until I tried them. 

    Then there was "Niche"/"Red Paint".  They came out in the early 1990's with these supposed hyper-accurate paints formulated for late war Luftwaffe and Soviet colors.  I have actually had good results with the one bottle of "Soviet Dielectric Green" I bought (check out the MiG-21 I built–the antennas are all done with this paint), and wish I had bought more when it was available.  

    I tried the ProModeler paints once, too–the less said, the better.  They weren't as useless as the Testor Model Master Acrylics, but they came pretty close.

    Coming full circle, one of the last of the "others" that I really liked were the Pactra Acrylics.  And, as my luck runs, it wasn't around long once I discovered it.

    Back to PollyScale.  Bar none, this is the best acrylic I have ever used, before or since.  I liked it so much that I simply gave away all my Floquil enamels.  If this stuff was still around, I'd be using it.  No question.  But, as we have seen from RPM (the parent company of Testors, Bondo, and Rust-Oleum) a few times, well, they just couldn't bear having "sister company" (as Floquil was at the time) show up the Home Team.  Yep, they discontinued the PollyScale colors in favor of the Acryls…

    Since PollyScale went away, I have re-learned how to use Tamiya colors, I have liked the Acryls, and I have adopted a new favorite in the form of Vallejo Model Air.  Sure, it isn't PollyScale, but as I have been experimenting and getting used to it, I like the stuff.  I've been able to pull off some pretty nice paint jobs–see the Hasegawa F-111F, the pair of Corsairs, and the ER-2 as proof.  They make the best, to my mind, acrylic metallic colors, too, as the MiG-21 proves.  So, while my winding road through the world of hobby paint has been long and slightly tortured, I think I'm where I need to be.

    ———————————————————————————————————————————————————————————————————————–

    And this doesn't even scratch the surface of the list of the kit manufacturers we had back in the day.  We had Otaki and Nichimo, neither of which are around any more, although Arii picked up the Otaki line for a while–it is now marketed by Micro Ace in Japan.  We had Fujimi, kits from whom have only recently started to hit these shores again.  We had Life-Like, Inpact, ESCI, SMER, VEB/Plasticart–none of which have survived to today. 

    And, the latest additions to the list:  Monogram and Revell.  They were victims of the Hobbico bankruptcy.  Hopefully, the new owners of Revell Germany–who now own the entire Revell and Monogram catalog–will re-establish some sort of U.S. branch, but I'm not holding my breath.

    On the other hand, due to the efforts of Round 2 Models, the likes of AMT, MPC, Lindberg, Hawk, and Polar Lights…

    Perhaps next time, we'll take a look at those manufacturers.

    Until then, thanks for reading.  Be good to one another, and I bid you Peace.

     

  • #historyiscool

    Howdy…

    I was on the road again for the past two weeks.  The phrase "It's said the West is nice this time of year" is certainly true–nighttime lows in the high 50's, daytime highs in the mid- to high 80's…

    ————————————————————————————————————————-

    I had occasion to speak with a high school classmate a few weekends ago.  That 20-minute phone call stirred up such a rush of nostalgia that it prompted me to bat out a six-page missive that was originally intended to be posted here as a follow-on to my last post.  The more I wrote, the more I decided that the piece was more for me than it was for anyone else, and has been filed away in my folder called "Personal Musings". 

    In effect, it was an essay on history–my history.  And I think it is good to go back and visit history, whether it is your personal history (either through memory or some sort of journal), as well as events that shaped the world around you.

     

    I grew up in a small suburb of Ft. Lauderdale called Lauderhill.  The family moved there in August of 1971.  At the time,  Lauderhill was only starting to grow on the west side of the Florida Turnpike, and we were there to see the beginnings of it.  Now, I didn't know squat about history then–I wouldn't take an interest in history for another year or two.  All I knew was that the folks on the East side of Lauderhill had been there for a while, while most of us on the West side had only recently arrived–from other areas of the city, from other areas of the county, and, like us, from out of state.

    I had a lot to learn.

    As time marched on, I started to be aware of the events around me.  My first real knowledge of a historic event had to have been the 1972 Munich Olympics hostage crisis.  I didn't fully understand what was happening, but I know the story I was seeing captivated me.  I didn't really understand the significance of the events until I was a few years older, then it took on a whole different meaning to me.

    The next event I recall would have been the 1973 Yom Kippur War.  Why?  The Oil Crisis.  It was a direct result of the war.  Again, I still didn't understand the strife between the Arabs and Israelis back then.  I soon would, and again, my mind was opened up to the vast amount of history that I did not yet know.  1974 saw Watergate and the Nixon resignation.  1975, the evacuation of Saigon.  And so on…

    It was about then that I started to make a conscious effort to learn history.  On my own, no prompting.  I read books.  Lots of books.  Fiction?  Nope, don't need it.  I wanted the straight dope, the real stuff.  For some unknown reason, my interests focused initially on the Second World War.  More specifically, they focused on the air war from 1935 until 1945.  I ate the stories up.  I read all the books I could.  I asked for–and received–Edward Jablonski's massive tome "Airwar" one Christmas, and read it from cover to cover over Christmas break.  (If you've never heard of it, it was initially a four-volume set.  The version I received was all four volumes bound into one book.  It is a big book!) 

    All of this, of course, fed my interest in making models of all those airplanes I read about.  When NBC started airing the show "Baa Baa Black Sheep", I wouldn't miss an episode.  I had seen a photo of the F4U Corsair earlier and thought it was the coolest airplane I had ever seen.  Those of you who sat through my "Every Model Tells A Story" seminar at the 2016 IPMS/USA National Convention know that finding the "best" model kit of a Corsair became my Great White Whale until about 1981, when I finally laid hands on the Otaki 1/48 scale kit…

    Growing up, I was fairly good in school.  I had the good fortune of being able to suck up information like a sponge and manage to retain it for quite some time.  I was especially good at the Liberal Arts stuff–writing, social studies, history–and I was good working with my hands.  On the pure science and math side of the ledger, I did okay, but if you'll recall my post of a few years ago titled "1984", it couldn't quite carry me through Aeronautical Engineering.  At a crossroads, my mother reminded me of something that I will never forget.  She told me, "Your dilemma is that you have Technical hands and a Liberal Arts mind." 

    She was, of course, correct.  As I considered my path forward, I thought of switching to a History major.  But, here's Mom again, reminding me that History majors do one of two things:  Teach or work at museums.  For peanuts.  (My wife, whose undergrad degree is in History, has also reminded me of these facts…)

    As much as a career as an historian intrigued me, I fell back on my Technical hands and studied avionics, earned my degrees, and have worked in the industry pretty much ever since.  Even when I got laid off in 2009, while I poked around looking at Master's courses in history, I knew that the Siren named aviation would come to me, calling me back into the fold… 

    Then came last year.  Actually, August of 2015–the time we were told that the company was moving the shop from Columbia, and that we could move with it if we wanted to, with everything that entailed.  And once again, I began poking around, looking at Master's programs in History.  This time, I came to the conclusion that should I head down that road, I'd be 70 years old before I paid off the loans, and would be thrown right back to the bottom of the employment totem pole, making peanuts.  Every now and then I still think it would be a cool thing to do, but the mortgage and light bills pull me back to reality.

    By the way, my selected field, had I actually enrolled?  Middle Eastern History of the 20th Century.  It fascinates me.

    Instead, I'm exercising my Liberal Arts mind in another way, writing technical documents to support avionics modifications programs.  That's what has seen me traveling back and forth to Arizona.  That's what's paying my bills.

    But I still have that undying curiosity for all things history.  It is, to this day, reflected in the books I like to read, in the models that I build, and the places I go.  I've written before how I was on an aviation museum kick back in 2012/2013.  My last post spoke about how I finally paid a return visit to the Pima Air and Space Museum in Tucson.  For those of you who follow me on Facebook, you see it in my posts–most of them have some historical tidbit that I toss out to people, hoping they'll bite on the nugget and go read further.  

    Why?

    I just find it, well, cool.

    What frustrates me is that I don't see a whole lot of young folks who have the same curiosity.  For anything, let alone history.  It came as a breath of fresh air when a Facebook friend posted that her son wanted to teach history. 

    There is hope for us yet.

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    While in Mesa, I was able to catch a few hours of ModelZona 2017 at the Commemorative Air Force's Falcon Field location.  I thought it funny when I started to bump into people I know, one after the other, within minutes of entering the venue…I was having a difficult time trying to see the show itself!

    I thought it was a nice show–not having been there for the whole show, what I did see was well-run.  There was a lot of great work on the tables, too many for me to recall right now.  Probably the most interesting model I saw was a scratchbuilt 1/48 C-54.

    All in all, it was an enjoyable break from work.  Thanks and congratulations to the Craig Hewitt chapter of IPMS/USA for putting on such a fine event.

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    Speaking of model shows, mark your calendars now for the South Carolina Scale Model Mega Show, to be held on Saturday, 23 June 2018, at the Bluff Road Armory in Columbia.  It will be a jointly-hosted show between the AMPS Central South Carolina Wildcats and the IPMS/USA Mid-Carolina Swamp Fox Modelers.  Details to come…

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    Thanks for reading.  Be good to one another, and, as always, I bid you Peace.

     

  • A Toast to Old Friends

    Greetings, everyone!

    I find myself once again in the Big City of Mesa, Arizona for work.  An old college (and scale modeling) friend of mine had moved to Tucson earlier this year and had been asking if I could meet up with him at some point since my first visit back in March.  I told him, workload permitting, that I'd find my way down there for a visit.  Well, I had time this visit, so I drove down that way yesterday…

    It was a fun visit.  We went for a visit to the Pima Air and Space Museum–he has signed on as a volunteer there, and I had not been since my first visit in 2012.  As we walked through the place, he pointed out the new additions to the museum as well as the recently refinished aircraft.  The museum has been cycling their assets through the restoration hangar where most are simply stripped and repainted.  "Restoration" is sort of a misnomer here, because they rarely totally disassemble, repair, and refinish an aircraft as the Air and Space museum and National Museum of the Air Force do.  The desert climate tends to make corrosion a minor issue, but the sun takes it's toll on the paint, hence the repaints.  Right now, they have the NB-52B, "Balls Three", in the process.  I'm happy to see the museum continuing their excellent work, and I'm proud to be a member of the Arizona Aerospace Foundation.  

    New additions (to me) were the Dreamliner, the English Electric Lightning, and the new Hangar 5.  It was nice seeing the new additions to the collection.  Spending time with old friends, both of the aviation variety and the human variety, is always a good thing.  My friend and I hadn't met face to face in almost 15 years, and we spent a lot of time catching up and telling tales of our time at The Harvard of the Skies, Embry-Riddle Aeronautical University in Daytona Beach.  A lot of time was passed remembering our days at the Air Force ROTC Detachment, recalling mutual friends, and sharing notifications about friends who are no longer with us.  I'm happy that I was able to make the trek, and I hope it isn't another 15 years until the next time…

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    Speaking of old friends, I received an e-mail from Eric, another friend living in Ft. Lauderdale.  He wrote to let me know that  the hobby shop we all knew, Warrick Custom Hobbies (re-branded first as "The Hobby Superstore" and later "Maniac's Hobby Complex") will be closing (alas, according to Yelp, it has closed) it's doors forever. 

    I have fond memories of Warrick.  I've written before how I discovered the shop in the early 1980's, how I finally found my Holy Grail, the Otaki 1/48 F4U-1A Corsair, on their shelves.  I discovered the first edition of Sheperd Paine's "How to Build Dioramas", the test issue of a little magazine called "FineScale Modeler", and a few other Kalmbach books there, too.  I met many friends in the aisles of the store, regardless of whether it was the Twin Oaks Center location on Davie Boulevard, the Griffin Road location, or the two locations in Plantation.  Many of those I met at the store remain friends after all these years.

    And that doesn't truly tell the full story.  For me, Warrick was a hobby shop, a reference source, a meeting place, a part-time job, and, at times, a refuge where I could tune out the world and take in all the plastic wonders one could ever want…or need.  During my days as an employee, I got to know the Warrick family.  Peter, the founder, would stop in from time to time, especially around Christmas.  His daughter Pamela worked there when she was a kid, and her brother Wally would take the reins when Peter died in 2010. 

    And that's not to mention the good folks who worked there with me, and the folks who shopped there.  First and foremost is my good friend Rick, who was the Plastics Guru In Residence when I first discovered the store.  Rick is one of those guys who not only builds a great model, he isn't afraid to help you.  Back when I met him, he was immersed in World War One and Japanese World War Two airplanes, although he would build armor and ships as well.  He would also do commission work, the first person I knew who built models for other people–and got paid for his work!  Rick introduced me to the concept of SIDNA–Shit I Don't Need Anymore–and stash purging.  And when Rick would do a SIDNA sale, it was always fun.  Rick's kits were like Forrest Gump's box of chocolates–you never know what you were going to get.  When he made his last SIDNA purge a few years ago, he gave me a large box full of various 1/72 scale airplanes he had begun and was thusly unable to sell.  In one box, I found two photoetch sets and a package of resin seats.  In another, there were three Excel #1 knives.  In a third, there were parts enough for two complete airplane models.  That was how Rick did it.  He would eventually manage the store.  He's now in North Carolina, and he's limited his collection to 1/32 World War One airplanes these days…

    Scott was the Keeper of Model Railroad Knowledge, also a scale modeler (quite talented, too!), and an RC guru in his own right.  He was also one of those folks with a quick mind and a wicked sense of humor.  More than once did Scott have us laughing for hours.  A born tinkerer, there were few things he couldn't fix.  When Peter wanted to set up a railroad layout in the window of the new shop, Scott had it up and running in a few days.  No written plan, no materials list, he thought it up, bought the materials, and made it happen.  He moved to Las Vegas in the late 1990's, and I haven't heard from or about him since.   

    John took over the store management when Rick left.  John was another hobbyist.  He was an RC boat person, and he was the person who recruited me to help do the scale judging every year at the annual regatta that the Shipcrafters of Broward would host.  John is an educator, and I believe he now lives in Tallahassee.

    Mister Mac was my Saturday part-time counterpart–he would work Saturdays, I would work Sundays, and we'd both stop by every Friday to see what the FedEx and UPS man dropped off that week.  Mac was a good foil for Scott–like Scott, he had a quick wit and deeply twisted sense of humor.  A retired Air Force crew chief, he once owned his own hobby shop and was teaching high school shop class when I met him.  He knew Rick from when Rick used to haunt his shop as a young man.  One day, Rick came in with a Revell 1/32 Hawker Hurricane he was commissioned to build.  Mac looked at the contents of the box, and remarked, "When I built big scale stuff, I cleaned up my parts the same way.  And I painted my instrument panels the same way.  And", he lifted the box, "there's a reason.  You got this kit from me!"  He would put a number on the bottom of the box, and enter it into his inventory spreadsheet.  He later moved to Kentucky, then Port Orange.  I haven't heard from him in a little while, so I owe him a quick message.

    Bob was one of the shop regulars, too.  He built armor, specifically armor of the IDF.  Bob had served with the IDF in the late 1970's/early 1980's.  Bob fit right in, since he had the same sense of humor the rest of us did.  Bob usually had about a month of free modeling time, the month during the summer when his wife and kids would go to visit family in Israel.  We knew when they were out of town by Bob's model output.  He once brought in an Italeri 1/35 M109 that he had converted to the Israeil fit.  As folks looked at it, one wag started to go off about how it was "Wrong!  All wrong!  I crewed M109's, they don't look at all like that!" within earshot of Bob.  Bob was about to go nuclear, when Scott looked the complainer in the eye and said, "Look again.  Wrong army, asshole!"  We all got a good laugh out of that one.  That, and the time one of the kids working RC drilled a hole in Bob's fingernail when he offered to hold the part for the kid.  There were times when Bob would bring his daughters into the shop, and when I think they're now both married, I realize how old I'm getting.  I keep telling him that I remember his youngest–"the little one"–when she was knee high, and would hide behind him.  Bob, his wife, and younger daughter moved to Israel in the early 2000's, and she served in the IDF and became a teacher.  

    Larry became one of our best friends over the years. When my then-girlfriend moved to Florida, she would spend Sundays with me at the shop, and she and Larry would swap jokes.  Larry would move to Venice, Florida–and later Brevard, North Carolina (he's now in Coastal SC)–and yet we would usually meet up once every year or so, most recently at several of the Atlanta Airliner Collectibles shows at the Delta Flight Museum…alas, this year he has other plans. 

    Mike, who had moved to Florida from the Los Angeles area (he later moved back to Cali, then back to Florida), would talk airliners, WWI airplanes, and ships with us.  He's back in Cali now, and he and I trade e-mails every once in a while.  When he first showed up at the club meetings, he had a 1/350 scale USS California model he built from (if I recall correctly) an Iron Shipwrights kit.  It was superb all around, and yet, when asked about it, he had an "aw, shucks, its not my best work" reply for us.  He excelled at model building, and when he moved away the club lost a major talent and mentor.  

    Mikey would bring his kids with him, too–his son is in the Air Force and his daughter is married with kids now.  Mikey would always have some very nicely done models.  His models sometimes seemed to have stories of their own, too–he once built a Tamiya 1/48 Corsair, and when he applied the Dullcote, it frosted.  As he told the story, he was about to toss it in the garbage, but for some reason started to wet sand it.  The completed model was fabulous!  Mikey is one creative guy–he's also a phenomenal jazz musician.  One of the first dates I took my wife on was to see Mikey's guys play.  He's now in Huntersville, NC, still playing jazz.  He's recently returned to the hobby, too, which is a good thing.

    Eric and Mark introduced me to the whole "spend Saturday at the airport watching airplanes" deal.  Yes, it is exactly as I stated it.  We'd meet at Mark's house, load up cameras, pile into the van, and head to Miami International Airport.  We'd stop for breakfast on the way and meet some other folks.  Once we arrived, we'd stake out a parking spot and set up the cameras.  Around noon, we'd pack up and head to Orange Blossom Hobbies.  We'd spend a little bit of time perusing the wares, then we'd go to lunch with Pat, giving him a break from working behind the counter.  We'd finish lunch, drop Pat back at the hobby shop, and go find another parking spot at the airport.  Eric would set up his tripod and video camera on the van's roof, and they knew the traffic patterns and arrival/departure schedules, so they knew where to be when they wanted to catch the afternoon British Airways and Air France 747's.  I went with them several times, and it was always a fun day.  Eric's still in the area, but Mark moved to Ocala in 2001. 

    In a roundabout way, Eric was the person who introduced me to the girl who is now my wife.  She had built an Airfix 1/144 Boeing 727, and posted pictures to her website.  I emailed and asked her if she would be interested in doing a brief write up for the club newsletter.  The rest, as they say…

    Rafe is another one of those folks.  You know them–friends with whom don't have contact for years, but if one of you needs to talk, you know that the other will be there.  Rafe was the guy who reintroduced a lot of South Florida modelers to the fun aspects of the hobby.  Like me, he dabbles in a lot of different things, but he is a gear head at heart.  Many times he'd bring in a hot rod in "Jersey Suede"–matt black primer–to show everyone.    

    Mac would move to Kentucky in 2000.  I moved to South Carolina in 2001.  The guys who took over our posts, Danny and OD, would become Keepers of the Plastics until around 2006, when the store took plastics in a new (and not in a good way) direction.  All of the aftermarket decals, photoetch sets, and resin parts?  Gone.  Reference books?  Out.  The odd collection of limited run kits?  Bye-bye.  The specialty paint lines?  The racks emptied slowly, leaving the racks looking like what they call in my parts "Summer Teeth"–some are there, some aren't.

    I ran into Danny and his wife at the 2016 IPMS Convention.  Like Bob and Mikey, his two daughters would usually be with them when Danny was a customer.  I will always remember them with their Beanie Baby sheets, ticking off the ones they had and making lists of ones they wanted.  And, like Bob and Mikey, Danny's daughters are now delightful young ladies, all grown up.

    OD is a volume of stories in and of himself.  A Marine F-4 pilot in Southeast Asia, he later flew with Eastern Airlines.  He's quote the globetrotter, having worked in Iraq for a few contract companies.  His latest travels take him to Central and South America.  He was one of the die-hard 1/72 scale modelers in the club, and, when asked, "What color was the cockpit in your F-4?" he would reply that he was too busy trying to not get shot down to worry or care about it.  When I met him, he drove a VW bus painted in the classic Eastern Airlines colors of Ionosphere Blue, Caribbean Blue, and white.  And the bus even had a pitot tube on the roof.  He's one of those characters you're glad to meet during your voyage through life… 

    My last (and, as it happens, final) visit to Warrick was in March 2012.  By then, the plastics shelves looked for all the world identical to what you would find in a Michael's or Hobby Lobby–mainstream Revell, Acadamy, and Tamiya kits.  Testor and Tamiya paints.  No aftermarket to speak of.  No short run kits.  Very few reference books…

    The saddest part of all is that Warrick/Maniac's was the last large, full-line hobby shop in South Florida.  Sure, there are smaller shops specializing in Radio Control, or trains, or paintball.  But none of them ever came close to what Warrick Hobbies was in the heydays of the 1980's and 1990's.  Between Warrick and Orange Blossom Hobbies in Miami (and, to a lesser extent, RC Hobbies/Tri-County Hobbies in Tamarac, who closed in 2014 or 2105), if they didn't have it, you didn't need it or it was never made.

    We had a new member show up at one of the IPMS/Mid-Carolina meetings a while back, and as we introduced ourselves, one of the guys made the comment that he had met some of his best friends through the hobby.  As I write this, I realize just how many friends I've made through scale modeling.  And I continue to make new friends alone the way.  If it weren't for the hobby, I would not have met my wife, so that should speak volumes…

    People have asked me over the years if I miss South Florida.  I tell them I miss people who, largely, don't live there any more and places that don't exist as they were or have closed their doors.  I'm saddened to have to add Warrick Custom Hobbies to the latter category on that list.

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    Earlier, I mentioned the Atlanta Airliner Collectibles show.  I'll be heading there next weekend–I leave Mesa on Friday morning and will be in Atlanta by 5PM.  A quick hotel shuttle, and I'll meet up with my wife.  We usually spend a few hours watching airplanes from the hotel balcony, then grab some supper.  We'll spend the morning Saturday at the Delta Flight Museum, where we usually will see at least two or three other friends.  Usually, we'll bump into Patrick, Mike (a different one), Paul, Danny (another one), and sometimes Donnie, and our version of "The Alabama Gang", Mike (yet another Mike!) and Tony from Huntsville.  We always have a great time, talking airplanes and models.  Once we've had our fill, we head to Kennesaw to visit the HobbyTown (the chain's largest store, we're told, and I believe it).  And, we usually grab lunch at El Nopalito right next door.  Sometimes it is just the two of us, other times we'll share a meal with Patrick, Larry, or our friend Rob when he visits from Alaska.

    After lunch, we go back to the hotel and watch airplanes again.  If you're not an airplane geek, you won't get it…

    If you're in the area, stop in.  I'm not affiliated with the show, I just think it is a fun day…

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    Thanks for reading.  Be good to one another.  I bid you Peace, and remind you to cherish your friendships, wherever you find them.