Category: The Plastic Addiction

  • “I Can’t”

    Howdy, all!

    I’m going to discuss something I have noticed more and more over the past few years.  My discussion (as usual) will pertain to the hobby of scale modeling, but I see it elsewhere, too.

    It usually begins like this—someone displays their model at a club meeting, online, or at a show.  As people file by and look at the work, I hear the comments: “I could never do that.”

    Why is that?  What is preventing anyone from doing similar work? 

    For the tl;dr crowd, my reaction towards this attitude can be summed up thusly:  When you say “I can’t”, it usually translates to “I won’t”.

    Let’s get back to the discussion.  In many cases, the answer comes down to curiosity, time, budget, and the desire to do what it takes.

    Lets look at several categories:

    “I do not have the knowledge, skills, and abilities to do that.”  There’s no crime in this.  Take the time you need to learn the techniques and skills to “do that”, whatever “that” is.  Learn basic scratchbuilding.  Take time to perfect your assembly skills.  Practice using the airbrush wherever you can.  Be curious.  Be willing to try new stuff.

    “I don’t want to spend the time it takes to do that.”  Fair enough.  I know a good many modelers who simply do not want to fool around with advanced techniques, and most of them are happy to knock kits together in a few nights, apply basic paint jobs, and use the kit decals.  That’s fine.  The issue I have comes when someone verbalizes their desire to make their models better but refuses to acknowledge that it does take additional time, both practicing the technique and applying it to the model.

    “I don’t want to spend the money to do that.”  Again, this is a fair comment.  Some modelers lack the financial wherewithal to go and buy ready-made detail sets.  However, there’s always a way.  When I started adding details to my models, the materials came from stuff lying around the house.  My mother’s sewing box provided thread and other “soft” materials.  Dad’s workbench provided scraps of wood and metal.  Packaging provided thin plastic sheet.  When the Bell South guys did work on the lines, we could usually talk them out of scrap wire.  Add to these paper clips, staples, foil pie pans, and other stuff that was usually thrown away, and you have a trove of stuff to make details from.  The garden provided dirt and gravel for groundwork (for as often as I did groundwork—which was almost never).  So, you don’t have to dump a ton of dough on special stuff—look around.

    When it comes to assembly materials, instead of buying dedicated “hobby” putty, there are alternatives.  I learned early that I could use Hot Stuff (our standby CA back in the day) and baking soda as filler.  In fact, I still use CA—but not the baking soda.  Instead of forking over a few bucks for a 2 oz tube of Squadron Green Putty, for a few dollars more I could buy a tube of automotive scratch filler that was twice the size for a buck more.  I could buy those little tubes of Krazy Glue for a buck, and it worked the same as Hot Stuff.

    The two areas I didn’t skimp on were paint and cement.  I would be wise in what I bought–$2 for a 2oz bottle of Plastic Weld vs. $1.98 for 1oz of Micro Weld—and I would do my best to make sure it didn’t get wasted.

    Oh yeah—if I wanted something, I’d save my money.  I knew that there was no such thing as instant gratification.  My parents would chip in from time to time, but only to an extent.  So, yeah, I learned to plan and budget.

    “I don’t want to be criticized/shown up/embarrassed.”  Aha!  Now we’re getting closer to the truth. 

    I have only once in 45 years witnessed someone belittling someone else’s work.  Modelers are generally helpful people.  Ask a dozen modelers a question; you are likely to receive a dozen equally valid answers to that question.  We all want to be told we’ve done a good job.  We all want acceptance.  But with that territory comes being counseled.  Most modelers I know want to help you, and my best advice is to listen.  If you ask a question, listen, then take the advice to heart and try the techniques you’ve been taught.  That’s how we learn.  Making mistakes is part and parcel of everything we do…how we deal with those mistakes is what can encourage or discourage.

    “I don’t want to.”  The truth for a lot of this is that some folks simply do not want to vary their routine or get out of their personal rut.  They love looking at the results of these techniques on other people's models, but they don’t want to make the investment in time, practice, and learning to apply it to theirs.  Which is fine—again, there are as many ways to enjoy the hobby as there are people enjoying it.

    Notice I said “investment”—that’s what one needs to make in any endeavor.  Decide what it is you want to do, take some time to learn and practice until you get where you want to be.  As you achieve each goal, find new goals.  They need not be huge goals—in fact, small steps are more desirable than major goals.  Write them down.  And know this—some of these goals will take some time to achieve and may stretch over several projects.

    Perhaps the one goal I cannot stress enough—Finish the model you are working on.  Don’t worry that there are issues with it.  Why?  Finishing a project is a goal in and of itself.  And honestly, many of the issues you know exists on the model will probably not be seen by most other modelers.  I’ve seen several instances of someone going back and forth on one model for years, reworking minor issues so many times that they become large issues.  Do your best, and move on.  Do better on the next project.

    By all means, if (more like “when”—I make mistakes on my models all the time) you make a mistake, take some time to analyze what went wrong, what you need to do to fix it, and make an attempt at rectifying the problem.  Tossing a model into the wastebasket teaches you nothing.  Yes, there are times when the solution to the problem is to bin the model and start fresh.  But don’t automatically think that is the solution.  Set the model aside.  Let it sit for a week.  Then take a look at the model.  You might be surprised at how easy the fix is.

    As I tell folks in Model Building 101, there isn’t a whole lot you can mess up that cannot be fixed.  You simply need to be willing to be patient and spend the time it takes to do the job.  There are no secrets—most techniques you will learn are out there in the world, in magazines, books, online articles, YouTube videos, at the local hobby shop (if you are fortunate enough to have a good one), and at club meetings.

    Most of what we do—in any endeavor—is fairly simple.  It just takes a little curiosity, small investments in time and money, and the desire to make it happen.

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    Work continues on the F-16’s.  I’ve spent the last few weeks working on the 1/32nd Hasegawa kit.  It has some issues—most of them stem from the fact that the basic molds date back to 1978.  The cockpit tub is probably the worst example of the kit’s problems—the consoles are way too short, and short of replacing the cockpit, you have to deal with what you get.  Going back to what I said earlier, I used scrap plastic to fix things to the best of my availability without having to resort to a complete re-build.

    I also cut out the trailing edge flaps so they can be shown in the lowered position, and cut the leading edge flaps to show them in the +2° position as shown in F-16’s on the ground. 

    Some of the small bits were missing, and some weren’t provided.  I scratchbuilt the beer can antennas on the leading edge of the wing and the two antenna fairings on the nose from scraps of Evergreen styrene.  I also reconfigured the gun covers to better match photos.  I also had to revise the way the gun barrels got installed—revising the covers required the rework.  I think I got everything looking good…

    The kit canopy was missing the aft fixed portion, and someone had thrown in a spare Tamiya canopy (at least I think it is Tamiya).  I did a little work to revise the hinge area and fit the Tamiya parts to the Hasegawa kit.  The result will be a lot better than the original kit canopy.  It is another one of those areas Hasegawa didn’t quite get right back in the late 1970’s.

    Next up will be revising the bomb’s fuses.  The kit parts look like they have the transport suspension plugs installed.  I think some Evergreen rod and sheet will fill that bill.  Photos are out there, and I think I can do a creditable job.

    The two 1/48th scale F-16’s are ready for paint, and the 1/32nd scale kit will be to that point soon.

    I’m still trying to figure out if the decals I have for the 1/32nd scale kit will be viable, or if I should finally pull the trigger on a plotter/cutter and design paint masks. 

    Stay tuned.

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    The shadows and the sun’s angle in the sky are changing.  The temperatures are starting to moderate.  I believe autumn has arrived.  I’ve always loved this time of year.  I can’t explain why—maybe the change of temperature, I dunno.  But I’m enjoying it.

    That’s all I have this time.  Thanks for reading.  Be good to one another, and, as always, I bid you Peace.

  • Reunion Ramblings, Part One

    Hello, all!

    To quote the late, great Cajun chef, safety engineer, philosopher, and raconteur Justin Wilson, “How y’all are?  I’m so glad for you to see me some more, I ga-ron-tee!”

    I've told you several times about my upcoming high school class reunion.  Well, it happened this past weekend.  I have so many stories, so many memories…

    One development that came about a month or so before the event was that Lisa, our lovely and talented chairperson, elevated me to co-chair.  So I have that going for me.  Which is nice…

    I suppose I’ll cover things in several separate posts.  I’ve started to write a post several times.  However, each time, it started to enter into “writing for me” territory and began to verge on some stuff I wasn't comfortable sharing publicly.  Oh, I’ll probably share them with the individuals involved, but I’ll only share them publicly if they tell me it is okay to do so.  Otherwise, it stays between us as a special memory.  Fair enough?

    I have to say this up front—South Carolina, you should be embarrassed by the absolutely horrible condition of I-95.  If I had to get a urinalysis after the drive down or the drive back, I’m sure there would have been blood in my urine due to the pounding my kidneys took.  Traffic was backed up on my way down around Walterboro—they were patching, yet again, the cracked and broken concrete.  Oh, and it is 20 years beyond the point where it needed to be widened to three lanes each way…just sayin'.

    I won’t even touch on how bad I-26 is between I-95 and where I live.  It is under construction, sure, but what they’re doing now will be obsolete by the time it is finished.

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    The trip was a double dose of “You can’t go home again.”

    I stopped in Daytona Beach for the night last Wednesday—I’ve taken to splitting my trips to South Florida this way, since it breaks up the trip and allows me some time to look around at my “other home town”.  I was last there in 2015 on my way to a trade meeting.  And it was quite different from the previous visit in 2008.  As Florida goes, things don’t stand still for too long before they erect scaffolding, roll bulldozers, and plow whatever it is under—only for a new something to spring up in its place…

    My landmarks are gone.  The Barnes and Noble book store across from the Speedway is gone.  We used to park behind it when we would go to see the Rolex 24 every year.  Replacing it is a sort of shopping village anchored by a Bass Pro Shops.  Across from Turn 4 used to stand a Holiday Inn (later rebranded as a Ramada) with a neat little restaurant, Dr. BJ’s (later a Pizzeria Uno).  I told you about some of this a long time ago.  Well, those are also long gone, replaced by a group of eateries that includes a Bahama Breeze, an IHOP, and a Cheddar’s.  Even the Olive Garden next to the Hampton Inn is gone, replaced by a Houligan’s—I knew about this one, since it was under construction in 2015.  The old Casa Gallardo/Rio Bravo Cantina has been replaced by an Outback Steakhouse.  At least the Hampton—built in the early-mid 1990’s—remained much the same as it was every other time I stayed there…

    I stopped by the Embry-Riddle campus.  As I drove around looking for a Visitor parking spot, I got so turned around that I got lost.  Three times.  I used to call this campus home, but only three structures—the pool, the racquetball court, and one of the original dorms—are the last structures I recognize.  Everything else is long gone, replaced by new structures…

    I finally found a visitor’s spot, went inside the new Student Union (which is a phenomenal structure, but lacks the charm of the old John Paul Riddle University Center, the UC), and obtained a visitor pass.  I was headed to the Alumni Engagement Office.  It is across Clyde Morris Boulevard, next to the ROTC center.  This is another new area of the campus for me, but after a short search, I found the office.  I got a chance to chat with some of the folks there, but was reminded that most of the others were in Oshkosh for the EAA Fly-In.  Oh, well, I did what I wanted to do…

    A short drive around the immediate area made me glad I didn’t live there these days.  It seems Florida is home of the 10-minute traffic light cycle.  I spent a lot of time sitting at red lights…

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    Did I mention that Florida is now Wawa territory?  I didn’t stop in at the Daytona location, but I did stop at one of the Jacksonville and the Ft. Pierce locations.  I’ll have to compare them to the QuickTrip stores that are popping up around here…

    Oh, yeah–Daytona Beach also has a Buc-ee's.  When I drove by, I figured you needed a full tank of gas to drive around in circles until a fuel pump became available.  Interesting concept, and once the new is worn off it ought to be fun to visit.  (For my SC peeps, there's also one on I-95 up towards Florence…)

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    I exchanged text messages with Lisa, who lives nearby, once I left campus.  She had to rent a van to haul a lot of the decorations.  She asked for a cargo van, but got a 16-foot box truck.  I asked if she needed help loading, but she said her husband was almost done and that she would see me the next day in Ft. Lauderdale.  Free to roam, I did a quick trip down to the beach—it is every bit a concrete canyon that Miami is.  Hungry, I was trying to decide whether a visit to The Oyster Pub or Ocean Deck was in order, but after the day’s drive I settled on another Florida favorite, Pollo Tropical.  Chicken and black beans and rice are a nice recharge, especially when the chicken is *that* good.

    The next morning, I had breakfast at the hotel—and I don’t recall Hampton Inn ever doing breakfast like this in the past.  It was good–if they had those killer cinnamon rolls, I would have mistaken it for a Holiday Inn Express.  Eggs, sausage, potatoes, juice, waffles, and danishes were on the menu.  Not too bad.  Some eggs and sausage were enough to hold me until lunch.  After touching base with Lisa, I got back on I-95 South…

    I had not been south of Daytona Beach since 2013.  I already knew what I would see—more construction and houses butting right up to the Interstate.  These stretches of road used to be wide open, nothing to see but the occasional group of cattle grazing.  Now?  All along the highway was nothing but one housing development after another, more examples of the zero lot line neighborhoods that seem to be pervasive throughout Florida.  As I got further south, I realized that my landmarks down there were gone, too…

    I had a lunch date with some friends.  We chose a South Florida standard—Lester’s Diner by the airport in Ft. Lauderdale.  That place is a bit of a time capsule.  The food is still very good, and it wouldn’t be the only time this visit where Lester’s would provide the sustenance…

    As I passed by on the way to Lester's, I noticed that the old Runway 84 had been gutted.  Supposedly, they're updating it and it will re-open.  They had great food back in the day.  Along those same lines, the Pier 66 hotel was likewise an empty shell.  I'm told they hope to reopen in the next year or so.  That's a common theme, too–the hotel where the reunion was centered, the B Ocean Resort, used to be the Yankee Clipper.  Built in 1956, the ownership changes hands–in the 1990's, it was a Sheraton property.  I only experienced the ballroom, but it appears that a good deal of renovation and modernization has taken place.  My friends who stayed there can add their experiences it they wish…

    I had hoped to be able to stop by the airport to see some old friends, but the reunion duties called…

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    I may pick the story up here the next time we meet.  For you tl;dr folks out there, it goes like this:  When you are on an event committee, two things to remember—don’t expect much spare/"me" time, and everything you have planned and scheduled takes at least half again (if not twice) as long as you planned.  But a key point to remember is that you need to organize a great bunch of volunteers to spread the work out among many hands.  All of you who volunteered, I cannot thank you enough.  I know, I know, I thanked you profusely during the reunion, but you earned my undying affection.  You guys and gals rock!

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    Speaking of thanks–I have to once again thank Lisa for planning a surprise for me on Friday evening.  The parties involved know who they are, and they all know how appreciative I am—even though it was a mean, dirty trick.  You almost (almost!) made me cry. 

    To be sure, I did my fair share of laughing and crying over the space of the two days we were all together.  And I'd do it all over again tomorrow.  And the day after that, and the day after that.  I love all you guys, whether I got to spend 10 minutes or 10 seconds with you.  And I missed everyone who, for whatever reason, was not in attendance.   

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    I think I’ve said this before, but for 99% of the people I saw last weekend, it was the first time I saw them in person in at least 40 years.  That’s far too long.  While we can’t have a blowout like we did last week all the time, we can get together individually or in smaller groups.  I know some plans for some gatherings are already afoot, and I hope they pan out.  And in case anyone asks, I am more than happy to lend any assistance I can. 

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    For my usual readers, I don’t have much to report.  The reunion planning and the regular job took up most of my time since I last made a report from the bench/studio (or whatever else you want to call the place where I hack plastic).

    The VTANG F-16’s are still underway.  The two 1/48th scale models are ready for the paint shop—more on that later.  I still need to buy some 5/16” acrylic rod for the one being displayed in flight, and I still need to start working on a base.  This one will call for something more substantial than the EPS foam and basswood sheeting that I’ve been fond of for the last year or so.  I’m thinking plywood, at the very least, with an appropriate veneered edge.  It should be an interesting project-within-a-project. 

    The 1/32nd scale kit has had the panel lines re-scribed on the fuselage and vertical tail.  The wings and horizontals are next on the hit parade, and that shouldn’t take long.  I am debating whether or not I should drop the flaperons and bump the leading edge flaps to the +2° position, the standard configuration for an F-16 on the ground.  Knowing me, I’ll do it, because, well, why not? 

    The rest of the 1/32nd scale kit parts are in various stages of prep/cleaning, and will be installed in short order.  I imagine it won’t be too much longer before it is also ready for finish.

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    As far as the paint hunt goes, the last time we talked about it I was pretty much settled on Tamiya—and will probably still go that way.  But I love the convenience of grabbing a “ready-mix” color off the shelf.  The answer to my particular need, again, is the Mr. Hobby (formerly GSI/Creos, formerly Gunze Sangyo) Aqueous line.  But my attempts to get the H-3XX line in the States has come up empty, and I really don’t feel like paying the freight to get some from overseas.  The current U.S. importer is the former Bluefin Distributors (now Bandai Namco), and it doesn’t appear that they particularly care about the paint end of things.  Unless one of the other distributors (Mega Hobby, Andy’s Hobby HQ, Free Time Hobbies, Douglas Models/Sprue Brothers, the new Squadron, Spraygunner, etc.) decides to step up, it seems we’re stuck.  So, I guess I’ll dash off an order for a few dozen pots of Tamiya acrylics in the next day or so.

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    That’s all I have for now.  Thanks for reading, everyone. 

    If you’re new to the blog, browse around.  As I said a year ago, the original intent was to have a place for all sorts of topics, but I am an airplane and scale model guy.  It’s what I do, it’s what I’ve done since I was a kid.  “Write about what you know”, you are constantly told.  So, it should come as no shock that my little corner of the interwebs is largely skewed towards those topics.  I’m doing better at opening up and writing about other things, so stick around.

    Be good to one another.  As always, I bid you Peace.

  • “I’ll take ‘Potpourri’ for One-Thousand, Alex…”

    Howdy, all…

    Summer has once again reached the Greater Upper Midlands Co-Prosperity Sphere—days are topping out near 100° Fahrenheit, with humidity levels to match.  And it’s been buggy—more so than usual.  Every week, I have to clean out the screen in the primary water filter stage, and every week I come back inside with at least a dozen bites.  Oh, well, it comes with the territory…

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    My 40th High School Class reunion is coming up in a few weeks.  Somehow, I found myself on the committee, and have been volunteered to organize the volunteers.  How that happened, I have no clue—I volunteered my services to be a Facebook moderator, but here I am.  I’m not complaining, mind you.  Planning for this is much like the planning I have done for any number of scale model shows, so I’m walking familiar ground.

    I’m also curious to just how much Ft. Lauderdale has changed since I was last there in 2013.  Nothing is allowed to stand still around there, I know…

    Speaking of change, the reunion will give me a change to stop by the Embry-Riddle campus for a little while.  I’ll be interested to see how much it has changed since 2015, the last time I had time to look around.  I think there are now only three structures on campus that were there when I initially moved into what was known then as Dorm 2 (later named McKay Hall, it was bulldozed in 2019) back in August of 1982.  Everything else exists only in photos and memories…

    The adage “You can’t go home again” echoes in my head.  We’ll see just how true it is…

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    My experiment with Mission Models Paint is over.

    I will say this—I’m sure it is a great product.  However, I have done trial runs several times using their exact materials and procedures.  In each one, things looked good until I tried to apply a water-slide decal.  A few drops of water caused the paint to run, as if it were a watercolor.  I have followed their instructions to a “T”.  I use their primer, their reducer, their paint, their Poly Intermix, their clear coats.  I maintain the recommended pressures and distance from the surface.  I let things dry/cure per their instructions.  And I get the same result every time.  For me, this is too much fussing about. 

    And yeah, I know guys who have tinkered with adding Future, etc., to the mix and have apparently achieved good results, but recent news out of Johnson and Johnson indicated that Future may not be around much longer.  I decided that I have to find a paint that gives near foolproof results without having to chant incantations over the mixing cup every time I use it.

    If you recall, this search for new paint has been going on for a while now—since Testors discontinued Acryl.  I have tried several paints in the meantime, including Vallejo.  Now, once I cracked the code on airbrushing Vallejo, I rather liked it.  However, what I have found is that shelf life on bottles that have been partially used is not great—I can go back to a bottle I used tow projects ago, and it is now thick and stringy—and it is a 50/50 chance that some additional thinner can cure the issue.  Note that I *never* return thinned paint to the main container—I learned this in my Polly-S days.  No, if I have an excess of thinned paint, I save it in a separate bottle or jar. 

    The other issue with Vallejo is color fidelity.  I’m not one of those who waves his Federal Standard fan deck at every paint and criticizes each for the perceived “inaccuracies” they exhibit, but I do want a bottle of paint that claims to match a particular standard to be at least *close* to that color.  Vallejo is very much hit and miss in that respect.  If I have to mix a paint, I’d like to have one that retains usability for a long time, yields a durable film, and intermiscible with other lines. 

    I tried Lifecolor on the Fujimi Sea King.  I liked the way it behaved so much that I bought the colors I will need on my early Air Superiority Blue-painted F-15A.  And it is still in the running for a #2 or #3 tier paint for me.  But availability can be spotty, and it has been known to be temperamental.

    The British Phantoms reacquainted me with the GSI/Creos Aqueous line.  I had used this in the past, and for whatever reason my results were only satisfactory, nothing exemplary about them.  Well, I guess 25 years removed, I’ve allowed some things to seep into my head, and found them to be easy to use this time around.  I’d love to adopt them as my #1.  However, their U.S. importer is BlueFin.  Most every reseller of these paints has the colors from H-1 to H-94 or H-96.  So what’s the hang-up?  The modern colors (modern RAL, BS, and FS colors) are in the H-300 and H-400 range.  It seems that BlueFin either cannot or will not import them.  Indeed, the only US-based online retailer who even shows the 300 and 400 ranges is Scalehobbyist, and they show them as “Coming Soon”.  They’ve shown them as “Coming Soon” for some time now.  HobbyLink Japan doesn’t show them. Some of the UK-based shops list them, but again show them as “out of stock”.  I contacted GSI/Creos, and they say they still make the colors in question, but don’t even list them on their website…

    I looked at the AK Interactive 3rd Gen acrylics and Real Color paint, and may well use some of them.  But I’m also looking for something that I might be able to procure locally if I run out—you know, common colors like black, white, red, yellow, etc.  We have one shop close that carries some of the 3rd Gen line in the gaming colors.  I am not aware of anyone local who carries Real Colors.  So…

    I’ve finally come back around to Tamiya Acrylics.  With the demise of Testors, they seem the likely line to assume the crown.  Most hobby shops stock them.  They have a wide range of colors.  They can be mixed with Tamiya’s new Lacquer Paints, Real Color paints, GSI Aqueous Hobby Colors, and GSI’s Mr. Color line.  They can be thinned with water, isopropyl alcohol, or lacquer thinner.  These features are what make them the choice of a great many modelers around the world.

    The one drawback?   Lack of “spec” colors.  Even more so than any other line, Tamiya does not offer pre-mixed colors that match any of the standards.  But a friend of mine brought up something interesting: Like artists’ colors, Tamiya offers a range of colors that seem to be almost purposefully designed for mixing.  Tamiya themselves offer mixing ratios in their kit instructions.  And really, mixing colors is not alchemy; it is actually rather easy to do. 

    There are several Tamiya mixing charts online.  One of the issues with this is that there are literally a dozen different places to find mixes, and many of them don’t agree with each other.  Now, that’s fine.  Different people have different opinions on the “proper” shade of any given color.  But wouldn’t it be nice if all these recipes could be found in one place?

    Some friends and I are going to try to do just that.  Stay tuned.

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    The latest iteration of the South Carolina Scale Model Mega Show was held on 18 June.  It went well, by most accounts, and the committee will be meeting soon to make some decisions on the next edition.  Again, stay tuned.

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    One of the Mega Show’s special awards was “Old School”.  The eligibility rules were basically this—use any kit you wish, but any added details had to be made from scratch using raw materials (Evergreen styrene sheet and rod, wire, foil, etc.)—no pre-made detail sets could be used.

    At about the same time we announced our award, one of the Hyperscale forums started an Old School Group Build (OSGB).  The moderator on that forum spelled out a bunch of rules—the kit had to be of a certain vintage, the paints used must have been available “back in the day”, hairy stick application was preferred (as opposed to airbrush), etc.  Now, the participants agreed to these rules, and that’s fine.  They can call it “Fred” if they want to—they laid out the rules and agreed to hold to them

    However, I think there is a bit of confusion between “Old School” and “Nostalgia”.  In my mind, the Hyperscale group is hosting a Nostalgia build—each participant builds the same kits as they did back in the day, using the same methods and products.    

    To me, though, “Old School” modeling is a frame of mind that transcends manufacturers, eras, and products.  What we call “old school" today was called “scratchbuilding” back then, and it was the only way to get added details before the advent of photoetched metal, cast metal, cast resin and prefabricated details like wired distributors.

    For instance, I offer up my 1/35th scale AFV Club Wiesel 1/TOW.  I used Evergreen sheet and wire to cobble up an interior.  That’s “old school”.  There are—or were—resin interiors made for the kit, using them would take the “old school” aspect away from the project. 

    I sponsored the Old School award.  I wanted to inspire this generation of modelers to realize that not everything needs to be pre-packaged in order to add it to their models.  I hope the idea stuck with the folks who participated…

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    That’s all I have for this installment.  As always, be good to one another.  Thanks for reading, and I bid you Peace.

  • Dispelling the Myths of Scale Modeling–My Take

    Howdy, all…

    After I’m through working for the day, I have found myself watching some of the online scale model channels on YouTube.  This is a bonus benefit of finally having high-speed fiber optic internet service—that’s right, no more HughesNet dish in the front yard! 

    Some are better than others—the channels that bring good model building content (educational content as opposed to ASMR artistry) are the ones I enjoy the most.  However, I see some of the channels still repeat a lot of those modeling myths and misconceptions that have been part of the hobby for many years.  In an effort to dispel some of them, allow me to take a few moments and comment.

    Myth #1:  You need great artistic talent to build models.

    If this were the case, I’d never get anything completed.  All you really need is time and repetition. 

    What is talent, anyway?  Merriam and Webster define it as “a special often athletic, creative, or artistic aptitude”, insinuating that it must be innate, part of a being’s personality.  I understand that different people excel in different things, but to ascribe it completely to luck of the draw in the genetic lottery doesn’t sit well with me.

    I think of it in the same vein as TV artist Bob Ross thought of it: “Talent is a pursued interest.”  You are interested in something, and as you pursue that interest your skills and knowledge increase with time.

    In the Spring 1982 “Test” issue of FineScale Modeler, ship modeler Les Wilkins outlined a few concepts he used to use to produce great models.  They were:

    • Start simple
    • Work methodically
    • Standardize techniques
    • Display effectively

    Notice that Les never said that you must be artistically inclined or a master craftsman in order to build models.  Shep Paine, Bob Steinbrunn, Paul Budzik, and many other long-time modelers will tell you—time and practice is all you need.

    Myth #2:  In order to produce quality models, you need a workshop full of fancy machinery and precision tools.

    For most of my modeling career, I have used nothing more than a #1 handle with a #11 blade, a razor saw, a set of drills and a pin vise, some tweezers, sanding sticks and files, a handful of paint brushes, and  an airbrush.  Oh, I own a motor tool (a Foredom flexible shaft model), but rarely use it. 

    This is not to say that those who do possess these tools don’t get great results from them, it just stands that they are not a requirement to building a quality model.  Simple hand tools will get you to the same destination, it just might take longer.

    As for the need for expensive “specialized” tools, Master leather carver Jim Linnell said this:  “How much you spend on the tool in your hand doesn’t affect the work you do as much as the amount of experience the hand has using that tool.”

    The next few myths have been floating around for decades, yet they still get trotted out as fact.

    Myth #3: All acrylic model paints are water-based.
    Myth #3a:  All acrylic paints are non-toxic.

    There have been volumes written about paint chemistry.  The tl;dr version is this:  There are water-borne acrylics, acrylic enamels, and acrylic lacquers.  Some are soluble in water, alcohol, and lacquer thinner, others are not.  The best bet:  Use the thinner suggested by the paint manufacturer.

    I still find it curious that a modeler would spend a lot of money on kits, aftermarket parts, specialized paint, and decals only to then play Home Chemist with the paint thinners.

    As for the toxicity of paint, all paints, when sprayed, produce droplets.  Paints contain resins, hardeners, and plasticizers that are designed to create a durable coating.  When those materials enter your lungs, it is no different than when they coat a surface and cure.  Protect your lungs with a respirator (NOT a simple dust mask!) with organic vapor filters and use an exhaust fan, regardless of what you’re spraying.

    Myth #4:  Alpha Cyanoacrylate Adhesives (aka CA, ACC, or superglue) give off toxic fumes (cyanide gas) as it cures.

    Nope.

    If it did, we would all be dead.  Cyanide is not a cumulative poison like arsenic—exposure to cyanide creates an immediate (and usually lethal) reaction from the human body.

    While it is not toxic, it can be an irritant.  Work in a well-ventilated space, and use a respirator if the fumes bother you. 

    Myth #5:  Resin dust is carcinogenic.

    Sanding and grinding cured resin creates a fine dust.  However, studies have shown that polyurethane or epoxy resin dust does not necessarily possess any inherent carcinogenic properties.  In some studies, it is classified as a “nuisance irritant”. 

    However, think about this—if you inhale the dust, and it gets deep into your lungs, what problems can it cause?  It is an irritant, yes, and there really haven’t been studies to see what the effect of breathing these dusts has caused over time.  So whether or not it is carcinogenic is still open to debate, but as with the acrylic paint situation, it is best to protect yourself—in this case, with a properly fitted N95 or KN95 dust mask.

    Myth #6:  You need to smear putty over every seam and gap. 

    Nope.  You certainly can do that, but you would be wasting time and money.

    I see this often—rather than sanding the seams when the glue dries, I see folks immediately reach for the tube of putty.  What I do is sand first—get everything dressed and level.  Then, if you see gaps and steps, take some time to figure out what to fill them with.  In some cases, a few more minutes with sandpaper will take care of things.  In other cases, a small chip of Evergreen strip will fill the gap with little work. 

    When I need filler “putty”, my tools of choice are epoxy putty (Apoxie Clay or Apoxie Sculpt), Evergreen styrene, Vallejo plastic putty, or CA (aka superglue).  I don’t use any other fillers—I have a half-used tube of the old (original formula) Squadron White Putty on the workbench that I haven’t checked on—it is probably as hard as stone by now.  My tube of Perfect Plastic Putty is likewise starting to solidify.

    Oh, and I’d use a dust mask if you sand these fillers dry, too. 

    Myth #7You need to use a primer under all acrylic paint.

    For years, I would paint on to the bare plastic with all types of acrylics and never had an issue.  I never had paint peel, lift, or misbehave.  I would do a good job of cleaning the surface before I painted—a good wipe with Isopropyl Alcohol is all it takes.

    These days, I prime more as part of the entire finishing process and use it as much to add depth and tone the finish as I do to unify the surface.

    Use of a primer is optional.  One thing that is not optional is having a clean surface.  Before you apply any paint, you need to make sure the surface is clean and free from oils and other contaminants that can affect paint adhesion.  As I said, wipe the model down with alcohol right before you paint, and all should be good.

    Myth #8: Future floor finish is garbage and shouldn’t be used.

    I hear this a lot, yet over the years many modelers have used this product with no problems.  I have used it for years with only one disappointment that I can ascribe more to the decals than the Future.  However, this argument appears to be moot, since it appears that SC Johnson might be discontinuing the product.

    Myth #9:  You don’t need a clear gloss under decals.

    Now, there is actually some truth to this. 

    All decals really need is a smooth surface, and most of the modern paints—even those labeled “Matte” or “Flat”—do a great job of laying down a smooth finish.  Apply the decals with a good solvent/setting agent, and they should lie down and look like they were painted on.

    Back in the day, though, flat paints yielded a very rough surface, even to the naked eye.  So, you needed to take one of the following routes to a smooth surface:  use gloss paint, which back in the day was rather thick or took forever to fully cure; polish the surface; or apply a coat of a clear gloss (it was reasoned that a coat of clear gloss was better than multiple coats of glossy paint). The clear gloss was the option many modelers took, and still take, to get decals to behave.

    These days, one of the best arguments out there for using clear gloss over the paint concerns the finish enhancement techniques (“weathering”) modelers use.  What happens when you apply decals to a painted finish, and then use an oil wash over it?  I’ll tell you what happens—the oil wash will stain the paint slightly, but the paint under the decal film is protected, and therefore won’t “take” the wash, and stands out like the proverbial sore thumb.  By protecting the entire surface with the clear gloss, you ensure the wash is absorbed (or repelled) from the paint surface equally.

    If you want to forego the clear coat, then do your enhancements (“weathering”) before you apply the decals, and once the decals have dried overnight, go back and apply the same techniques to the decals and you’ll be set.

    Myth #10:  Contest judges are (your complaint here).

    I find it interesting how many times a contest judge is slammed for some reason or other, especially by people who never bother to help judge a contest.

    When you go to a contest, why not step up and volunteer to judge?  You might find that you’ll learn a thing or two, and possibly might get more enjoyment out of the show!

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    As last year seemed to be The Year of the Phantom, this year is shaping up to be The Year of the Viper…

    It started when I pulled the two 1/72nd scale Hasegawa F-16’s out of the rescue pile.  There are the last two of the kits my friend Rick gave me in 2006 that had been started that were still complete and could be completed.  They’re nothing fancy—the same Hasegawa F-16’s we’ve all known and loved since the mid-1980’s.  I scrounged some decals from the decal stash to build the F-16A as a Block 10 jet from the South Carolina Air National Guard, and the F-16C was built to depict a jet that was based at Shaw AFB and deployed for Operation Desert Storm.

    I also tried a new paint.  When Testors began to drop colors from the Acryl range, I started using Vallejo.  Now, Vallejo is good paint, both for airbrush and hairy stick, but I have found that the shelf life isn’t all it is cracked up to be.  And even though I’m no color purist, I’d at least like to start with a color that’s in the ballpark—on some of my last projects with Vallejo, I found I had to do more color tinkering than I am used to just to get the color close to the standard.  I’ll still keep some colors around for the brush work, but decided to search for a new paint line to match the camouflage colors.

    I’ll probably tell the story another time, but I tired the soup-to-nuts Mission Models paint line—primer, color, and clears.  I have mixed feelings, but before I make a final decision I need to try it a few more times to make sure it was actually the product and not my technique.  As the TV shows used to say, “Stay Tuned for More”…

    The next batch of F-16’s are all F-16C’s—two in 1/48th scale (using the sublime Tamiya kit, of course!) and one 1/32nd scale kit from Hasegawa’s veteran release.  Two of the three are for a friend (who also provided the 1/32nd scale kit) who worked with the Vermont ANG.  His 1/48th scale model will be shown just after takeoff with the gear in transit.  I have two thirds of the landing gear work complete, and it will be a cool display—if I don’t say so myself…

    The other 1/48th scale model will be added to my collection, also wearing VT ANG colors.  After the two smaller ones are done, I’ll finish the 1/32nd scale kit in decals my friend provided to build “Lethal Lady” (a Block 25 F-16C).  The actual airframe had over 7,200 hours on the clock when it was retired as a gate guard at Burlington ANGB.  Plans are for the airplane to eventually be handed to the National Air and Space Museum.  Memorializing it in polystyrene is a fair tribute to the airplane, don't you think?

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    That’s all I have for now.  As always, be good to one another.  I bid you Peace.

  • Another year in the books…

    Howdy!

    Is it really the end of January, 2022?  That went quick…

    As I write this, I have supper cooking in the air fryer and the 60th running of the Rolex 24 at Daytona on the TV.  This year, 61 cars across five classes took the green flag—a massive field!  I was swapping Facebook messages with a few friends, and remembered that the last race we saw in person was in 2009.  While I miss the sounds and smells of “being there”, I find that I’m much more comfortable on my couch that I was sitting and freezing in the stands…

    With the IMSA/ACO cooperation agreements in place, things are looking different—and will be next year as well.  I like the direction things are headed so far.  The race so far has been close, with a few unfortunate incidents that have taken some cars out of the race, but hey, that’s how it goes.  I just looked—it is right at the time where the sun has retreated to the west and there’s a neat purple-orange glow in the skies, the time when day turns to night.  As the darkness settles in and the blackness envelops the Speedway, all sorts of things could happen.  This is why I love sports car endurance racing.
      
    On other fronts, the weather has been goofy here in the Greater Upper Midlands Co-Prosperity Sphere.  Two weeks ago, we were hit with an ice storm.  We only had about a tenth of an inch, but that tenth of an inch caused all sorts of issues.  We were without power for 17 hours that Sunday—I went to bed at 10, couldn’t sleep (it was cold, and I don’t do well all bundled up), and sometime around 11 heard the chain saws as the electric cooperative attended to the problem.  By 1:15 AM on Monday, we had power.  We were some of the lucky ones–some folks didn't get power back until late Monday.

    Last weekend, we had snow, about 2 inches’ worth.  Fortunately, it was on a Saturday—as I’ve said before, 2 inches may as well be 20 feet in this neck of the woods.  This morning, we had heavy frost, but as I ventured out to buy groceries I noticed that several areas received a dusting of snow.  Yep.  January in South Carolina…

    We’re six months away from my 40th high school class reunion.  It has been so much fun catching up with people, and even more fun when we see they have bought a ticket to attend.  With that fun comes the sadness when we hear of yet another classmate who is no longer with us.  As I told our reunion chair, it is sad knowing they are gone, but sadder still when we realize many of them passed years ago, and we’re just now finding out.

    And, of course, it is sad when a classmate tells us they won’t attend.  Some have valid reasons—a few have cited COVID-19, which I fully understand.  Some will be traveling, some can’t get away from work, and others have kids who are entering college, so they need to be around for that.  And, to be fair, there are some who can’t afford it—which I totally get, too.  Unfortunately, stuff costs what it costs—we’re not making a profit off this, and it is happening in South Florida, on the beach (literally), in July.

    Some are still on the fence, so the committee has started to directly contact them to see what’s going on.  Hopefully, we can convince more than a few to come and join us.

    On the plastic front, I had cleaned out the “Back Burner” projects except one—a Reheat 120mm figure of Neil Armstrong on the moon.  In the meantime, I have brought the aforementioned 1/72nd scale A-7 and F-16’s out for completion.  Being 1/72nd scale kits, I can get them finished in short order if I want to.  And I do want to…

    As they sit now, the A-7 has had paint applied, and will get a clear coat in a day or so.  This kit was curious—the wings had been assembled, complete with the pylons, and at one time were attached to the fuselage.  I guess when Rick needed to move, he carefully broke the wings back off so the kit would fit in the box.  Also in the box were a bunch of Mk 82 Snakeyes, a few Shrikes, a couple of TER’s (the center wing pylons had already been fitted with MER’s), and a bunch of Sidewinders.  He had also thrown the elements for a VA-147 A-7A in the box, and a initially considered using them.  On close inspection, I was not sure they would work, so I went looking for different options.  My wife handed me a Hannants’ Xtradecal sheet with an A-7B from VA-155 that she had in her decal cabinet, so that’s where I’m headed.  I had an old Microscale sheet with a similar option, as well as another with a VA-215 “Barn Owls” scheme, but again I had doubts as to whether they would work or fall apart.  I took the safe route…

    The two F-16’s were more or less still in kit form.  Rick had painted the cockpits and started to add a photoetch set to the C model. I decided to remove the PE parts and close the canopies on both—honestly, in 1/72nd scale, you can’t see much anyway and to me the juice isn’t worth the squeeze.  At this moment, the fuselages are assembled and waiting to have the seams dressed. 

    The bigger challenge was to figure out what direction Rick was headed with them.  There were no decals or notes, so I wasn’t sure.  I dredged through the decal stash and found some options.  For the F-16A, I settled on a Block 10 aircraft in South Carolina Air National Guard colors.  That led to a decision—the kit is a Block 15 with the enlarged horizontal stabs.  I could cut them down and re-contour them, but in the end I think I’ll avail myself of a set of Quickboost items instead.

    Originally, I wanted to do the F-16C as the Aviano jet with the commemorative USAF 50th Anniversary scheme, and intended to do just that.  However, a little voice in the back of my noggin kept saying “Block number!  Check the Block number, dummy!”  And, sure enough, the Aviano jet was a Block 40 (GE power, etc.), something the Hasegawa kit can’t do.  So, I went back through the decals and found decals for a Shaw AFB-based Block 25 jet attached to the 363rd TFW.  The decals are from the “not quite crap, but certainly not gems!” period for Microscale, which means I may try to find an alternate—but I figure I’ll make the pair a South Carolina themed mini-collection.

    Last time, I told you how I all but emptied the Back Burner cabinet.  Here’s some eye candy for you…

    IMG_6332The Aeroclub 1/48th scale Gloster Gamecock.  This was before I added the serials using decals–at this point, all the color you see on the model is paint.  It is built as a machine from the RAF's No. 43 Squadron circa 1926.
    Old nick 4Hasegawa's 1/72nd scale F-4N kit with Microscale decals to depict "Old Nick 200" from VF-111 circa 1974.

    Ssc 2Another Hasegawa Phantom in 1/72nd scale, this time an F-4B dressed up as the CVW-15 CAG jet from VF-51, the airplane known as the Supersonic Can Opener

    IMG_6367This is one of the busts that DML included in their 1/48th scale airplane kits–this is Ernst Udet.

    Fg1-4 Another 43 Squadron airplane–this is is Fujimi's 1/72nd scale Phantom FG.1.

    IMG_6242AFV Club's 1/35th scale Wiesel 1 with TOW missile was built as a group build–the base was provided with the instructions to build a model and landscape the base.

    IMG_6404This is a completed Bluejacket Shipcrafters 1/192nd scale kit of the USS Monitor.

    IMG_6350Here is another project long in hibernation:  Reheat Model's 120mm U-2/SR-71/Shuttle pilot figure.

    IMG_6155Authentic Airliners' 1/144th scale Convair 440 and Vintage Flyer decals were used to build this model on N4826C in her Delta Air Lines delivery colors.  An earlier post I wrote in 2011 has photos of her in 1990…

    That's all I have for now.  Thanks for reading.  Be good to one other, and, as always, I bid you Peace.

     

  • More Hangar Talk, and the so-called “Shelf of Doom”

    Howdy, again!

    The leaves on the dogwoods are turning, the mornings have become cool and crisp, and that tells me that the seasons are again changing.  I love this time of year.  It was especially nice when I worked in the hangar, as it meant that the sweltering furnace days of summer were once again departing for a while…

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    About 15 years ago (and it seems like yesterday!), the shop I was working for gained a new technician.  The boss called us all into the office to let us know what was going on.  See, the new technician was a woman.  He wanted to remind us to be on our best behavior.  As the line from the commercial goes, he wanted “no fussin’, no cussin’, and no backtalkin’”…

    When she started, I asked her about her experience.  And boy, did she have a lot of aviation experience—I think she held most every certificate that was available.  She held an A&P IA, DME, pilot commercial multi-engine, both land and seaplane, sailplanes, you name it.  She owned her own shop for a while, too.  She was also very cool—she fully realized she was a lady in a man’s world, but that didn’t faze her.  She was put on one of the install teams initially, working on Cessna Citations back in the day when we were retrofitting them to comply with the Reduced Vertical Separations Minimums (RVSM) requirements.  The mods were simple, really—we replaced the air data computers, re-certified the pitot-static systems, and did flight tests after the fact.  Like me when I started at this shop, she had a lot of rust to knock off, but once she did, she was working at the same pace as the rest of us.

    All the while, we were careful to mind our p’s and q’s.  We tempered our language—we kept a pretty “clean” shop as it was, but every now and then someone would utter an expletive.  We also tried to mind our manners—no rude noises, etc.  So far, things were going well.

    About three or four months into her stint with us, we brought a Citation in for more than just the RVSM mods—we were also going to update the ancient radios with new Garmin units, which meant a lot more work.  Unlike most shops in the region, we removed the old wiring that wasn’t going to be retained (usually, that meant the output wiring to the navigation indicators and the autopilot), and that meant some tedious picking and choosing, looking at wire numbers that were less than 1/16” tall on small gauge (22 American Wire Gauge—AWG), so it takes some time.  At first, you feel as if you are walking in mud, but once you get the hang of it, it moves quicker.

    There are pitfalls.  One of the other technicians dared to remove all the bundle ties on a bundle, and then started tugging wires out of it.  That creates some chaos—like putting the toothpaste back in the tube, it sometimes becomes difficult.  Sure, all the wires came out of that bundle, but the bundle was tied on a harness board, so all the wires weren’t necessarily the same length.  He got the bundle re-tied, but in the process, the bundle was shortened.  He did his best to re-connect it to the bulkhead feed-through connector. 

    Our new girl started to do the next phase of the work.  She asked us to come and help her find landmarks, and as we were standing there looking at the feed through panel, she noticed the re-tied bundle.  Now, she was all of five-feet nothing, and very quiet and polite.  Until now.  She looked at the bundle (which was tight as a banjo string), looked at each of us in turn, then pointed at it and exclaimed “What in the fuck do you call this?!?”

    After that, the gloves were off.  We found out her father was a Marine, and that she could cuss better than all the rest of us combined.  We all got along famously after that.

    She became the shop crew chief in 2004, and briefly managed the shop.  I loved working with her, because she worked as hard as we did.  If we were working overtime, she’d be there with us (unlike the manager she replaced, a guy who had no clue what avionics were let alone how they worked).  More times than not, when we were required to work weekends, she would make breakfast for the crew.  When I say she would make breakfast, I mean exactly that—she would cook breakfast in her own kitchen and bring it to us.  No sack of Egg McMuffins or Bojangle’s biscuits would do, not from her…and she would go far over and above.  For four technicians, she’d have pancakes, waffles, fruit, toast, omelets, grits, and some form of juice.  Like my mother, she would make five times as much as she actually needed.

    I think the push from upper management created too much stress (I found this to be true when I managed the same shop after she left), so she resigned when the FAA offered her a Safety Inspector position.  She’s been working for the FAA since 2006.

    Speaking of ladies in the hangar and rude noises, I’m reminded of a more recent story, which I may tell you at some point…
     

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    The new job is going swimmingly.  Of course, it has created a need—I need a new computer.  And there is nothing I hate more than buying a new computer.  Why?  Because I know the machine I buy that is state-of-the-art today will be obsolescent in a month…

    Like buying a new car, you go into the deal knowing that the model you pay out big bucks for today will not be worth a tenth of that in a week.  Oh, well, it is a necessity, and I think I have found a decent machine that will do what I need.  Of course, I also need to get a couple of large displays to make my life easier, too, and I think I found a pair that fit the bill. 

    I’ll probably pull the trigger later this week.  Then comes the joy of configuring it and getting it to gee and haw with the remote desktop

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    On the model front, the majority of the backlog cabinet is done.  Some call this the "Shelf of Doom" for some odd reason–I simply look at it as a collection of models that needed some time to percolate while I solved problems.  In other cases, they were long-term projects from the start–vac-form kits, especially, tend to need more thought and engineering than a standard injection-molded plastic or cast resin kit.  Rather than push the issue, I merely put them aside to give me time to hash out the details.

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    The Aeroclub 1/48th scale Gloster Gamecock is in need of serial numbers, a final clear coat, and some small details.  It was a fun project—my first vac-form kit since 2001, my first rigged airplane since 2000, and my first biplane model since 1995.  Frankly, I wasn’t real happy with it before I rigged it and started adding all the little bits and bobs to add detail.  I’m actually now quite pleased with the result.  Is it accurate?  I don’t know, maybe 97%.  Is it to scale?  Hell, no, but that’s always the way—we make certain trade-offs in order to make a model look right in the end analysis.

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    Also complete is a Reheat Models 120mm SR-71/U-2 pilot, a figure that was sitting in the display case three-quarters of the way done, has been finished.  Honestly, all I needed to do was add the completed air conditioner pack, some hoses and small details (photoetched bits, some fine wire, and paint), and do some minor touch-ups.  I don’t recall what the hold-up was—perhaps the flag?  That was perhaps the easiest part—I used a decal from an old Liveries Unlimited sheet…

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    I also dusted off a Bluejacket Shipcrafters’ 1/192nd scale USS Monitor.  I shelved it a few years ago when the turret did not come out the way I had hoped.  I tried to salvage it, but in the end, I decided to scratchbuild one.  I also used .020” styrene sheet, suitably scribed, to replicate the deck, and will use varying thicknesses of primer to do the same for the hull plates.  I also have some good photos of the actual turret under restoration, so I want to add some of the more prominent details there.

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    The 1/12th scale Ernst Udet bust I started as a face painting demonstration is also finished.  Again, a few hours with some paint, and it was done.  It had been sitting on the bench for several years, and I would pick at it every now and then.  Funny how that works. 

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    The last one in the queue is a Reheat 120mm figure of Neil Armstrong on the moon.  I had assembled it when I lived in Florida, and it had been sitting ever since.  In the interceding time, I learned of some discrepancies on the figure, especially some of the details of the A7-L suit Neil wore.  The more I looked, the more I found.  Fortunately, they were all fixable

    The legs are particularly bad-Reheat modeled four cargo pockets on the suit.  Rather large cargo pockets.  On the Apollo 11 A7-L suits, the shins had no pockets, only reinforcement panels.  The right thigh had a flap that covered the Urine Collection Device and medical ports.  And the left thigh had a flat pouch for checklists.  The fix?  Sand and cut away all the fictitious things and replace them.  In this case, all but the left thigh pockets were sanded flush—I tried to retain as much of the fold/crease detail as I could.  The left thigh pocket was sanded down, but not totally away.  Then, I broke out the Apoxie Scuplt epoxy putty. 

    The putty was mixed and rolled thin between sheets of wax paper.  The sheet of epoxy putty was then cut into shapes and placed onto the figure.  Some pressure from my fingers pushed the putty into shape, then a toothpick and a scribe were used to work the various shapes onto the figure and to continue the fold/crease detailing.  Water was used to keep the putty pliable and to prevent it from sticking to the tools.  Once everything was as I liked it, I used a brush and some Aves Safety Solvent to smooth everything out.  After curing overnight, the figure was buffed with a Scotchbrite pad and primed. 

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    That leaves only one model in work, and it will remain is stasis for the time being.  It is a 1999-issue of the Minicraft Models 1/144th scale C-32 (Boeing 757-200) that I initially began as part of a decal review.  The more I looked, and the more the airliner modeling community examined the kit, massive issues came to light.  The trailing edges were too thick, the vertical tail was too short, and the wings were misaligned—one sat higher than the other by a not inconsiderable margin.  I had started to thin the trailing edges and figure out a solution to the misalignment when I lost interest in the project.  However, in recent months Zvesda from Ukraine has produced a gorgeous new kit of the airplane, and rather than practice bleed using the Minicraft kit, I will build the Zvesda example.  Whether I use the decals I was initially reviewing is still up in the air, but at this point the Minicraft kit will become a paint mule…

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    Of course, I still have my buddy Rick’s SIDNA kits (a Fujimi A-7B and a pair of Hasegawa F-16's in 1/72nd scale) that are in various stages of construction, and I have pondered dragging them out after these few remaining kits are checked off the list.  But the fact that my personal backlog is empty (or nearly so) is a big deal—at one point, I counted a dozen projects in work, and this was over and above the projects for the RIPCORD diorama…

    That’s all I have for now.  Thanks for reading.  Be good to one another, look after one another, and, as always, I bid you Peace.

  • Some Insight

    Howdy, all!

    Last time out, I made a comment that my hobby of scale modeling led to my career/vocation paths.  To refresh your memory, they were (in no particular order) history, aviation, research, writing, and hanging out at the hobby shop.

    This is one of those "about me for myself" pieces I talked about last time, but I thought this one might be fun to share.

    When my father brought home a Revell 1/32 scale Wildcat model kit, I don't think he realized the vast worlds he was opening up to me. 

    I was an early reader.  I've been told that I could read before I was four years old.  As I got older, I loved to read.  I would read pretty much anything I could get my hands on.  When we started building that model, I was only concerned about the three-dimensional puzzle in the box.  However, one night, as I waited for Dad to come to the table for our modeling session, I started to read the side of the box.  Then I noticed that the instruction sheet contained more than just how to get the parts together—the front page had a capsule history of the airplane and its exploits during WWII.  Before I read it, I just thought the little pudgy airplane looked neat, but as I read about how it was the Navy’s front line fighter airplane in the early days of the war, and how it was flying against faster, more maneuverable enemy airplanes, my interest grew.  I looked for books in the school library about the war, and learned about the Battles of the Coral Sea, the Battle of Midway, Wake Island, and the Solomons.  Each new discovery led me to learn more.  I’d find one nugget that would lead me to three more. 

    That’s research, kids.  I do a lot of research to this day—most of what I do uses what are known as secondary sources, so it is technically “Research Lite” (Less Filling!  Tastes Great!), although I did start to use primary sources when we were up to our necks in the Fire Support Base RIPCORD project a year or so ago.  What’s the difference?  Primary sources are from either official accounts from the units involved or from the guys who were actually there and participated.  SITREPS, diaries, After Action reports, first hand witnesses—those are all primary source materials.  Secondary sources are what you find on the shelves at the local Barnes and Noble—books written about events where the author may (or may not) have used primary sources.  (As “true” researchers know, you take all secondary sources with a grain of salt…)

    As I researched things, I’d write about them.  I wrote a lot of book reports, sure, but sometimes I’d write just for myself.  They were more a collection of notes, but every now and then I would collect those thoughts into an article for the local modeling club newsletter.  I laid off writing for a while, but with the COVID shutdown I’ve managed to get a little of my groove back, and have once again been pumping out modeling articles, and they’re now being published in the national organizations’ magazines. 

    The more models I built, the more I wanted to build.  Unfortunately, like most things, it takes money to acquire and build models.  By the time I hit high school, I was at the age where I started to take my modeling more seriously.  A long-time modeler and author, Roscoe Creed, made mention of it when he “wondered where all the cracks went?” in one of his books  a book that I still refer to from time to time. 

    I wanted to get rid of the seam lines.  I wanted to make it look like the pictures of the actual item.  As I learned of such things, I began using putty, decal setting solutions, these new-fangled super glues, and an airbrush.  Like the kits themselves, that stuff isn’t free.  More experience led me to discover the then-emerging world of the aftermarket—decals were the first thing I think most modelers encounter from the aftermarket, but later things like photoetched brass details, white metal and resin parts, vac-form kits, and other additions and conversions also became part of my repertoire.

    Of course, by doing so, I was honing my skills as a craftsman and, dare I say, artist.  I was learning how to solve problems.  I developed a sense of spatial relationships–how stuff goes together.  It goes without saying that I developed a good eye for small details. 

    After I graduated from college, I started to visit the local shop more frequently.  I became a regular, and eventually I was asked if I wanted to do some fill-in work.  Before long, I was a regular part-time employee, and would remain so until I moved out of state.  During a layoff period about 10 years later, I got a job at the local hobby shop here.  I was only there for a few months, but when my next full-time employer picked up and left, I went to work for the shop again. 

    What helped me get the job, I think, is that I was familiar with all the stuff one needed to complete a model.  I was also interested in going the extra mile when I built my models, and I knew what that took, so I could guide others when they came looking for hobby stuff.  Many see retail sales as a drag, but I saw it as a chance to get paid while playing with toys.  Hence, my days hanging out at the hobby shop…

    Now, how about the aviation thing…

    I have no idea what first got me hooked on airplanes.  Perhaps it was the Wildcat model.  More likely, it was reading of the exploits of the men who flew them in the war; the Wildcat model was merely the first step on the path.  For many years, I wasn’t interested in a book if (A) it was not related to aviation; or (B) the word “fiction” was not preceded by “non”.  I have to believe it was that—the more I read, the more I learned, and the more I wanted to be part of that world.  Interestingly, I never really wanted to be a pilot.  I can’t say why, I just never saw that as where I would be.  More on that shortly…

    In my day, teachers were almost always matronly ladies in their late 30’s to early 50’s.  However, my fourth grade teacher was an exception.  I guess she was in her late 20’s–I seem to recall she had only recently received her teaching credentials at that time.  She was a pretty, petite, energetic lady, blonde with a deep tan, and was always smiling.  Her name was Miss Gerstle (Nancy, if I recall correctly).  Her last name rhymes with the chocolate company’s name, and we often called her “Miss Nestlé-Gerstle”.  From the little bit I managed to gather on her by listening to her, she lived with a few roommates and they all worked on the weekends as flight attendants (we called them “stewardesses” back in the day) for Mackey Airlines, a small scheduled airline that flew from Ft. Lauderdale to the Bahamas, in order to earn a little extra money. 

    I don’t know if she lined it up, but one day we took a field trip to Ft. Lauderdale-Hollywood International Airport and got to walk around some airplanes.  I seem to recall a Mackey airplane, maybe a DC-6, and it sat next to an Eastern Airlines (IIRC) 727 which was powered up, and we could walk through it.  We spent a few hours walking around the airplanes, asking questions, and talking with the pilots and “stews”.  I loved it.

    An interesting tidbit—when I graduated from college and landed my first “adult” job, I worked from that same ramp, by that time occupied by the National Jets/Florida Aircraft Leasing facilities.  Small world, right? 

    I don’t know what happened to Miss Gerstle, but wherever she is, I hope she is still smiling brightly and doing well.  She was a breath of fresh air for me…

    Later, while going through the steps to earn my Aviation merit badge, somehow I got what we call today a “Discovery Flight”.  We went to the airport bright and early, got the whole briefing, got to do the preflight on the airplane, then we went out for a flight over Ft. Lauderdale.  Sitting in the pilot seat, I couldn’t see over the glareshield! I enjoyed the flight, but decided that while it looked like fun, I wasn't interested in being a pilot. 

    As I started high school, I was shunted into what we would call a STEM program—back in those days, it didn’t have a name, but it put me on a track that emphasized math and science.  We only had to take two science and two math classes over four years, but I had four of each.  Somewhere along the line, it was intimated that I should become an aeronautical engineer, but as I related a long time ago, that didn’t work out so well.  But I never abandoned my interest, and eventually went back to school and earned two degrees from Embry-Riddle Aeronautical University that said I had what it took to be a genuine wire stringer, smoke wrangler, electron herder, and spark chaser—I became an avionics technician.

    For most of my 30+ years chasing sparks, I worked in the world of corporate aviation—Learjets were my bread and butter, along with Hawkers and Citations.  From time to time, I also worked on General Aviation craft—the little Cessna and Piper “puddle jumpers” that you see at your local airport—and business class turboprops like the Beechcraft King Air and Cessna Conquest families.

    It was a demanding career, to be sure.  I worked in 100+ degree heat and 20 degree cold.  I worked in the sun, the rain, and sometimes even snow.  Many times, we worked from “can” to “can’t”—we did what we needed to do to keep ‘em flying.  It was hot, dirty, demanding work at times—especially at my last stop, where I was also the airframe electrician.  If something provided electrical power or had a wire or air data line leading to it, it was in my wheelhouse.

    I was always acutely aware that if I failed in my job, people could be injured or killed in a most loud and grotesque manner.  I accepted the challenge.  Not everybody is cut out for such a critical job, and as I began to supervise others, that would be my first question to them.  If they were cavalier or flip, I wouldn’t hire them.  If you wanted to work with me, you had to not only be aware of the consequences of your actions, you had to accept that any little deviation, a nanosecond of inattention, and you could possibly kill someone…

    Incidentally, I don’t really like to fly.  Maybe it has something to do with the fact that 95% of the flying I have done in my lifetime has been done because I *had* to in the line of duty.  Flying for me was almost a mandatory thing, and much like running on a treadmill—we made a lot of noise and expended a lot of effort to basically go nowhere–it quickly became work. 

    For most folks, flying is a way to get from what you know to an unexplored exotic location on the other side of the globe, some sort of personal adventure, and flying is merely a gateway to that adventure.  It is quite different when you know how the sausage is made and have to do it every day.

    When the folks I was working for picked up stakes and left in 2016, I stayed put.  I decided that my days of crawling around on hard hangar floors or cramming myself into ever smaller spaces were behind me.  Since I had done a lot of the documentation that aircraft modifications required, I decided to use my writing skills and my avionics knowledge to start down the path to being a Technical Writer.  My mother, who taught Latin, always said that I had technical hands and a liberal arts brain, and this seemed to be the best of both worlds.

    And that’s how scale modeling made me who I am today.  A gift from my father awakened an interest in history, and also fed my reading and research habit.  What I learned through my reading led to an interest in aviation, helped along by a teacher and a merit badge.  The technical aspects of the hobby sharpened my problem solving skills, helped me develop good hand-eye coordination and spurred me to develop a keen eye for small details and a sense of craftsmanship and artistry.  The marriage of all this led to where I am right now. 

    And it started with a model airplane.

    Thanks for reading.  Be good to one another, and look after each other.  As always, I Bid you Peace.

  • Model Contests Revisited…Again

    Howdy, everyone!

    Well, the 2021 edition of the South Carolina Scale Model Mega Show is in the books.  As with most larger events, we experienced the Good, the Bad, and the Ugly.  In no particular order:

    The Good

    We developed a new format for the show this year—well, actually we developed it last year when it appeared we would postpone from June until August, but the COVID shutdowns resulted in our show’s cancellation.  Since we had been moving in this direction and eventually wanted to alter the show’s format anyway, we pulled what we had done out of the box and set upon refining it.

    I could write a long description and intent piece, but for that, go to the show’s website and read about it:  https://scmegashow.com

    Our show format was developed using the best parts of several available show formats, systems, and methodology.  In a nutshell, we combined the field judging and scoring system from AMPS, employed the judging methodology from IPMS for the "big" awards (Class and Best of Show), and coupled it to the exhibition and display format espoused by the Military Miniatures Society of Illinois. 

    At the end of the day (a very long day, indeed!), we believe this system has merit.  We had our share of rocks in the road, to be sure, and will work on removing them, and we’ll try it again next year.

    The Bad 

    Using a new system requires some intense training, more so than a “normal” model show.  As a result of COVID, our ideal method—in-person dry runs—wasn’t possible.  We did host a judges training session and simulcast it via Zoom, but there was much more that needed to be learned outside of the judging method.

    As a result, problems began at the registration table, and these problems were transmitted down the line.  A mistake at registration affected the scoring team, which affected the judging teams, which resulted in delays.  Judging was slated to begin at 9:30, but didn’t begin until nearly 11.  By a lot of hard work, that margin—90 minutes—remained more or less steady.  The awards program, scheduled for 3, began right around 4:30, and the venue was cleared by 7—compared to previous shows, this wasn’t too far off what we were accustomed to.

    But it may have seemed much longer than 90 minutes—the venue’s HVAC failed, and I don’t think I need to tell anyone what June in Columbia, South Carolina is like.  It was hot.  It was humid.  It was stuffy.  It was something we as the show hosts had zero control over, so we had to no choice but to grin and bear it.

    The Ugly

    When it comes to model shows, The Ugly usually shows up after the fact.  To wit:

    We’ve discovered several anomalies in registration that resulted in some confusing awards packages (the wrong score sheets, etc.)—we’re working to rectify that over the next few days. 

    We have seen one case of a person badmouthing the show due to a perceived slight to one of his buddy’s models.  You know the drill—“He was robbed!  It should have won Best in Class AND Best of Show!  This show is shit and the judging is questionable!”

    Now, we always take claims of sketchy judging seriously–any model show is only as good as the contest's integrity.  However, we also temper those claims by reviewing our records, and when someone whines about our judging being "questionable" but didn't bother to get up off his fourth point of contact and lend a hand when the calls for judging volunteers went out, we tend to dismiss the claims as sour grapes.

    Incidentally, this guy isn’t registering his complaints through any of the show’s official communications channels—we have our website, complete with e-mail and telephone numbers, and a Facebook page where we are able to communicate via Facebook Messenger.  No, he’s on a private Facebook page that is visible only to its members.  He’s been given the opportunity to engage with us privately, so far he has not done so.

    I also find it interesting that we have heard nothing from the entrant himself.

    Now, was he “robbed”?  If he was, he did it to himself.  See, as the day wore on, people began packing up and heading to the doors.  Several announcements were made, reminding folks that the judging was still in progress, and they should leave their models on the tables.  Can you see where this is going?

    Yep, the entrant packed up his model and went home.  The sad part?  The model in question was indeed in the running for Best in Class, and most likely would have taken that award as well as the Best of Show.  Had he heeded the announcements and stuck around, he would have been King of the Show.  But we can’t force people to stick around, and most people who enter model shows understand that if you leave before the show is over, you stand to forfeit any awards your model might earn.

    The moral of the story?  Hang around until the bitter end.  Yeah, I know, people want to go home.  I get that.  But if you want to "get what's coming to you", you need to be there, and your model needs to be available throughout the entire judging process.

    Yeah, we had some issues.  Tell me about a single large event that doesn’t.  Add into the equation our new, untried, untested format, and yeah, shit happens.  But we will take what we learned on Saturday and learn from our mistakes.  I can assure you that they will all be addressed and rectified before our next show.

    So, why use a new format?  Why reinvent the wheel?

    If you’ve stuck with me for any length of time, you know that I’m not a fan of what IPMS/USA calls “healthy competition” (which over the years has become closer to a WWE "Hell in a Cell" Hard-Core Death Match than the friendly contest than I have to believe was the original intent) when it comes to scale modeling.  People debate me on whether we engage in art or craft, but we all agree that what we do is fueled by our individual creativity.  How do you say that one person’s creativity is “better” than another person's creativity?

    I would much rather host a straight, no-competition, scale model exhibition than a head-to-head contest.  In our new format, the contest is there simply because people seem to have an aversion to showing their work without the ability to take home a big shiny something for their efforts.  We’re trying to give folks the best of both worlds, and with a little refinement we believe it will work.  We’ll face a bit of a challenge next time, as we’ll have to conquer the small amount of “See, we told you that your cockamamie scheme wouldn’t work” sentiment that will be out in the world, but we think we’re on the right track. 

    Come by next year and see for yourself.

    In other news, I have had not one, but two of my models featured in the IPMS/USA Journal.  One of them is the Sea King, the other is a 1/72nd scale F-4J(UK) built from the Academy kit.  Coupled with the FSB RIPCORD article, I’ve become quite prolific (he says with a chuckle)…

    An article on the Monogram 1/72nd scale F-82 project will be appearing in a future issue of the Journal, and as long as they ask, I’ll keep providing articles.  Along with my efforts to teach Model Building 101, the articles are my way to “give back” to the hobby, a hobby that has been a major part of my life since I was seven years old, taught me so many life lessons, and introduced me not only to a bunch of super people—including my wife!—but also opened the way to my careers in history, aviation, research, writing, and hanging out at the hobby shop. 

    That’s a funny, that last one, in case you were curious…

    Along with all the model articles I’ve been batting out, I’ve been engaged in some other writing projects, projects that are for me and me alone.  I’ve been battling a little bit of writer’s block on some “serious” projects, so as a way to get back into the groove I’ve been writing to myself about myself—as they say, if you don’t know what to write, write about what you know.  In this case, it is as much about the part of myself that I know as it is discovering the “me” that I didn’t realize was there. 

    Call it a diary, a journal, or a retrospective, I’m finding it to be refreshing, interesting, revealing, embarrassing, sad, funny, and, well, satisfying.  You should try it sometime.

    That’s all I have for now.  It has been a while since we saw each other, and I hope all of you are well.  If you are inclined to do so, get vaccinated.  The only way we’re going to get past COVID and back to some semblance of normal is through science…

    Until next we meet, be good to one another, and, as always, I bid you Peace.

  • Scale Modeling—Art or Craft?

    Howdy, all…

    So, which is it?  Are we artists?  Craftsmen?  Neither?  Both?

    Anybody who has skimmed the various online forums has seen this argument before.  A model is featured, and viewers proclaim it as “fine art”.  Others reply that modeling isn’t an art, it is craft.  Who is correct?  Is either correct?  Or is neither one correct?

    Let’s see what the dictionary has to say…

    Merriam-Webster has several entries for “Art”, but the one that best fits our question is “the conscious use of skill and creative imagination, especially in the production of aesthetic objects.  Also: works so produced.”

    As for “Craft”, there are likewise several entries, but the one that interests us is “An occupation or trade requiring manual dexterity or artistic skill.”

    Boy, that was helpful, wasn’t it.  Let’s see what that great repository for all Internet knowledge, Wikipedia, has to add…

    “Art is a diverse range of human activities involving the creation of visual, auditory or performing artifacts (artworks), which express the creator's imagination, conceptual ideas, or technical skill, intended to be appreciated primarily for their beauty or emotional power.”

    “A craft or trade is a pastime or a profession that requires particular skills and knowledge of skilled work. In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people occupied in small-scale production of goods, or their maintenance, for example by tinkers. The traditional term craftsman is nowadays often replaced by artisan and by craftsperson.”

    Hmm.  Let’s look further…

    In the entry for “Art”, Wikipedia goes on the say this:  “Though there is no generally agreed definition of what constitutes art, and ideas have changed over time, general descriptions typically include an idea of imaginative or technical skill stemming from human agency and creation. The nature of art and related concepts, such as creativity and interpretation, are explored in a branch of philosophy known as aesthetics.”

    Now we seem to be making headway.

    What does the Great and Powerful Wiki say about “Craft”?  Handicraft is the "traditional" main sector of the crafts, it is a type of work where useful and decorative devices are made completely by hand or by using only simple tools. Usually the term is applied to traditional means of making goods. The individual artisanship of the items is a paramount criterion; such items often have cultural and/or religious significance. Items made by mass production or machines are not handicraft goods. Handicraft goods are made with craft production processes.” 

    In case you were wondering and didn’t want to click on the link, Craft production, as defined by Wikipedia, is “manufacturing by hand, with or without the aid of tools. The term ‘craft production’ describes manufacturing techniques that are used in handicraft hobbies and that were the common methods of manufacture – as in the production of pottery – in the pre-industrialized world.”

    Hmm…where does *that* leave us?

    Perhaps now it is time to use those guidelines and apply them to what we do.  But first, what *do* we do when we build a scale model?  I mean, all it entails is sticking plastic (and sometimes metal and resin and maybe wood) bits together, right?

    Right.

    As I like to point out in Model Building 101, building models is both.  Preparing and sticking the bits together is no different than building furniture—we remove parts from the runners, clean up the molding flaws, and stick them together.  A woodworker rough cuts their boards and smooths them so they are straight and square (you’ll see it referred to as “S6S”, square on six sides), then cuts them to size and assembles them.  During assembly, all joints are made to be tight, and the piece is measured again and again to ensure it is straight, square, and plumb.  If there are visible joints, they are dressed to eliminate or disguise them.  These steps are handicraft and craft production methods.

    We engage in our handicraft using those same craft production methods.  Along the line, we make allowances for the artisanship of the finished model by dealing with flaws—inherent molding flaws, construction flaws, and finish flaws.  We ensure the core of our models—armor and ship hulls, aircraft fuselages, wheeled vehicle chassis—are straight, square, and plumb. These skills are more or less part and parcel of building a model for a skilled model builder.  That is the “craft” of building a model.

    Where the art comes into play is with the finishing steps.  Woodworkers sometimes use carved or specially cut and/or finished trim pieces to embellish the piece they are building, and then apply a smooth finish that is complementary to the construction material—sometimes employing a clear finish to highlight the grain and figure of wood, other times using pigmented paint simply as an aesthetic step to make the piece attractive. 

    Scale modelers engage in art when they apply the finish to their models, too.  We apply paint to more realistically match the colors of the actual item, or to change the color of the material the model is molded from.  From there, some modelers use various techniques to add wear and tear to the model, and/or adds the markings seen on the original that places it at a certain place and time.  The trick here is to fool the viewers’ eyes into believing that the model they are looking at is an exact copy, in miniature, of the item used as reference (and inspiration) for the process of building the model.

    So, we are both “artists” and “craftsman” in my book.

    But at the end of the day, does it really matter what we call ourselves?  I am fond of saying this about our hobby—there are as many ways to enjoy it as there are people enjoying it.

    You do you.  The Late Al Superczynski, a long time denizen of the rec.models.scale Usenet group, contributor to “Internet Modeler’, and a fine modeler, used to say “Build what YOU like, the way YOU want to, and above all, have fun."  He was absolutely right. 

    *****     *****     *****     *****     *****
    I received a few messages on my last post concerning Robert McNamara.

    First, I fully realize that there was a *lot* more to the story than what I wrote.  Entire volumes have been written about TFX alone.  This is a blog, not a fully-funded research and reference site, and my posts are aimed at people who didn’t know about these subjects before and those who would take what is there are do some legwork on their own to get the whole story.  That’s the danger with some internet articles—they don’t tell the whole story, or they can be misleading or outright incorrect.

    Speaking of being misleading, it was also brought to my attention that I may have been a little unfair to the Navy’s TFX variant, the F-111B.  Perhaps I was.  So, in an attempt to atone…

    The issues the Navy had with TFX were said to be that the airplane was too big and too heavy to operate off the decks of the carriers.  But if you read the accounts made during the F-111B’s early sea trials, it doesn’t seem to be the case.  Without trying to re-write what has already been written, I’m going to direct you to Tommy Thomason’s excellent blog, “Tailhook Topics” and his entries on the F-111B, starting with this one:  http://thanlont.blogspot.com/2009/03/f-111b-carrier-trials.html

    As for the “too big and too heavy”, here’s Tommy’s piece that compares the F-111B and its eventual replacement, the F-14A:  http://thanlont.blogspot.com/2011/01/f-111b-versus-f-14a-one-more-time.html.

    So, it appears that the airplane was capable of the job.  Tommy points out two pertinent points in the second link, however—first, the Hughes radar and missile system development was a few years behind the development of the aircraft, so had the F-111B had gone into full production it would have been initially without the AN/AWG-9 and the Phoenix missiles.  It was another case of desire outstripping technology—similar issues plagued the Convair F-102, a supersonic interceptor that couldn’t break Mach 1.0 in its original form.  It took application of newly formulated aerodynamic data and a redesign of the fuselage to make it barely supersonic.  All the while, the fire control system development was fraught with issues, and these issues led to not only the Convair F-106, but also the McDonnell F-101B interceptor version of the Voodoo.

    The second point Tommy makes is that the Navy was wise to unburden itself from TFX, since the airplane they would have received (like the airplane the USAF *did* receive) was compromised by trying to accommodate both the Fleet Air Defense and low-level supersonic interdiction missions with the same airplane—it just so happened that the airplane performed the Air Force’s mission better.  That should have surprised nobody, since TFX started as a USAF project that was being adapted to also fit the Navy’s mission.

    While there were deficiencies with the Tomcat as well, there were other facets of the F-14A program that made it a better fit for the Navy.  Plus, it was supported by the Navy’s mid-level commanders, unlike TFX.  In short, TFX suffered in the Navy due to the NIH (Not Invented Here) theory—the Navy had previously held full dominion on the design and production of their weapons systems, and TFX took that away because it was a system dictated to the Navy by the Pentagon and managed by the USAF.

    And yeah, I’m sure I probably missed a few items.  Again, if you want to know more, go dig.  The information is out there…

    And if you have an interest in the
    F-111B (or any other Naval Aviation subject, for that matter) and have not read Tommy’s blog, you really should.  In addition to “Tailhook Topics” there is a sister blog, “U.S. Navy Aircraft History”.  Check them both out, won’t you?

    *****     *****     *****     *****     *****

    As of right now, the South Carolina Scale Model Mega Show will go forward on the weekend of 18/19 June (Friday the 18th is a set-up day, the show happens on Saturday).  Last week, we added the title of “2021 IPMS/USA Region 12 Regional Convention” to the show, and we’re looking forward to that.

    Our contest format this year will be unlike anything IPMS or AMPS has seen on a regular basis.  We decided to move our show to more of a social event and exhibition.  We’ve combined what we think are the best aspects of the Military Miniatures Society of Illinois (MMSI) show and the AMPS scoring system.  Entrants will pay a small fee that will allow them to display as many models as will fit in a ~30 inch square space.  They can designate one of their models for judges’ evaluation and scoring, and they can select their skill level at the same time.  Two teams of two judges will evaluate and score the model, and the score earned will be used to determine if the model earns a medal.  Better still, the score sheet and written judges’ feedback will be returned to the entrant to be used to aid them in becoming a better modeler.  Medalists will be eligible for Class awards (best aircraft, etc.) and Best of Show award.  There will be several Special Awards available, too.  The best part of this format is that there will be chairs behind the displays so that the entrant can sit and talk with folks who are admiring their models, share techniques, and enjoy themselves.  We’re hoping it is a more relaxed environment where modelers can gather and admire models.  After all, that should be what the hobby is about—models not medals.   

    If you’re in the area, come on by and spend some time with us.

    Thanks for reading.  Until next time, be good to one another, stay safe and healthy, and as always, I bid you Peace.  

  • Phun with Phantoms

    This article is part of a series of articles I've been working on lately.  Again, the Technical Writer in me lives for this sort of thing, so it gets a bit, well, technical… 

    This article was previously published in the October 2020 issue of the IPMS/Mid-Carolina Newsflash.  Incidentally, you may view our club's newsletters on our website.

    **********************************************

    “Never forget that, at the most, the teacher can give you fifteen percent of the art. The rest you have to get for yourself through practice and hard work. I can show you the path but I cannot walk it for you.” — Kung Fu Master Tan Soh Tin

    The Short Form Scale Modeler’s Guide to the F-4 Phantom II

    I’ve embarked on several F-4 projects lately.  When I started talking about my plans with some folks, I got a lot of questions about the F-4 in general.  Every question I answered spawned three more questions.  Since there have been dozens (literally!) of volumes written about the F-4, this short guide will serve only to point you in the right direction for your F-4 project.  You are encouraged to use this as a stepping stone for your own research.  And, as always, if you see something in error, leave a comment.  I'm not so proud to admit I make mistakes…

    Origins

    The McDonnell Douglas F-4 Phantom II (initially the McDonnell XF4H-1) was originally designed as the XAH-1, a single seat attack fighter for the U.S. Navy.  A development of their earlier F3H Demon, the McDonnell Aircraft Company started with an enlarged twin-engine aircraft based on the F3H Demon—Wright J65’s or General Electric J79’s were the proposed powerplants.  At the time, the Navy passed—they had the F9F Cougar and F8U Cutlass fighters, and were starting to use the Douglas A4D Skyhawk in the ground attack role. 

    McDonnell redesigned the airplane to be a supersonic fleet defense interceptor.  They chose the J79 afterburning turbojet engines to propel the aircraft.  A second crew member was added, McDonnell correctly surmising that the extra crew member would help shoulder some of the information load that came with modern military aviation.  The Navy ordered two prototypes on 25 July 1955, and the first flight of the XF4H-1 was on 27 May 1958. 

    Initially, the type was to be named “Satan” or “Mithras”, keeping with the company’s penchant for using the names of supernatural apparitions for their airplanes (previous examples being the XF-85 Goblin, FH Phantom, F2H Banshee, and F3H Demon).  The proposed names were passed over in favor of “Phantom II”.  When the type initially entered USAF service as the F-110A, it was named “Spectre”, but the name was short-lived.  In 1962, the type was designated F-4 Phantom II under the Tri-Service Designation system.  The USAF’s F-110A became the F-4C after the initial XF4H-1 and F4H-1F’s became F-4A and the later F4H-1’s became the F-4B.

    5,195 examples were produced, including 138 license-built aircraft in Japan.  They were used by Australia (24 new F-4E’s on lease while problems with the F-111C were being ironed out), Egypt (ex-USAF F-4E), Germany (new F-4F and RF-4E), Greece (new and ex-USAF F-4E and new RF-4E), Iran (new F-4D, F-4E, and RF-4E), Israel (new and ex-USAF F-4E and new RF-4E), Japan (new F-4EJ, including 138 built by Mitsubishi Heavy Industries, and new RF-4E), South Korea (ex-USAF F-4D and new and ex-USAF F-4E), Spain (ex-USAF F-4C and RF-4C), Turkey (new and ex-USAF F-4E and new RF-4E), and the United Kingdom (new F-4K/FG.1, F-4M/FGR.2, and ex-USN/USMC F-4J).

    The last St. Louis-built F-4 (an F-4E bound for South Korea) rolled out of McDonnell’s plant in 1979; the last ever Phantom II built (an F-4EJ) came off the Mitsubishi Heavy Industries production line in 1981.  Some are still in limited use today.  How’s that for longevity?

    The Phantom Phamily

    F-4A:               A retroactive post-1962 designation for the XF4H-1/F4H-1F prototypes.

    F-4B:               Initial production model for the USN/USMC, formerly the F4H-1.

    F-4C:               Minimum change F-4B for the USAF with 11.5” wide main gear and bulged wing.

    F-4D:               F-4C with improved air-to-ground capability.

    F-4E:               Added internal M61A1 Vulcan cannon in an elongated nose for the USAF.

    F-4EJ:             Lightweight F-4E with simpler avionics for the Japanese Air Self Defense Force.

    F-4EJ Kai:      Updated F-4EJ with new avionics and structural upgrades.

    F-4F:               Lightweight F-4E for Germany with slatted wings.  No AIM-7 Sparrow capability.

    F-4F ICE:        Updated F-4F with AIM-120 AMRAAM capability.

    F-4G (USN):   Converted F-4B with datalink carrier autolanding system. 

    F-4G (USAF): F-4E modified for the SEAD (“Wild Weasel”) mission (“Wild Weasel V”).

    F-4J:               “Navalized” F-4C with the wider wheels/tires and updated avionics.

    F-4K:               RR Spey-powered F-4J built for the Royal Navy, designated FG.1.

    F-4M:              RR Spey-powered F-4J built for the Royal Air Force, designated FGR.2.

    F-4N:               Updated F-4B’s with new avionics and structural changes.

    F-4S:               Updated F-4J with new avionics and a slatted wing similar that of the F-4E.

    RF-4B:            “Navalized” RF-4C for the USMC.  Most retained thin wheels/wing of the F-4B.

    RF-4C:            Reconnaissance version of the F-4C for the USAF.

    RF-4E:            Export RF-4 variant; hard-wing F-4E with RF-4C nose.

    RF-4EJ Kai:   JASDF recon versions, two distinct aircraft configurations.  See notes. 

    THE CHART OF PHANTOM PHEATURES

    The major visible distinguishing features of the Phantom subtypes are the main landing gear, the wing, the stabilators, the afterburners, the nose, and aerial refueling method.

    Main Landing Gear:  The F-4B, N, and RF-4B used a 7.7” wide main landing gear wheel and tire.  All other F-4 subtypes used an 11.5” wide main wheel and tire, necessitating the addition of a bulge in the inboard wing over and under the main landing gear wells and on the doors.  The F-4B/N and RF-4B wing was known as thin wing airplanes, the rest were called thick- or bulged wing airplanes.  The nose gear struts were different between the ship-based (F-4B/N, RF-4B, F-4J/S, and the FG.1) and land-based versions.  The U.S. ship-based versions could extend 20 inches for launch, while the FG.1 strut could extend 40 inches.

    Wing:  Initially, the wing had leading and trailing edge flaps, and was called the “Hard” wing.  Beginning with the Block 48 F-4E’s, the leading edge flaps were deleted and leading edge slats replaced them.  Earlier surviving F-4E’s were retrofitted.  A similar (but not identical!) slatted wing was installed on the F-4S, a conversion of the F-4J.

    Stabilators:  The first production stabilators had a solid, cambered leading edge.  The stabilators later received a cambered leading edge with aerodynamic slots that increased pitch authority in the low-speed regimes.  Initially installed on the F-4J as part of an approach speed lift improvement program, the slotted stabilator was used on all further shipboard versions as well as some of the land-based Phantoms.    

    Afterburners:  The F-4B/N, RF-4B, RF-4C, and F-4C/D used short exhaust nozzles (J79-GE-8 and -15 engines).  All other J79 powered F-4’s used a longer exhaust (J79-GE-10 and -17).  The British Phantoms (FG.1 and FGR.2) used the Rolls Royce Spey (RB.168 Mk.202) turbofan engine, and had a larger exhaust nozzle that was smooth on the outside.

    Nose: The F-4B/N, F-4C/D, F-4J/S, and the British Phantoms had a short nose housing a radar unit.  The F-4B/N and F-4C/D had a fairing for an infrared sensor under the nose.  This fairing was deleted on the F-4J/S and British versions.

    The F-4E/EJ/F had an elongated radar nose with an under slung General Electric M61A1 Vulcan rotary 20mm cannon and 640 rounds of ammunition.  There was a gun gas purge scoop in front of the windscreen that was open on the ground and whenever the gun was fired.  The USAF F-4G had the gun removed and a sensor fairing installed where the gun’s muzzle was located as part of the Suppression of Enemy Air Defense (SEAD, or “Wild Weasel”) avionics package. 

    The reconnaissance variants had an elongated nose full of cameras and other equipment.  There were two common designs for the recon nose—an earlier, flat bottomed angular nose and later, a curved bottom nose.  Consult photographs of the airplane you are interested in to determine which was fitted to that airplane. 

    The environmental control system inlets on the long nose and reconnaissance airplanes were different from those on the short nose F-4’s, the earlier ones being smaller and more symmetrical. 

    Aerial refueling method:  The USAF versions and their derivatives had a high-speed flying boom refueling receptacle on the spine; all others had a Probe and Drogue aerial refueling system with a retractable refueling probe on the right hand side of the forward fuselage.

    Type (Initial Operator)

    MLG

    Wing

    Stab

    Exhaust

    Nose

    Refuel

    XF4H-1/F-4A (USN)1

    7.7”

    Hard

    Unslotted1

    Short

    Short1

    Probe

    F-4B (USN/USMC)

    7.7”

    Hard

    Unslotted2

    Short

    Short, IR

    Probe

    RF-4B (USMC)

    7.7”3

    Hard

    Slotted

    Short

    Recon

    Probe

    F-4C (USAF)

    11.5”

    Hard

    Unslotted

    Short

    Short, IR4

    Boom

    RF-4C (USAF)

    11.5”

    Hard

    Unslotted

    Short

    Recon5

    Boom

    F-4D (USAF)

    11.5”

    Hard

    Unslotted

    Short

    Short, IR4

    Boom

    F-4E (USAF)

    11.5”

    Hard6

    Slotted7

    Long

    Long

    Boom8

    F-4EJ (JASDF)9

    11.5”

    Hard

    Slotted

    Long

    Long

    None9

    F-4EJ Kai* (JASDF)10

    11.5”

    Hard

    Slotted

    Long

    Long

    None

    RF-4E (Luftwaffe)

    11.5”

    Hard11

    Slotted

    Long

    Recon

    Boom

    RF-4EJ Kai* (JASDF)12

    11.5”

    Hard

    Slotted

    Long

    Long

    Boom

    F-4F (Luftwaffe)13

    11.5”

    Slatted

    Unslotted

    Long

    Long

    None13

    F-4G* (USN)14

    7.7”

    Slatted

    Unslotted

    Short

    Short, IR

    Probe

    F-4G* (USAF)14

    11.5”

    Slatted

    Slotted

    Long

    Long

    Boom

    F-4J (USN/USMC)

    11.5”

    Hard15

    Slotted

    Long16

    Short16

    Probe

    F-4J(UK)* (RAF)17

    11.5”

    Hard

    Slotted

    Long

    Short

    Probe

    F-4K (RN) (as FG.1)18

    11.5”

    Hard

    Slotted

    Spey

    Short19

    Probe

    F-4M (RAF) (as FGR.2)

    11.5”

    Hard

    Unslotted

    Spey

    Short19

    Probe

    F-4N* (USN/USMC)20

    7.7”

    Hard

    Slotted

    Short

    Short, IR

    Probe

    F-4S* (USN/USMC)21

    11.5”

    Slatted

    Slotted

    Long

    Short

    Probe

    * = Conversion, no new airframes built

    Keyed Notes:

    1. The XF4H-1 aircraft had different inlets, intake ramps, stabilators, and noses than the production variants.  Additionally, the early airframes had a flatter canopy profile.
    2. Some F-4B’s would be retrofitted with the slotted stabilator late in their service life.
    3. The last 10 production RF-4B’s had the wider 11.5” main landing gear and thick wing.  The last three had the rounded reconnaissance nose.
    4. The IR sensor was not fitted to the F-4C or F-4D, but the empty fairing remained.
    5. Consult photographs to determine which nose was fitted to a particular airplane. 
    6. The F-4E received slatted wings with a thicker lower wing skin from Block 48.  Earlier surviving F-4E’s (except the Thunderbirds aircraft) were retrofitted with the slatted wing and a lower wing skin stiffener called a “belly strap”.
    7. In 1972, F-4E stabilators had an arrowhead-shaped doubler installed mid-span.  Later, all surviving USAF F-4’s received this modification.  Photos exist of USN F-4’s with these, but it was the exception rather than the norm.
    8. Some Israeli F-4E’s had a locally fabricated refueling probe fitted.
    9. The F-4EJ was a lightweight version of the F-4E with simpler avionics and no aerial refueling equipment built for the Japan Air Self Defense Force.  All but 2 of the 140 were built in Japan by Mitsubishi Heavy Industries.
    10. The F-4EJ Kai was an updated F-4EJ, with structural modifications and new avionics.  The biggest visual cue is a series of external stiffeners on the radome. 
    11. The RF-4E is basically a hard-wing, slotted stabilator F-4E fitted with an RF-4C nose.  The last two production blocks of the RF-4E for Greece and Turkey had the slatted wing. 
    12. There are two distinct aircraft called RF-4EJ Kai.  The first is an upgraded RF-4E; the latter is an F-4EJ (non-Kai) modified to carry reconnaissance pods.
    13. The F-4F was a lightweight version of the F-4E built for the West German Luftwaffe.  It lacked aerial refueling and AIM-7 Sparrow capability.  The ICE (Increased Combat Effectivity) program in 1989 upgraded 110 of these aircraft with AIM-120 capability and other improvements including high-speed boom aerial refueling.
    14. The original F-4G’s were USN F-4B’s equipped with experimental automatic carrier landing systems.  Once the test period was over, they were converted back to F-4B’s, although some of the equipment remained installed.  The later USAF aircraft designated F-4G were converted F-4E’s optimized for the Suppression of Enemy Air Defense (SEAD), or "Wild Weasel", mission under Program WILD WEASEL V.
    15. The F-4J had the inboard flap deleted as part of the approach speed lift improvement program that also added the slotted stabilators.  This also added a feature where the ailerons were drooped 16.5° when the landing gear and flaps were extended.
    16.  The first F-4J’s were delivered without radar—ballast was installed instead.  They also had the J79-GE-8 engines featuring the shorter exhaust nozzles. The airplanes went to the Blue Angels and would retain the -8 engines for their service life.
    17. The F-4J(UK) airplanes were 15 ex-USN/USMC F-4J’s bought by the Royal Air Force in 1984.  These were taken through the same SLEP that converted F-4J’s to F-4S’s with the exception of the slatted wing.  American avionics were removed and British avionics were installed.
    18. The FG.1 had a double-extendable nose strut for takeoffs from the shorter decks of the British carrier HMS Ark Royal.  Along with that, a stabilator trim indication quadrant was painted on the left side of the tail for the deck crew to tell if the takeoff trim was set correctly.  As these airplanes transferred to the RAF, this was generally removed, but the double-extendable nose strut remained.
    19. The F-4K and F-4M (FG.1 and FGR.2) were aircraft based on the U.S. Navy’s F-4J but built with Rolls Royce Spey afterburning turbofan engines.  As a result, the inlets were wider, the aft fuselage was wider and deeper, and the exhausts were different.  Many would have the belly strap installed at some point in their service life. 
    20. The F-4N was an updated F-4B with the aerodynamic approach speed lift improvements of the F-4J and updated avionics.  The inboard leading edge flap was deactivated and locked closed.
    21. The F-4S was an upgraded F-4J with updated avionics, a slatted wing and a belly strap similar to that of the early F-4E’s was installed, and other minor changes such as low intensity formation (“slime”) lights.  The outboard slats were not identical to the USAF versions.

    Additional Notes, Ephemera, Useless Trivia, and Other Geek Stuff

    The ship-based Phantoms (F-4B/N, F-4J/S, RF-4B, and the FG.1/FGR.2) did not have flight controls in the rear cockpit.  There was a pedestal with a radar controller joystick located where a control stick would be.  The right side of the cockpit was a vertical panel—there was no console on the left side of the rear cockpit of the ship-based Phantoms because that area is where the refueling probe well is located.  The console on the left side was abbreviated compared to the land-based F-4’s, too.

    Some F-4C’s (in the 1966-1967 time frame) did not have the IR fairing under the radome, these “dorkless” radomes were installed while the original radomes were being modified with the AN/APR-25 RHAW system antennas on the empty IR fairing.  Check your references!

    Late in their service lives, the USN/USMC F-4’s received an AN/ALQ-126 Defensive ECM system featuring antenna fairings on the inlet shoulders, under the inlets and under the wings (the B/N inlet fairing cable guides were about twice the length of those on the F-4J/S).  The shoulder fairings remained on the F-4J(UK) but were empty.

    Ship-based versions had catapult bridle hooks installed in shallow depressions under the forward fuselage at the wing leading edge.  The land-based versions did not, and a flat panel covered the area.  The F-4J(UK) had the hooks removed but the depressions remained. 

    The ship-based airplanes received up-rated main landing gear struts installed.  In the case of the USN/USMC aircraft, the main struts had a long-stroke oleo; the British struts were capable of landing at higher gross weights.  A rounded rectangular clearance blister was installed on top of the wing over the pivot points as a result.  USAF airplanes (and their derivatives) did not have this small blister.

    Block 48 and newer F-4E’s were TISEO (Target Instrument System, Electro-Optical) capable.  The Northrop AN/ASX-1 TISEO consisted of a cylindrical fairing on the inboard left wing root that housed a camera used to visually acquire and track targets.  The image was displayed on the WSO’s radar display.  TISEO could also be retrofitted to earlier aircraft. 

    There were several styles of gun muzzle fairing for the F-4E that were developed over the years.  The initial muzzle fairing was a short fairing that caused gun gas ingestion problems for the engines.  A longer unit, called MIDAS 4, was the definitive muzzle fairing and became standard with the Block 48 airplanes.

    Late in life, some F-4E’s, F-4G’s, and RF-4C’s received the ARN-101 digital avionics modification.  The visual indication was a trapezoidal antenna on the spine of the airplane and a lot of static wicks sprouting from various parts of the airframe.

    There was a difference in inboard wing pylons.  The ship-board variants (as well as early F-4C’s, RF-4B’s, and most RF-4C’s) used LAU-17/A’s with adapters; USAF used a MAU-12 rack in the weapons pylon.  You can tell one from another easily—the LAU-17/A has a straight leading edge while the MAU-12 pylon has a curved leading edge.  Either could be fitted with a pair of Aero 3A Sidewinder rail adapters on the sides of the launcher/pylon. 

    There were several types of 370-gallon underwing tanks made by McDonnell, Sargent Fletcher, and Royal Jet.  The Sargent Fletcher was the prevalent type used—it can be identified by the single flange on the left side of the tank at the five o’clock position (when viewed from the front).

    Royal Jet’s 600-gallon centerline tank could be distinguished by the angled sway brackets aft and the nose-down attitude when fitted.  Later, the USAF (but not the USN/USMC) would adapt the 600-gallon tank used by the F-15 for use on the F-4 centerline station.  It had a single sway bracket aft and was mounted level.  It also caused less of a drag penalty.

    Other variants you might see mentioned in your travels:

    EF-4B and EF-4J:  ECM aircraft used for training.

    EF-4C and EF-4D:  Early SEAD fits under Program WILD WEASEL IV.

    F-4 “Agile Eagle”:  Testbeds to explore the use of maneuvering slats for the F-15; the information gained led to the slatted wing modifications for the F-4.

    F-4E(S):  Three Israeli hard-wing F-4E’s with an elongated nose housing a General Dynamics HIAC-1 LOROP (LOng Range Oblique Photography) camera with a 66-inch focal length lens for high-speed, high altitude reconnaissance.  Offshoot of the PEACE JACK program.

    F-4(FBW)/F-4 PACT/F-4 CCV:  The YRF-4C reconfigured for (variously) fly-by-wire and canard controlled vehicle testing.

    DF-4J:  Drone controller aircraft.

    F-4X: Highly modified with new inlets, water injection (pre-compression cooling or PCC) conformal tanks, and elongated nose housing the HIAC-1.  Remarkable because the HIAC-1 had previously only been flown aboard USAF RB-57D’s and in bulky centerline pods on RF-4C’s.  Part of the PEACE JACK program.

    Super Phantom:  Proposed Boeing-led upgrade to replace the J79’s with PW1120 afterburning turbofans, under-fuselage conformal fuel tank, and new avionics.  Some of these changes were also projected to be used by the Kurnass 2000 program in Israel, but were not.

    Kurnass 2000:  Israel modified some of their F-4E’s with new avionics and capability to use the Rafael Popeye (aka the AGM-142) standoff missile.  Some of this same technology would be used to update some of the Turkish F-4E’s as well.

    QF-4B/QRF-4C/QF-4E/QF-4G/QF-4N/QF-4S:  Aircraft converted to remotely piloted target drones.

    The PEACE JACK, F-4X, and Super Phantom programs were designed to increase the altitude and speed performance of the F-4, and were cancelled because they would either draw sales away from new aircraft (primarily the McAir F-15 and F/A-18) or allow other nations to have reconnaissance capabilities approaching that of the Lockheed SR-71 Blackbird.

    So, what about kits?

    Choosing the “best” model kit of any subject is a minefield.  As with all things related to plastic models, one’s opinion of  the “best” kit of any subject can be highly subjective due to several factors, not the least being price, ease of assembly, and the level and fidelity of detail included.  Because of that, I’ll attempt only to tell you about the kits.  What you see is either a collection of what I’ve collected via as many reviews of a particular kit that I can find or personal experience.  I’ll let you decide which one is the “best” for your personal needs…

    For more information on release dates, timelines, and re-boxings, the best resource to use is Scalemates.

    1/32 Scale

    Tamiya’s lineup of large-scale Phantoms is good, but not totally great.  Starting in 1995 with an F-4C/D, they have also made the F-4J and a hard-wing F-4E.  They represented several maintenance panels as raised panels, and these stand a little bit too proud of the surface, so a touch of sanding is warranted if this bothers you.  The exhausts are also a touch too small, so you might want to secure replacements.  The gun-nose kits include both muzzle fairings.

    Starting in 1995, Revell also made new-tool kits of the RF-4E, F-4F, RF-4C, F-4E, and an F-4G.  The newer Revell kits are almost as good as the Tamiya kits–almost.  Revell’s F-4E/F nose is a bit skinny and too pointy (you’ll see this claim again), the nose strut is anemic, and the cockpit detail is not as good as that of the Tamiya kit.  Revell’s long nose versions include a slatted wing.

    There is a big difference in price, too—Revell’s kits initially retailed for $30 while Tamiya’s MSRP was around $100.  Only you can decide if the extra dough spent is worth it.

    If you want a thin-wing Phantom in 1/32 scale, there have been a few aftermarket conversions available from Real Model, GT Resin, and Cutting Edge.

    Revell had kits of the F-4J and F-4E (also released as an RF-4E, F-4F, and RF-4B) in the 1970’s and are best left to the collectors and nostalgia folks.   

    1/48 scale

    The most recent kits of the F-4 are the Zoukei-Mura kits initially released in 2016.  There’s been some grousing online about an incorrect contour in the aft fuselage at the exhausts, and they aren’t cheap ($75 a pop from most retailers).  But they have been deemed superb kits by all who have built them, and they do represent the state-of-the-art in injection molding.  They’ve done the F-4C/D and F-4J/S so far, and their new F-4E kits are just starting to hit the streets, and early word says the aft fuselage on the F-4E has been corrected.  Z-M has indicated that they want to complete the series, so stay tuned.

    Hasegawa’s 1/48 scale Phantom Phamily started hitting the hobby shop shelves in 1982, at the exorbitant (for the time—I remember hearing the wailing and crying!) price of $20 American.  Initially, the kits featured raised panel lines, but through the years, the earlier raised panel line kits (save for the F-4B/N and F-4C/D) have been revised to feature recessed panel lines.  The biggest drawbacks are fiddly fit around the intakes (a common ailment of all Phantom kits) and the lack of underwing stores included in the kits.  You’ll want to dip into your spares box or purchase aftermarket weapons sets.  So far, they are the only manufacturer to produce the entire F-4 series in this scale–Hasegawa offers all of the subtypes, including the slatted-wing F-4E/F and the Spey-powered FG.1 and FGR.2.  . 

    Academy’s short-nose (F-4B/N, F-4C/D, and F-4J so far) kits that were released in 2012 aren’t bad—in fact, some folks like them over the Z-M and Hasegawa kits.  A few reviews say the nose and tail near the stabilators have minor shape problems and that the canopy center bridge is too wide, but it certainly looks like a Phantom when completed.  The ECS scoops have shape issues, too; fortunately there are aftermarket fixes for this.  The shape around the aft fuselage at the engine exhausts is deemed to be better than that of the Z-M kit.  Starting in 2014, Eduard re-released the Academy F-4B, F-4C, F-4J, and F-4N plastic in their Limited Edition series with resin (“Brassin”) and etched detail parts with decals designed by Furball Aero Design and printed by Cartograph.

    In 1979, Monogram issued an F-4C/D kit, followed in 1981 by a “Black Bunny” F-4J of VX-4.  They have the dreaded “raised panel line” affliction that so many modelers consider deal-breakers, the USAF kits are closer to an F-4C than to an F-4D, and the cockpit isn’t quite correct for the Navy F-4J, but all in all, they were good value for the dollar.  Monogram’s take on the intakes is quite different than the other manufacturers, and it is either the best thing since bottled beer or the worst thing since New Coke, depending on personal circumstances.  The cockpit detailing in these kits is typical Monogram—the instrument panels and consoles feature relief molded details, and the seats feature all the straps and face curtain handles.  In a word, they are superb.  Many a modeler has “borrowed” a Monogram cockpit to detail other kits…

    ESCI made 1/48 scale kits as F-4B/J, F-4E/F, and F-4C/D that came out 1980.  While not as detailed as the Monogram kits from about the same time, they can be made into super models without a lot of work, although there are some problems.  For instance, the F-4B/J kit only has the thick wing and slotted stabilators, most likely because the decal options included the striking color scheme for “Vandy 76”, Bureau Number 153088, the VX-4 Bicentennial airplane, which was a conglomeration of an F-4J airframe, an F-4B nose, and—something ESCI missed completely—experimental fixed leading edge maneuvering slats on the wing.  The F-4E/F lacks the slatted wing (meaning you can’t build an F-4F from the kit).  Like their smaller F-4E, this one was the best until Hasegawa’s materialized a few years later—shape-wise, it was better than the Fujimi and Revell kits that preceded it.  The F-4C/D kits were a nice alternative to the Monogram kits—they were only a few bucks more and had recessed panel details.  The cockpits are rather simple, but they are passable under a closed canopy and sitting on a shelf or in a display case.  Italeri has reissued some of them, too, and you’ll see them at shows for cheap.

    In addition to these kits, there are a few others in 1/48 scale:

    Testors kitted the RF-4C/E and F-4E/F/G in 1980.  Their RF-4C/E didn’t have the forward Sparrow well fairings, the F-4G had some cockpit issues, and overall the detailing generally wasn’t very good.  Italeri reissues these kits from time to time.  The one thing the long nose kit had going for it is the inclusion of the slatted wing, and back in the day this was the only way to get a Photo Phantom.

    Aurora (no surprise) was one of the first to market with a kit of the then-F4H-1 in 1961—it is typically Aurora, and best left to the collectors. 

    As mentioned in the ESCI commentary, Fujimi (in 1971, also released under the Bachmann/Fujimi and AHM/Fujimi labels) and Revell (1977) each had an F-4E (Revell’s being a slatted wing airplane), but the Revell kit had shape issues (skinny, pointy nose, canopy looks squashed) and the Fujimi kit was closer to 1/50 scale. 

    Perhaps the most ambitious kit I can recall of the Phantom was made initially in 1965 by Marusan, and it was later released by UPC, Fuji, Sunny, and, finally, Entex Industries.  It too was in 1/50 scale, and included full interior details (including the engines and fuselage fuel cells), but these were not optional parts—you had to use them or re-engineer a lot of the kit.  The box advertised that you could build it as a B, C, or E version—but regardless of what the box said, it wasn’t accurate for any of them.  Even if you accept the off scale, the quality of the kit was lacking (that’s being kind—“crude” is more like it), as there were knockout pin marks and short shots galore.  I received one of the Entex Industries issues as a Christmas present in the late 1970’s.  It was so full of bad parts that I wound up cannibalizing whatever I could from the kit over the years, eventually tossing the remnants in the garbage when the family moved in 1989.  The only thing that kit had going for it was the illustration on the box: “Old Nick 201” from VF-111.  What kid could resist a shark-mouthed F-4?

    1/72 scale

    Right now (October 2020), the best F-4 families of Phantom kits in this scale remain the Hasegawa and Fujimi kits.  Hasegawa does them all except the Spey-engined FG.1 and FGR.2.  Fujimi does them all, including the Spey Phantoms.  I mention this simply because some folks like continuity, and different manufacturers do things, well, differently.  If you want uniformity in your collection, these are the kits to use.

    Hasegawa’s new tool F-4 kits, which debuted in 1990, have a better cockpit than Fujimi, but neither manufacturer is stellar in that regard—the Hasegawa tub fits a lot better, which is what puts them in the top slot for me (their RF-4B and RF-4C also have more detail to the camera bays).  The seats are basic, so you can either detail them yourself with strips of paper or tape and some wire.  Likewise, all the consoles and instrument panels are represented by decals.

    Fujimi’s kits came on the scene in 1984, and the biggest complaint was the ill-fitting cockpit tubs, an issue partially corrected in later issues.  The first issues only included a multi-part open canopy; later issues had only a one-piece closed canopy.  At some point, both canopies were included in some kits.  The control sticks are too long, and the instrument panels sit too far forward.  The same comments about Hasegawa’s cockpit detailing also apply to the Fujimi kits.

    Academy released their 1/72 scale F-4J in 2015 in their MCP (Multi-Colored Plastic) line.  They are a hybrid between a press fit and a glue kit—indeed; they suggest you secure the parts with glue.  Honestly, the cockpit tubs are more detailed than either Hasegawa’s or Fujimi’s!  Whether they extend the line or not remains to be seen. 

    Monogram shrunk down their 1/48 scale F-4C/D and F-4J kits to 1/72 scale and issued them beginning in 1985.  The same comments I made for their 1/48 scale kits apply here, too.  At one point, they were reissued by Accurate Miniatures.

    In 1982, ESCI produced a 1/72 scale line of F-4’s, including an F-4C/J, F-4E/F, F-4S, and an RF-4C/RF-4E kit.  Like their bigger brothers, the F-4C/J is neither/nor, but an attractive model can be built from it—the cockpit is more USAF than USN, and the kit offers the slotted stabilators that were not used on the F-4C or F-4D.  The F-4E was “it” in this scale before the advent of the Hasegawa and Fujimi kits.  If you’re more interested in color schemes than in absolute nut/bolt/rivet accuracy, these might just be the ticket.  Like their larger brethren, they are still generally available in a variety of boxes, most recently Italeri.

    Starting in 1997, Revell AG/Revell GmbH (aka “Revell of Germany”) produced a series of long-nose Phantoms, including the RF-4E.  Some of the comments I’ve read state that the nose is too skinny/pointy, just like most of Revell’s—past and present–Phantoms.  The few I’ve seen built seem to bear that out.

    Airfix recently (2017 and 2019) released two Spey Phantom kits, an FG.1 and an FGR.2.  While nice, they have some curious omissions.  But they have a more accurate shape than Fujimi’s, and the aftermarket has catered to those who want to fix the goofs that Airfix made.

    FineMolds has announced a new tool kit of the F-4EJ and F-4EJ Kai that looks inviting, and should be useable (with a little work) as a hard-wing F-4E, as well.  Perhaps they will also make a slatted wing kit, and eventually follow Z-M’s lead and give us a state-of-the art series of Phantoms in 1/72 scale.  Hey, a guy can dream…

    There are others out there in 1/72 scale, but they really aren’t worth the time and effort: 

    In 1965, both Revell and Airfix offered 1/72 scale kits, and neither is very good, even looking at them as products of their time.  They have been released as pretty much every variant, with very few changes being made to the actual plastic.

    Matchbox did a Spey Phantom kit (as an F-4K/M) in 1975, and to their credit it wasn’t simply a re-boxed F-4J with roundels (as were the Revell, Airfix, and early Hasegawa kits), it actually represented a Spey-powered airplane.  But it was typical Matchbox—heavy panel lines and soft details.  From a shape/proportion standpoint, they were better than the Fujimi kits, but the practice bleeding you’d need to do to bring the rest of the kit up to Fujimi specs isn’t worth the effort, especially with the new Airfix kits available.

    Testors followed their 1/48 scale Phantoms with similar versions in 1/72 scale in 1981, and the comments I made about the 1/48 scale kits also apply to the smaller kits.

    Hasegawa had older kits of both short and long nose F-4 kits in the early 1970’s, and the F-4E was by far the better of the two.  The short-nose kits had some serious shape issues around the inlets, cockpits, and radome, so back in the day the best way to get a short nose F-4 was to mate the nose from a Revell or Airfix kit to a Hasegawa long nose fuselage and wing, and add the appropriate details parts (exhaust nozzles, pylons, etc.) and decals.  Interestingly, the older Hasegawa kits (particularly the F-4E) have been reissued up until 2010 or so, so you really need to check your scorecard before you purchase a Hasegawa 1/72 F-4.

    References?  You want references?

    Here are some of the better references on the F-4 (again, judged either by experience or peer review):

    The Detail and Scale series, Volume 1 (F-4C/D), Volume 7 (F-4E/G), Volume 12 (USN F-4’s), and Volume 43 (Updated F-4C/D) are decent references to use for the American F-4 variants, but they are, with the exception of Volume 43, a bit dated.  They include a Modeler’s Section with kit reviews as well as nicely done 3-view drawings.

    For the USAF variants, there is The Modern Phantom Guide: The F-4 Phantom Exposed by Jake Melampy.  It is currently out of print.

    Daco Publications has the Uncovering the US Navy Q/F-4B/J/N/S Phantoms book, and if you’re building a Navy F-4 and need a reference, well, this is it.

    Another good reference is Aerospace Publishing’s McDonnell F-4 Phantom: Spirit in the Skies.  A lot of text, a comprehensive listing of Phantom operators through the years, and, in the variants section, there are small drawings that illustrate the differences between the various subtypes of the F-4.  Initially published in 1992, a later revision was published in 2002.

    Finally, there is the six-volume (and counting?) Phantom series from Double Ugly!, an associate of AIRdocs Publishing.  They’re available from Shop of Phantoms or on Amazon.

    Online, there are a few sources, too.  For USN/USMC Phantoms, there are few better than Tommy Thomason’s Tailspin Topics site.  For a lot of miscellaneous data from a former Phantom Phixer, there is The Phantom Phacts site.  The Box Art Den, up until recently, had a fantastic Reference Gallery, featuring many old, obscure, and out of print reference books.  They've taken it down for various reasons, and the site managers are discussing how and if they will eventually re-establish it.  I do hope they find a way to at least restore some of it…

    Incidentally, if you haven’t yet checked out Scalemates and The Box Art Den sites, you owe it to yourselves to do so.  Both sites are treasure troves of information on models, model box art, and references.

    As you start to dive into all things Phantom, you’ll start to realize just how great an airplane it was.  Designed as a fleet defense interceptor, it performed that mission, the ground attack, and electronic warfare roles equally as well.  The fact that most NATO allies flew the F-4 in some guise or another at some point in time indicates the type’s usefulness. 

    As I said in the opening of this article, what you have just read represents a grain of sand on the beach as far as the F-4 is concerned.  There’s a whole world of more technical information out there—go discover it!

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    Thanks for reading.  Be good to one another, and, as always, I bid you Peace.