Howdy, all…
A few weeks ago, I traveled to the Big City of Atlanta. Normally at this time of year, a trip to Atlanta would be to go to the Airliner Collectibles Show at the Delta Museum. Not so this year.
A few years ago, a couple of friends turned me on to a band. At first, I was lukewarm about them–the videos they pointed to were a little outside my tastes. But one day, YouTube decided to throw another one of their live videos into my daily mix. I had to stop what I was doing to see who was behind the music I was hearing. I listened, and then replayed the video several times. And I gotta tell you, I was hooked. As I explored their YouTube catalog, I became more and more impressed with this band. Now, 20 years ago there would have been no way I would have taken such an interest in a new band, primarily because “new” music 20 years ago sucked rocks…
So, what is this band? None other than Band-Maid. Yep. A J-Rock band comprised of five thirty-something Japanese women who dress in maid costumes and play some kick-ass music. There’s more to it than that, but that’s what catches people’s attention. If you look up their history online, you’ll find out how the founder, Miku Kobato, after her Idol band fell apart, pitched a concept to the management company–she wanted to form an all-girl band that wore cute outfits and played cool music. How the band came together largely because the founder saw a guitar player’s videos online and tapped her as the lead guitarist, how the lead guitarist knew the drummer, and the drummer knew the bassist, and the management company was working with the girl who became the lead singer. You’ll hear about the early struggles–the lead singer would up having vocal cord surgery, the founder–who was the original lead vocalist–decided she needed to learn how to play rhythm guitar so she wouldn’t find herself the odd person out, or how the bassist wasn’t happy because in the early years they were playing music written by someone else…
My original reaction was “A band in costume? My hitch in the KISS Army ran out when I was 13”. Another friend told me to approach it in this manner, and if any of you are curious, here’s how to become a Maidiac. Pick a song. A live version is better, I’ll explain shortly (and might I suggest “Play”, “Puzzle”, “Freedom”, “Real Existence”, “Ready to Rock”, or “Super Sunshine”). Start the video, but just listen to the music. Listen all the way through. Now, go back and watch the video. Watch how the band interacts with the audience (the reason for choosing a live version). Then watch their faces. They’re smiling, they’re laughing, they’re trying to get each other to break focus. They’re bouncing around the stage. They’re interacting with the audience. In other words, they’re having the time of their lives…
Why attend a concert, then, if the live videos give this to you?
Let’s back up. Band-Maid doesn’t do concerts, they do “okyuji” (“servings”) for the audience (whom are referred to as “Masters and Princesses”), all based on the maid cafés where Miku worked. During the okyuji, they have a few MC breaks where the band members interact with the audience. During the first MC segment, they’ll introduce themselves, they’ll goof on each other, they’ll welcome all the Masters and Princesses in attendance.
The second MC segment is called “Omajinai Time”, or Magic Spell Time. It starts with chants or “Moe, Moe, Kyun, Kyun“, and from there it can get really goofy and really funny. Miku leads Omajinai Time (), and the chants will cover things specific to the location like Coca-Cola, pecan pie, Georgia peach (to which Miku pointed to herself), and finally, as she makes hand antlers, Buckhead (the venue was Buckhead Theatre) as she gallops around the stage.
The show following Atlanta was in Dallas, and Buc-ees got the Omajinai Time treatment, complete with Kobato hopping around the stage trying to imitate a beaver (looking more like a cross between a rabbit and squirrel)…
Omajinai Time is the reason to go to an okyuji. You can catch videos of it on YouTube, but there’s nothing like being a part of it.
An interesting tidbit I observed as I was standing in line–their audience skews older in the States. The guy in front of me had just turned 70. I’m in my early ’60’s. The guy behind me was in his mid-40’s. I asked the guy in front of me what hooked him. He said the following:
“Think about what we listened to in the late 1960s and early 1970s. That music was rapidly swept aside by (and he rattled these off rather quickly) disco, punk, New Wave, New Romantic, Hair Metal, Second New Wave, Glam Metal, Hip-Hop, Rap, Speed Metal, Grunge, and ‘Alternative’–whatever you want to throw in that bin. The bands we listened to that are still around haven’t released new material in years, and most of them are no longer the same bands–some of them don’t even have any original members. And here comes J-Rock and K-Rock, with these bands taking 1960s and 1970s rock and metal and putting their own spin on it. It is refreshing.”
As an aside, that is one thing that kept coming to my mind–my favorite band to that point was Jethro Tull. I like the unusual, sue me. But in the past 40 years or so, that band had been stagnant. Heavy Metal Grammy aside, they stopped releasing albums in 2009 (The Christmas Album). The founder and lead vocalist, Ian Anderson, can no longer sing–between his own vocal cord issues and a recent diagnosis of COPD, he cannot sing. At all. Then came 2011, when IA gathered the band in a room during the US leg of their tour and told them that Jethro Tull was done. He was tired of “making money off a dead man’s name” and wanted to tour solo. He had already branched out with some different musicians for some tours, so he already had The Ian Anderson Band in place. The big shock of this was how casually he tossed the band’s long-time lead guitarist, Martin Barre, to the curb after 43 years. And the big insult to the injury came in 2016, when IA resurrected the Jethro Tull name an released several albums with the new band…
Other examples:
- Townshend and Daltrey appearing as The Who (my wife and I call them The Why)
- Mick, Ronnie, and Keith touring at the tender ages of 83, 79, and 82
- Styx without Dennis DeYoung and Chuck Pannozzo, headed by a 76-year old James Young and 73-year old Tommy Shaw
- A reconstituted Rush without Neil Peart–Anika is good, but the band should have honored their decision to end once Neil died
- REO Speedwagon and Journey have both finally pulled the plug after most of the founding members moved on, were levered out, or died.
The one “legacy” act I give a pass to is Ringo and his All Starr Band.
Anyway, check these ladies out. They’ve quickly become one of my favorite bands. They’re taking a touring hiatus in 2027, but their 15th anniversary as a band in 2028–I’m expecting they will embark on a World Tour, and hopefully the North American leg will be longer than it was this year…
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As I near the completion of the 1/350th scale USS New Jersey, something dawned on me. Back in the 1980-1981 time frame, I remember buying a Revell 1/32nd scale F4U Corsair. I had just read an article in Scale Modeler magazine by Shep Paine where he unleashed his superdetailing mojo on this kit. I had been following Shep’s models since I got one of the Monogram kits with the diorama brochure in the box (the B-29, if memory serves). The Corsair was (and still is) one of my favorite airplanes of all time, and I wanted to see what I could do.
I remember some of the thoughts I had as I embarked
“This is going to be a lot of work!”
“What if I mess up?”
“Can I pull it off as well as Shep did?”
I was just entering my “serious modeler” phase, so doing a good job on this was important. Not getting something just so could be a deal-breaker.
I remember the project for another reason, too–I went out and bought my first Squadron-Signal “In Action” title.
As I progressed through the model, there were some things I didn’t do–he modified the engine using one from a Revell P-47. I couldn’t find one, and even if I could, it was outside my modeling budget. He added Waldron doo-dads, which again fell outside my finances. He folded the wing. I was going to try, but in the end I could not find enough clear reference photos of the areas in question, so I glued the wings in the spread configuration. If memory serves, I also left the flaps retracted, although I did cut the ailerons, elevator, and rudder free so I could reposition them.
I decided to do Tom Blackburn’s “Big Hog” because it featured the mid-1943 insignia with the red outlines. Couldn’t find acceptable decals (and again, my wallet had a say in the matter), so I took a 3/0 brush and thinned Testor’s Flat Red enamel and “converted” the kit items.
For the paint scheme, the only paint I had at my disposal were the Testors square bottles. I tried mixing my own colors, and was marginally successful, but in hindsight I know the colors were way off.
The most important thing about the model? I worked through my issues and got it finished. Was it perfect? Far from it. But I learned stuff–which should be the goal of every modeler on every project.
How does that relate to the New Jersey? The New Jersey is the largest ship model I’ve built where I incorporated a lot of aftermarket. Now, I had used ship photoetch before–mostly railings–but nothing that required some of the folding and bending that these parts did. And I faced some problems along the way. How did I deal with them? I used everything I had learned on every model I had built previously and applied those lesson learned. Again, is this model perfect? Nope. None of my models are perfect. But it is a handsome model of the ship named after the state in which I was born.
Which is what I wanted from the beginning.
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I’ve got the Olympic Airways 737-400 on the base, it just needs placards. The Revell 1/72 Gannett T.5 is close, too–the decals are on, it needs final clear coat, final assembly, and the base needs to be finished. The Tamiya 1/48th M8 HMC is in the same boat. Here in a few weeks (if I get off my fourth point of contact) I should have some pictures.
The parts for the F-80s have been removed from the runners and are ready for clean-up. Then, away we go…
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That’s all for now. Thanks for reading.
Until next time, be good to one another, and, as always (now more than ever), I bid you Peace.

